The Lucy Show – “Lucy and the Pool Hustler”

December, 1967.  Jean Balukas, who would become known as one of the greatest billiards players in the world, was just eight year old.  “The Duchess of Doom” Allison Fisher was still in her mama’s belly. The Women’s Professional Billiards Association (WPBA) would not be conceived for another nine years. Similarly, the inaugural World Ladies Snooker Championship would also have to wait almost a decade.

Though billiards was not yet a women’s professional sport, and most of today’s female legends were too young to play or not yet born, the game’s demographics were changing. The late ‘60s were a period of cultural tumult and women’s liberation, and as billiards expanded beyond the pool parlors, more and more women started to pick up their cues.

This is the chronological backdrop for The Lucy Show episode “Lucy and the Pool Hustler” which aired in December 1967 as part of the series’ sixth season. The Lucy Show, starring Lucile Ball as Lucy Carmichael, was the follow-up to the immensely enjoyable sitcom I Love Lucy.

“Lucy and the Pool Hustler” acknowledges this gender shift right from the episode’s get-go. Harry Norton (Stanley Adams), a customer of the bank where Lucy works, is the proprietor of Norton’s Ball and Cue Salon. Formerly known as Norton’s Pool Room, with its “sexy calendars,” the rebranded salon has been cleaned up to entice women to frequent his establishment.  In fact, “since the dames took over, business has been terrific… [The women] aren’t here to play pool…now they play pocket billiards.” As for the red-felted tables?  “So what, now that I got green in the cash register,” exclaims Mr. Norton.

While Lucy learned how to play pool as a child, she’s not a fan of the game, until she learns that there is a Ladies Pocket Billiard Tournament, sponsored by the (fictitious) Pacific Billiard Supply Co., with a $1,000 cash first prize. Remarking that with $1000, she could “buy a new car, and a new color TV, and a new wardrobe, and redo [her] apartment…a $1000 makes a lot of down payments,” she enrolls in the tournament.

Lucy’s main competition is Laura Winthrop, who the audience knows is really the cigar-smoking, fast-talking, pool-hustling army veteran Ace Winthrop (Dick Shawn) in drag.  Behind in his payments to Mr. Norton, Ace agrees to enter the tournament, masquerading as a woman, as the fastest path to paying off his debt.

The little billiards that occurs in the episode is pretty uninspiring. Most of the comedy is devoted to lagging for the break, with Ace doing a behind-the-back lag matched by Lucy lagging with the bumper of her cue.  When Lucy makes even the most basic shot, the onlookers go wild, presumably awed by her ability to pocket any ball, which may be a cultural indicator that the mainstream still found it hard to believe a woman could shoot pool.

(Ironically, Lucille Ball was allegedly an avid pool player.  In 1972, she even loaned her name and image to a table top pool game by Milton Bradley called Pivot Pool, which was a tiny, plastic version of billiards for families.[1])

Winthrop, in turn, quickly starts running the table. When he’s one shot away from winning the purse, he concedes that Lucy is a “cute trick,” so he will at least make the match interesting by calling his final shot, “2-ball off the side cushion off the [second] side cushion off the front cushion off [another] side cushion into the side pocket.” His get-the-money/get-the-girl plan falls flat, however, when his wig gets stuck on some of the salon sculpture. With his dame-game scheme exposed, Lucy becomes the winner.

While Ms. Ball was a true pioneer in comedy, it’s hard to argue she did much to advance billiards for women in the “Lucy and the Pool Hustler” episode. Fortunately, help was around the corner, as women like Dorothy “Cool Hand” Wise and Palmer Byrd, put billiards on a national stage, and young prodigies, such as Jean Balukas, Allison Fisher and Loree Jon Hasson began showing the world that the “big lie about billiards being man’s game” was no more.[2]

[1]   Pivot Pool was one of five games in the 1970s that Lucille Ball released with Milton Bradley. The others were Pivot Golf, Solotaire, Cross Up, and Body Language.

[2]   Quote attributed to Dorothy Wise. (Source: “Cool Hand Dorothy is Women’s Champion,” Sarasota Herald-Tribune, 10/27/71.)

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