Tag Archives: pool

Saved by the Bell: New Class – “Student Court”

Last week, I saw on CNN that actor Dustin Diamond had made headlines, and not for the right reasons. Mr. Diamond, who once played super-nerd Samuel “Screech” Powers on the sitcom Saved by the Bell and then on the some of the series’ spin-offs, had been found guilty of two misdemeanors relating to a Wisconsin bar fight and stabbing. Yes, this is the same Mr. Diamond who had almost been kicked off Celebrity Fit Club, released a sex tape (Screeched – Saved by the Smell), and got evicted from Celebrity Big Brother.

Saved by the BellWanting to remember Mr. Diamond in a more favorable light, I thought I would watch the billiards television episode, Saved by the Bell: The New Class – “Student Court.” Unfortunately, that proved even more grating than Screech’s horribly phocine voice.

That voice made its debut on Saved by the Bell, a lightweight, NBC sitcom that ran from 1989-1993 and featured a group of students and the principal of the fictitious Bayside High School. The series not only led to Mario Lopez eventually hosting Extra and Elizabeth Berkeley eventually licking a stripper pole in Showgirls, but also launched a series of spin-offs, including Saved by the Bell: The New Class.

The New Class ran from 1993-2000 and feature a rotating cast of students, including Mr. Diamond, who starred in six of the seven seasons. “Student Court” (September, 1996) is from the fourth season. In this episode, the high school principal creates the Rainy Day Inside Sports Festival, in which the victors win a weekend cruise to Catalina. The games include ping pong, darts, air hockey, and, of course, pool. Our gaggle of high-schoolers is determined to win, but to do so, they must remove the competition. In some instances, that means wielding their new appointments on the Student Court to mete out punishments to their opponents that effectively eliminate them. But, for billiards, they already have a secret weapon in Katie Peterson (Lindsey McKeon) who establishes her reputation when she calls and makes the shot, “3-ball, two banks, into the 4-ball, kiss the 8-ball, and in.”

Saved by the BellThe prospect of a trip to Catalina, however, leads Katie and her doubles partner, Nicky, to engage in some student hustling in order to earn sufficient cash to purchase some new swimwear. And while the ruse that they are “charging their fellow students for pool lessons” may fool a simpleton such as Screech, it doesn’t con Principal Belding (Dennis Haskins), who sends them to Student Court to receive their punishment.

As their friend chairs the Student Court, the misdemeanor could be dismissed, effectively increasing the group’s odds of winning the trip. But, given this is moralistic, saccharine, television, a true punishment is awarded, thereby killing the group’s chance at vacaying in Catalina, and presumably, also quashing Katie’s budding career as a pool hustler.

“Student Court” has bad acting, an imbecilic script, and dismal billiards-playing. Apparently, Mr. Diamond is not the only thing that needs some “saving,” though maybe his case would have fared better in the hands of this Student Court.

Saved by the Bell: The New Class – “Student Court” is available on DVD as part of Season 4.

The Hustlers

The HustlersLet me state upfront that I desperately want The Hustlers to succeed. But, for billiards players, the new reality series can be a frustrating television show to watch.  Some of the editing is sloppy, such as showing the balls in 9-ball getting pocketed out of order. Some of the games feel staged, though cast member and series tub-thumper Michael “Mikey Frost” Farley swears that is not the case. And, of course, most irksome and preposterous is The List, a ranking at Steinway Billiards of the top five players in New York, which provides the central plot thread to the series (as characters try to move up the List), but is otherwise pure fantasy, with top amateur player Gary O’Callaghan holding the coveted top spot.

But, guess what? The Hustlers was not produced for a viewing audience of pool players. It was produced for a mainstream, hopefully very large, audience that probably knows only nominally more about competitive billiards than it does about pawnbroking. Yet, Pawn Stars, the History Channel’s runaway reality success story, has commanded a viewing audience of 7 million people, which is a helluva lot more people than work in the country’s 10,000 pawn stores. So, the real question is not how verisimilar The Hustlers is to pool but how well The Hustlers works as reality television entertainment.

The HustlersAs I recently wrote in my blog post “Billiards Reality Shows Beware,” reality television has not been kind to billiards, though the sport has always seemed ripe for the genre. Fortunately, The Hustlers, which premiered on May 22, 2015, has the right backing behind it, starting with the show’s creators, Pilgrim Studios, the production house behind Street Outlaws and Fast N’ Loud, two popular cable shows that have experienced viewer levels of 3 million and 2.5 million, respectively. Then, there is TruTV, the cable network airing The Hustlers. Approximately 89.7 million American households receive TruTV, a network known for its original reality programming. Finally, two of the show’s cast members are Mike Dechaine and Jennifer Barretta (the star of 9-Ball), both nationally ranked and recognized billiards professionals, who should lend an aura of authenticity to the series. Talk about giving The Hustlers the edge.

The Hustlers

Emily Duddy

The series, which is largely filmed on location at Steinway Café & Billiards in Queens, NY, revolves around a 13-member cast of pool players (of varying abilities) and pool hall denizens. Most of the players are competing either to maintain their spot on, or move up, the aforementioned List, which is managed by William Finnegan, the “Godfather of Steinway Billiards,” a venue he adoringly refers to as “pool heaven” and “my second home.” In addition, two of the players, Mr. Dechaine and Jarrod Clowery, are transplants down from Boston, who have come to hustle (or, in the words of Mr. Finnegan, “rob the place”).

Having watched the first two episodes, I think The Hustlers gets several things right regarding the game of pool. First, the series introduces viewers to a number of variations of billiards (e.g., 9-ball, Scotch doubles) and to a myriad of (hustling) negotiation tactics to gain an edge over an opponent, ranging from determining who breaks and racks to deciding how many games to cede or which ball to “give.” Second, the series chalkboards key shots with the players providing voice-over commentary on how to hit a ball with English, how to position a lead, and/or how to set up a game-winning combo. For the untrained viewer, who hopefully comprises the bulks of the audience, these quick critiques reveal the less flashy and far more strategic side of billiards. And third, the series shows some great pool-playing, including not only the obvious telegenic masse and jump shots, but also multi-ball runs, combinations, and safeties.

My concern, however, is about the more fundamental staples of good reality television: interesting characters; small, unexpected moments of intimacy; and, of course, real, emotional conflict. And on this scorecard, The Hustlers is showing some early signs of struggling.

The Hustlers

“The Godfather of Steinway Billiards” William Finnegan

Granted I’ve only watched the first two episodes, but the character development is so far lackluster. The most interesting character is Mr. Finnegan, who is boisterous, comical, and self-aware. He’s a classic trash-talker, who feeds off the energy of the crowd. As his opponent Emily Duddy says in the first episode, “The only way Finnegan can beat me is if he gets under my skin.” Unfortunately, the producers sink to some cheap scripting tactics by trying to position Mr. Finnegan as an unrepentant sexist, who says, “Is [Emily] a star? Yes, in the kitchen,” and “You can walk around in a bikini. You still won’t win.” These lines do little to create authentic conflict.

The HustlersMr. Dechaine is also an enjoyable character. He is slick, unflappable, and conniving. He most personifies the hustler ethos, the ability to “take any advantage, that’s what the hustle is all about.” According to Kickin’ Chicken on the AZ Billiards Forum, “Mike stole the show thus far with him being himself, playing world class speed with total comfort on how to make the right games.” Mr. Dechaine is one of the top players in the country, so his hustle tends to revolve around giving away the minimum amount. That said, the level of adulation the other players show to Mr. Dechaine, endlessly repeating that he’s a top player, not only undermines Mr. Dechaine’s stated goal to “get on the List and win a lot of money,” but also reminds viewers that the List is simply a plot device.

At the other end of the spectrum, the least enjoyable and least interesting characters are “The Skateboard Kid” Ross Lacy, a henpecked twenty-something, who lives with his girlfriend Amy Tabarovsky, the resident witch, who bullyrags Ross into playing games, thereby earning the duo the self-proclaimed “single most obnoxious couple ever” moniker. Perhaps, the producers are trying to position her as a green baize Omarosa, but currently she lacks even a scintilla of the cleverness of the famous villainess from The Apprentice.

Like the majority of billiards aficionados, I am dying for The Hustlers to succeed. And, while I’m critical of aspects of the show, I’m also excited to watch the rest of the series and to hear how it inspires others.

In closing, I wanted to share this AZ Billiards Forum message from Macguy, entitled “A confession regarding The Hustlers:

I was one of the first out of the box who didn’t really like the first few shows. It has gotten better with episodes 3&4, much better. Here’s the thing, I don’t play that much anymore other than at home once in a while. ..Well the last few nights I had the urge to go out and play and last night I did go to the pool room. It is not a great pool room with poor lighting but it is only 10 minutes away. I had fun and even got into a cheap ring game for a few hours. I know it is because of watching The Hustlers show I felt like going out and playing. I can’t believe I am that unique, I wonder if it has had the same effect on anyone else.

Bikini Pool Shark

What do you get when you pair a Penthouse Pet of the Month with billiards? Hopefully, if you’re Spike TV, lots of engaged late-night viewers. That was the intent behind Bikini Pool Shark, a televised series consisting of one-minute videos that ran for 12 weeks on Spike, beginning in late November 2006.

Bikini Pool SharkFeaturing Penthouse model Krista Ayne, who was a contender for Pet of the Year in 2007, each sexually-titled episode of Bikini Pool Shark adhered to same structure that titillated viewers with 60 seconds of tongue-in-cheek instruction on how to make a specific trick shot.

Each episode begins with Ms. Ayne, wearing either a bikini or Daisy Dukes, writhing a bit on camera, before addressing the audience with the opener, “Hey guys, let’s break some balls.” A quick montage of Ms. Ayne in various vampish poses is then followed by her announcing that particular show’s trick shot with its suggestive title: “I’m going to show you how to Slip One In.

In the next 15 seconds, Ms. Ayne explains the specific trick shot using a barrage of sexual puns. For example, in the Slip One In episode below, she shares how she plans to “take care of four balls in one shot…the first three are pretty easy. But the last one is going to be a tight squeeze. Sometimes you need just a little curve to slip it right in.” Then, with the signature Bikini Pool Shark guitar riff looping, Ms. Ayne takes the shot, which is then shown again (and again) from different angles and at different speeds.   The episode wraps with Ms. Ayne’s sultry send-off, “I’ll show you game if you show me yours.”

The sexual double-entendres, puerile obsession with Ms. Ayne’s bodacious figure, and juvenile titles were all part of the adult themed, yet still whimsical, personality that Spike TV was cultivating in the mid-2000s. The station had a few years earlier pivoted to more adult-oriented programming, embracing its reputation as the “First Network for Men.” Thus, it’s perfectly fitting that some of the Bikini Pool Shark episodes included:

  • Running the Train – a trick shot involving a four rail carom of a trapped cue that runs up two cue sticks, rolls down two others, and sinks the 8-ball.
  • Blue Ball Special a jump shot that yields the zinger, “Sometimes a big stick just isn’t the right tool for the job.”
  • Splits – “For this shot, I pulled out my huge rack and I get to use two sticks at once.”
  • Bottoms Up – a pool prop novelty shot in which a beer glass is curved around balls to knock in the 9-ball

Bikini Pool SharkCarnal witticisms aside, Bikini Pool Shark does feature a number of very cool pool shots. All the shots were designed (and some were certainly made) by trick shot champion Andy “The Magic Man” Segal, who also served as the billiards technical advisor for the Woody Allen film Sweet & Lowdown and a number of billiards commercials (AT&T, All detergent). He explains (in more detail than Ms. Ayne provides) a number of the shots from Bikini Pool Shark on the how-to MonkeySee website.

Arguably, there is reason to criticize Bikini Pool Shark as a flagrant example of the objectification of women, and in a similar vein, a disparagement of women billiards players. Such censure is not without merit. But, I would counter that the promotional vehicle Rack Starz, which featured a dozen professional female billiards players in a variety of navel-bearing, cleavage-gazing, outfits and marketed them via the tagline, “Brains, Beauty, and an Amazing RACK,” was a far more egregious offender.

Bikini Pool Shark, for all its curves and gags, did not take itself seriously, and knew its audience, which was almost half (45%) women, did not either. Other than supporting the career of Ms. Ayne, who later appeared on the November 2008 cover of Rolling Stone with Kid Rock, Biking Pool Shark made little dent in the billiards universe, for better or worse.

Now, maybe I’ll go practice my Money Shot one more time.

Ever Decreasing Circles – “Snooker”

Congratulations to Stuart Bingham, who this past Tuesday defeated Shaun Murphy to win the Betfred World Snooker Championship, a tournament that reached more than 330 million viewers last year. In winning the £300,000 (about $457,000) prize money, Bingham said, “Just to put my hands on that trophy, seeing all the names on it, that’s just everything. It means so much.”[1]

Ever Decreasing Circles 3In a tribute to Mr. Bingham and the popularity of the Snooker Championship, I watched “Snooker” (November, 1984) from the second season of the British television comedy Ever Decreasing Circles that ran on BBC1. The series revolved around Martin Bryce (Richard Briers), an obsessive, middle-aged man from East Surrey who harbors an ongoing jealousy toward his new, younger, next-door neighbor Paul Ryman (Peter Egan), an adventurous, confident, charming playboy, who is seemingly better at everything than Martin.

“Snooker” begins with Martin imploring his wife Ann (Penelope Wilton) to assume the 32nd spot in the local snooker tournament he is organizing. Winning this tournament means the world to Martin, having starved himself for two days in past years when he was only a runner-up. Echoing Mr. Bingham, Martin yearns to hold the winner’s cup, which he fantasizes about “polishing every day.” When Ann rebuffs him, he begrudgingly asks Paul, who he had intentionally overlooked, fearing Paul will again demonstrate his dominance over Martin. (This obsession with not living in the shadow of another man is a recurring theme in British television. See the far more laughable Steptoe & Son episode “Pot Black,” which tackles this very issue.)

Just as Mr. Bingham, the oldest winner of the Snooker Championship since Ray Reardon won in 1978, defeated the younger Mr. Murphy, so too does the dowdy-looking Martin vanquish the impeccably attired Paul, albeit for a host of comedic reasons I won’t divulge here. Equally farcical is Martin’s ultimate loss to his friend Howard Hughes, who temporarily sheds his meek mien to win the match.

Though there is little snooker shown, what makes this episode incredible, particularly to an American viewer like me, are the snooker references, each punctuated by the laugh track, an implicit affirmation that the 12-million-person audience understands the joke, and thus, the reference.

Case in point: Seventy five seconds into the episode, Martin, having asked Ann to participate in the tournament, quips, “Steve Davis plays with women now.” Putting aside the dated gender humor, the audience laughs because it is familiar with Mr. Davis, the English snooker player who dominated the sport during the 1980s when he won the Snooker World Championship and was ranked world number one for seven consecutive seasons.

Ever Decreasing CirclesGiven Mr. Davis’ stunning achievements, it is little wonder he is a national icon. But, for American audiences there is sadly no counterpart, no billiards player that could be referenced with similar recall and reverence. (Minnesota Fats may be the one exception, but his legend is more due to his role as an entertainer than as a pool player, for he never won a major tournament.)

In fact, Mr. Davis is not the only player instanced. Later in the episode, Martin is dumbstruck when Paul unsheathes a new cue from its carrying case. Paul shares, “I borrowed the cue from a mate of mine, Tony.” “Tony Knowles?,” asks Martin. [Audience laughs.] “No, Tony Meo,” replies Paul. [Audience continues to guffaw.]

Ever Decreasing CirclesFor the aforementioned reasons, this is again a remarkable exchange. Tony Knowles shot to prominence in 1982 when he defeated Steve Davis in the first round of the World Snooker Championship. He was ranked #2 when “Snooker” aired. Tony Meo, whose highest ranking was 10, was largely known for winning four World Doubles titles.

To viewers of Ever Decreasing Circles, these were evidently household names. But, can you imagine a similar conversation about American billiards players? It is lamentable that less than a nano-sliver of US TV viewers might have heard of Johnny “The Scorpion” Archer or Earl “The Pearl” Stickland or even Jeanette “Black Widow” Lee.

Here’s a painful exercise: add up the number of Twitter followers of America’s top 10 current or former players. There’s no definitive list (e.g., Earl Strickland – 4090; Mika Immonen – 4268; Jeanette Lee – 4711), but I doubt, in aggregate, the sum will exceed 25,000. Now, compare those followers to those of some of Britain’s superstars (Shaun Murphy – 58,500; Ali Carter – 43,000; Ronnie O’Sullivan – 301,000). The numbers dwarf their US counterparts, providing a non-scientific, yet truly painful, reminder once again of how billiards has failed to attract an audience in the United States compared to other parts of the world, such as England and Southeast Asia.

The “Snooker” episode of Ever Decreasing Circles is available to watch online here.

[1]       http://www.bbc.com/sport/0/snooker/32590889

Go for Zucker

For many pool players of the silver screen, the game of billiards is a metaphoric path to freedom, whether financial, emotional, or spiritual. Consider Kailey, from Turn the River, who must reluctantly play one-ball to win enough money to rescue and flee with her son.   Or Sarah Collins, the down-and-out single parent from Kiss Shot, who decides that pool hustling is the only route to winning $3000 and saving her house. Or Harry, the Hard Knuckle nomad who will bet his fingers (literally) in a game of pool to reclaim his old motorbike and leave behind his dystopian existence. The list goes on and on.

Go for ZuckerTo this lot, we should add Jakob ‘Jaeckie Zucker’ Zuckermann (Henry Hübchen), the eponymous star of Go for Zucker (original title: Alles auf Zucker!), a 2004 German-made, Jewish comedy about an unlucky journalist whose motto “New game, new chances,” has steered him into a world of financial debt.   His only possible salvation: the European Pool Classics tournament with a 100,000 euro prize for the winner.

As we quickly learn from flashbacks, Jaeckie is a pool hustler and gambler whose sad-sack, indebted lifestyle has him one stroke away from his wife divorcing him, the police arresting him, and the bank shutting down his night club for twelve months of missed payments. His misery is compounded when he learns via telegram that his mother has died, and that he must sit for Shiva (a week-long mourning period), which necessitates reconciling with his estranged Jewish brother and conspiring with his goyish wife to act Jewish (i.e., keep kosher, host Shabbat), lest he forfeit an undisclosed portion of the inheritance. Sitting for Shiva, however, will prove impossible if Jaeckie is to compete in the pool tournament.

Go For Zucker (Spain)Cue the comedic lunacy. Ever the hustler, Jaeckie will fake heart attacks, fall onto his dead mother’s coffin, take Ecstasy, lie to the entire family, sneak out of a synagogue on a stretcher handled by fake paramedics, and violate pretty much every aspect of Jewish law, in order to get his shot at the prize money.

Go for Zucker has generated little news among the billiards community since its release. Within the AZ Billiards Forum, the gold standard of billiards chatter, there has been just one message post, and none on the Billiards Digest or Vegas Billiards Buzz forums. The former Billiard Boys billiards movie list, which includes more than a handful of foreign and independent films, didn’t even reference it.

Yet, this is hardly a low-budget, B-rated, made-for-television film. On the contrary, the movie received generally favorable reviews from the mainstream press, four nominations for the European Film Award, and four wins plus six additional nominations for the Deustcher Filmpreis (Germany’s highest film award) in 2005. (As one journalist wrote, “It’s not every day that a comedy about German Jews, told by a non-Jewish writer, depicted by non-Jewish actors and directed toward a non-Jewish audience, succeeds in Germany.”[1] ) The movie has even been written about in a number of books on film, including Strategies of Humor in Post-Unification German Literature, Film, and Other Media and A Companion to German Cinema.

Go for ZuckerOne likely reason for the omission is that Americans aren’t really interested in foreign-made films. In fact, 95% of all films watched by Americans are US films.[2]

Then there is the subject matter. Dani Levy, the film’s Jewish director of German-Swiss origin, said he made the film to try to revive the genre of Jewish comedy, first made famous by Ernest Lubitsch. Perhaps, the notion of using comedy to address the question of Jewish identity in the Berlin republic is not going to resonate among a community that hasn’t had a famous Jewish player since Mike Sigel was inducted into the Billiard Congress of America Hall of Fame in 1989.

Finally, the reason may be the billiards, or lack thereof, in Go for Zucker. Within the 95 minutes, there are only a handful of pool-playing scenes, from the opening hustle to the tournament play to the final match occurring outside of the tournament. Nonetheless, as I’ve stated before, an enjoyable billiards movie does not need to feel like InsidePoolTV.   That’s the great thing about billiards as a metaphor. What it represents off-screen can be far more compelling than watching a handful of shots made on-screen.

Go for Zucker is widely available to stream, rent, or buy on DVD.

[1]       “They’re Laughing at Jews in Germany,” by Michael Levitin, Forward, July 8, 2005

[2]       http://screenville.blogspot.com/2010/01/foreign-film-friendly-countries-world.html

Extended Rest (screener)

As millions of people get ready to start watching tomorrow the Betfred World Snooker Championship, many of the usual names will bandied about in acts of prognostication. Will Mark Selby successfully defend his title? Which Ronnie “The Rocket” O’Sullivan will emerge at the baize? Can “The Centurion” Neil Robertson reclaim the trophy? And on and on.

Extended RestYet, one name likely to get little mention amidst the cacophony is Terry “the Grenade” Kincaid. Never heard of him? Well, if Oliver Crocker has his way, that’s all about to change in the very near future.

Terry Kincaid is the fictional star of Mr. Crocker’s forthcoming snooker film Extended Rest, which I wrote about back in August. Played by the veteran actor Tony Osoba (from the BBC sitcom Porridge, as well as Give Us a Break), Kincaid is a snooker legend, who left the game after the death of his wife, and now lives in the shadow of his former reputation. Younger players no longer know his name. Other local curmudgeons deride him as a “has-been.”

Today, Mr. Crocker released a 20-minute screener of Extended Rest, available to watch here. The screener is intended to be a short film in its own right. While the feature film will include the same story, it will likely be reshot from scratch.

The majority of the short film takes place in the real-life Twickenham Club (in Twickenham, United Kingdom). As played by Mr. Osoba, Kincaid is soft-spoken and well-mannered, but clearly a shell of his former self. The Club has other patrons, who either contribute to Kincaid’s back-story or provide some comic relief.

At the center of the short film is a standoff between Kincaid and Alec Slater (Ian Cullen), a disagreeable, penny-pinching patron, who has not paid his annual dues to the Club and who seizes every opportunity to mock Kincaid as a washed-up snooker player. Ultimately, Kincaid wagers that debts and differences should be resolved in a single game of snooker. The outcome is decidedly resolved with Kincaid making a century break, thereby injecting a wee bit more liquidity to the struggling Club and, far more important, energizing Kincaid for the matches that presumably lie ahead.

Mr. Crocker shared with me that the feature screenplay is currently with a studio, and that he is meeting with them shortly to review the third draft. So, as you’re debating what the future looks like for recently recovered Ali Carter or 2005 champion Shaun “The Magician” Murphy, remember those names Crocker and Kincaid. Hopefully, we’ll be hearing a lot more about them in the near future.

The Flying Nun – “Armando and the Pool Table”

In the 1935 movie Bad Boy, Eddie Nolan, a billiards player and occasional hustler, is derided by a disapproving family as a “street-corner loafer,” a “pool hall hoodlum,” and a “bad boy.” In doing so, the family proffers the argument that passion and talent for pool is a one-way ticket on a path to reprobation. Thirty-five years later, the ABC sitcom The Flying Nun made a similar contention in the third season billiards episode “Armando and the Pool Table.”

Flying NunHaving never known that Gidget once flew through the air wearing a habit, I was tickled pink to have stumbled across this particular late-‘60s television series. (As one reviewer opined, “Bewitched, I Dream of Jeannie, and The Flying Nun constitute the troika of sitcoms that truly represented the 1960s.”) For the uninitiated, The Flying Nun starred Sally Field as Sister Bertrille, a 90-pound nun who in joining the Convent San Tanco in Puerto Rico, discovers she has the literal gift of aviation, a power granted to her by the combination of her light weight, the heavy winds, and the aerodynamic nature of her cornette.

In the 1970 episode, Armando and the Pool Table,” Carlos Ramirez (Alejandro Rey), a local playboy and casino owner who is also a patron of the sisters, unloads a pool table on the convent. Though Reverend Mother Placido (Madeleine Sherwood) initially protests, saying, “This is a teaching order not a pool parlor,” she is swayed by Sister Bertrille’s assertion that pool might provide a good distraction for Armando, a sweet-hearted youth with a penchant for pursuing risky activities like swinging from tree branches and jumping from rooftops.

Flying NunOnce the convent finds room for the table in the cellar by clearing out the pickles (“and so where the briny pickle had reined the billiard ball now rolled”), the impressionable Armando quickly takes a liking to the game, especially when he watches and is then taught by a local legend Emilio Gomez (John Hoyt years before achieving wider fame as Grandpa Kaninsky on Gimme a Break!).

The lessons go so well that Armando’s education starts to suffer, providing the first thematic hint that pool is a gateway to a world of damnation. Acting decisively, the Reverend Mother says Armando must focus on “his schoolwork not his pool work” and instructs Sister Bertrille that “we must give up the pool table and he must give up the game.”

Flying NunBut, Sister Bertrille recognizes that taking the table away will only increase his love for the game, so she concocts a scheme in which he will be shown up by Carlos, who not surprisingly for a gambler and Casanova, is also a pool hustler. In a “big time pool game” waged for “six small ones,” the “Minnesota Fats of San Tanco” (Carlos) plays the “Minneapolis Skinny of the Convent” (Armando).

More confident than his years, Armando scratches after pocketing a few balls. Carlos, in turn, quickly runs the table. At this point, to further put pressure on Armando, Sister Bertrille raises the stakes to $5,000, putting up as collateral the convent’s prized “golden candlesticks” and exclaiming, “We’ve suckered him into the big one. Now we can clean up.” Terrified by the pressure, but not wanting to disappoint the sisters, Armando agrees to play, but is then glory-hallelujah relieved when the Reverend Mother appears, shutting down the game. Swearing off all sinful avocations, the saved (and duped) Armando confesses, “I will not be a pool player or a paratrooper or a trapeze artist. No sir.”

In the end, the pool table is excommunicated, returned to its rightful hustler Emilio Gomez, and the pool passion is drowned, leaving room for good schooling, religious teaching, and (with a comedic wink), other prosperous hobbies.

The full episode of Armando and the Pool Table” is available here. Watch carefully for a brief appearance by future Charlie’s Angel Farah Fawcett.

https://www.youtube.com/watch?v=AyvbtoCeK9s

The Chalk Up

Though it’s hard to trump the rivalry that exists between the White and Black Swan ballerinas in the 2010 Oscar-nominated film Black Swan, the face-off between the two ballet dancers in the 2003 short-film The Chalk Up presents a pretty compelling runner-up.

The Chalk UpThe Chalk Up takes us behind-the-scenes (literally) of a local charity event where a pair of coryphées spar over a game of snooker as they await their turn onstage. Directed by Frank Conway and written by his wife Jo Conway, the film masterfully uses its three minutes to capture the disdain and disgust each woman harbors toward the other, starting with the first snarled utterance, “Shit.”

As one of the ballerinas (Marian Quinn) stretches her leg across the snooker table, the other (Aisling O’Sullivan) taunts her about “throwing [her] legs akimbo for all the world to see,” a thinly veiled allusion to the first dancer’s side job as a stripper. Not missing a beat, the first dancer saucily retorts that her “wax takes care of any glimpses of runaway shrubbery,” then pretends to lick the cue stick with her tongue in an obvious simulation of fellatio.

The Chalk UpThe ballerinas begin a snooker game, though the camera wisely does not focus on the potting of the balls, but rather keeps the viewer glued to the dancers, practicing their pliés and relevés, and otherwise trading venomous barbs about “breast implants,” “visible knickers” and the “amount of axle grease you smear over yourself.” The caustic tête-à-tête only comes to a halt when both are summoned for their parts, leaving their game – and their differences – most unfinished.

The Chalk Up, which premiered in October 2003 at the Cork (Ireland) Film Festival, is ingenious in its simple yet highly effective use of a snooker match as a backdrop to the larger tug-of-war between the two women. It gives their cattiness a channel, which is intermittently punctuated by the loud crack of the cue smashing into the balls and the hushed voice of the musical announcer directing people to listen for their cues. An incredible amount is conveyed in an incredibly short amount of time.

The full three minutes of The Chalk Up is available to watch here.

Friday the 13th – “Wedding Bell Blues”

In the cosmology of billiards film/television, there is an inherent yin and yang, meaning for every cinematic masterpiece such as The Hustler, there also exists a catastrophe like Virgin Pockets. The same holds true for billiards television. For masterworks such as “A Game of Pool” (from the Twilight Zone) or “Physical Education” (from Community) to truly shine, equivalent fiascoes must be produced to counterbalance and restore equilibrium. Such is the bottom-scraping role of Friday the 13th – “Wedding Bell Blues.”

Wedding Bell BluesFriday the 13th was an American-Canadian televised horror series that ran for three seasons from October 1987 to May, 1990. The series followed two antique hunters, Micki Foster (Louise Roby) and Ryan Dallion (John D. LeMay), who try to recover and safely store a variety of cursed antiques. In the case of “Wedding Bell Blues,” that antique is a hexed cue stick, which enables its user to play can’t-miss pool, so long as the stick’s power is periodically replenished via impaling someone and taking the person’s life.

Airing in May 1989 during the series’ second season, “Wedding Bell Blues” includes embarrassingly inaccurate pool sequences, a third-grade script, and robotic acting. The full episode is available to watch here. As an example, early in the episode, Danny, the unwitting owner of the cursed cue, is at the Silver Dollar Pool Hall playing an opponent, who is trouncing him in 8-ball, calling shot after shot…except, none of the pocketed balls actually match the called shots.

https://youtu.be/Ijq3visRMvs

The title, “Wedding Bell Blues,” refers to Danny’s girlfriend, the bridezilla Jennifer, who has convinced herself they will marry as soon as Danny wins the big pool tournament. She understands that feeding the stick (i.e., impaling pool hall patrons) is a necessary evil to keep his game sharp. As she says, “Long as I’ve known him, shooting pool is all he’s ever wanted to do.”

Her dirty little secret is that she is carrying Danny’s baby, so marriage is more important to her than anything. She doesn’t want the baby born out of wedlock. Thus, when her younger sister, Christy, played by the then-unknown actress Lolita Davidovich, says with cardboard conviction, “Why don’t you grow some brains and walk away from him?” she replies, with dramatic wallop, “Because I can’t.”

Clearly, my Friday the 13th bad luck came a couple of weeks late this year, as a more apt title for this time-sucking episode would have been “Billiards TV Blues.”

Billiards Reality Shows Beware

Within the sub-genre of reality shows focused on career professional activities, there are series about everyone from taxidermists (Immortalized) and life guards (Bondi Rescue) to repo men (Lizard Lick Towing) and pest controllers (Billy the Exterminator). It is not then farfetched to suggest there should be one on pool players. Throughout history, pool halls have been a mecca for characters with indelible names and colorful personalities who seem primed for the camera.

Case in point, consider the pool hustling era of the 1960s and 1970s. Imagine having documented 24/7 with fly-on-the-wall intimacy the hustles of Bernard “Bunny” Rogoff, the intimidation of “Sugar Shack” Johnny Novak, the hijinks of U.J. Puckett, or the hygiene of Omaha Fats? Add in the jarring, dumping, woofing, and jonesing, and you would have had reality gold.

Fear FactorIn fact, billiards has been the focus of reality television episodes on numerous occasions. In the “Billiards for Gross Eats” episode of the reality show Fear Factor, contestants had to shoot pool to determine what inedibles (e.g., squid guts, putrid duck egg) they were required to eat. On the “Empty Pockets” episode of Bar Rescue, host Jon Tasker tried to save Zanzibar Billiards from collapse. On Pimp My Ride, rapper-host Xzibit helped transform a beat-up 1988 Chevy S10 into a mobile pool table on the episode “Sara’s Chevy S10.” And, of course, all the flagship reality shows (i.e., Big Brother, The Real World, The Bachelorette) that congregate hot twenty-somethings with raging hormones and grating personalities into a single house, naturally include pool tables on the premises, providing the perfect backdrop for late-night revelry and drunken competitions.

14 Days Great Pool Experiment - billiards moviesBut, reality is always more complex, and for whatever reason, billiards has yet to fully infiltrate reality television. One reason may be that it’s “boring as piss [to watch],” as semi-pro pool player Andrew Cleary recently shared on a message forum about the topic. To date, the only billiards reality show that I would deem a success is Tor Lowry’s 14 Days – The Great Pool Experiment web series, in which Mr. Lowry films himself providing two weeks of non-stop instruction to amateur players seeking to improve their game. The show works because of its earnest mission, though its viewership is tiny. Otherwise, the billiards-reality show convergence is littered with dead-end pilots and unfulfilled promises.

One of the first to surface was Diaries of Pool Hustlers, a reality show that Blair Thein and Jerry Tarantola began working on in 2007, if not earlier. The concept was for cameras to follow “professional players/hustlers through the grind of different states and cities, traveling on the Hustle Bus as they match up with worthy opponents, putting their names on the lines” and finally competing in the Ultimate Billiard/Poker Extreme Challenge. Unfortunately, these diaries wound up unread. The trailer is available here.

Billiards Reality ShowsAnother reality show still in limbo is the awesomely named, highly anticipated Pool, Poker and Pain. Since 2008, nine-baller, mixed martial artist, and entrepreneur Blair Thein has been promoting his ultimate reality show that would feature contestants battling each other at the pool table, the poker table, and in Mixed Martial Arts combat in the Circle of Truth. While there has been little news on the series since the announcement in late 2012 that Jay Adams (Deadliest Catch) had signed on as a producer, I’m crossing fingers and toes this show gets released one day.

In 2011, Andrew Cleary and Pool Wars author Jay Helfert miscued with their reality show concept High Stakes Pool (later renamed The Pool Hustlers). They shot a 105-minute pilot that featured billiards players Morro Paez, Rafael Martinez, and John “Mr. 400” Schmidt engaged in a high stakes $100-a-man Ten Ball ring game. The plan for future episodes was to increase the stakes to $500 per man, but the pilot was not picked up. The trailer is available here. The DVD of the pilot is sold on Mr. Helfert’s website.

More recently, there have been a slew of announcements about billiards reality shows. Some have already fizzled, others face a challenging road ahead, given the minimal commercial success of their predecessors.

Billiards Reality ShowsOne example is American Road Player (formerly American Hustlers), a new reality series announced in November 2014 that promised to “take you on a 2100 mile ride through 10 states, 40 pool halls and countless hours of pressure-packed shots on the way to the most lucrative week in high stakes, under­-ground pool gambling: The Derby City Classic.” The show planned to feature a crew of hustlers, led by Fred “Scooter” Goodman, a 26-year-old father of two whose motto is, “Only bet on something that you KNOW you can win.” The show had strong production talent behind it, and ran the table when it announced that Keith McCready (Grady Seasons from The Color of Money), was joining the cast. But, a failed Indiegogo fundraising campaign generated just $2,485 of a $40,000 goal, effectively killing the concept.

A billiards reality show that may break from tradition and prove more successful is Kings of Cue. This past December, TruTV announced it was beefing up its original programming and ordered 10 episodes of the series from Pilgrim Studios, the producers of Street Outlaws and Fast N’ Loud, two popular cable shows. Kings of Cue will feature cutthroat pool players, such as Andrew Cleary, competing in New York billiards halls. The series is expected to air at the end of April.

In January 2015, Kelsher Entertainment announced it was recruiting “every day, local, pool players” for its Ultimate Pool Sharks Tournament in Atlanta, May 29-31. The tournament, however, will also be used to produce a reality TV pilot. According to their website, “some of the best and most interesting players can be found in neighborhood billiard halls.” Selected participants will be video recording during tournament play and at other times. Therefore, “colorful personalities and dress styles are as important as good billiard skills….and a little “smack talking and showboating is encouraged…this is REALITY TV!”  

Billiards Reality ShowsAnd finally, there is She Sharks, perhaps the most hyped and highly awaited of all the billiards reality shows. Yet another brainchild of Blair Thein, the show first started generating chatter in late 2013. According to the website, the series, produced by Axius Entertainment, will follow seven professional female pool players on a “10-week excursion across the country on the Hustle Bus looking for action in some of the most notorious “off circuit” pool halls sometimes found on the wrong side of town.” The septet of women include some the best –and hottest – women in the sport: BCA Hall of Famer Jeanette “The Black Widow” Lee, BCA Hall of Famer LoreeJon Hasson (nee Jones), Rachel Abbink, Akiko “The Leopard Queen” Kitayama, Kathryn Fairchild, Dawn Fox, and (just announced in January) MAXIM model Shanelle Loraine. The show is supposed to begin filming right around now, starting in Florida.

If history is any predictor of the future, these shows have a (very) tough road ahead. But, billiards has always struggled to find a viewership, so what else is new? Better to put down the Magic 8-Ball, sit back and keep your remote handy, and stick out a thumb, hoping, just hoping, you might hitch a ride on the Hustle Bus.