Tag Archives: pool

Sanford and Son – “A House is not a Poolroom”

There are no amazing billiards shots. There are no dark, musty barrooms.  There are no cameos from billiards professionals.  There is no mention of Brunswick or Olhausen or Viking, just a nameless fold-up pool table and four cues protruding from a milk crate.  But, “A House is not a Poolroom,” the November 1973 episode of Season 3 of the sitcom Sanford and Son is great billiards TV all the same.

Sanford and Son - Billiards TVThe premise of the episode is that after Lamont (Demond Wilson) gets his father Fred Sanford (Redd Foxx) a pool table for his birthday, he neither can get his father away from the table to attend to his family responsibilities, nor can he get any peace and privacy in house, since his father’s gaggle of friends have now ‘moved in’ to use the table.

Of course, what makes this individual episode hilarious (available below in its entirety) is the same ingredient that worked so well for Sanford and Son during most of its 6-year run: the brilliant comedian Redd Foxx, who helped turn racial prejudices on their head through Fred Sanford’s in-your-face antics, quick-witted tongue, conniving personality, and over-the-top selfishness.

http://youtu.be/eHs_KJnOAF8

Billiards, a sport requiring incredible mental stamina, has always provided a great stage for taunts, boasts, jests, and, in general, any kind of oral one-upmanship. (For a refresher, check out how Jonathan Winters rattles Jack Klugman in the seminal billiards TV Twilight Zone episode “A Game of Pool.”)

In “A House is not a Poolroom,” Redd Foxx unleashes his acerbic wit on his friend Grady with one-liners such as, “I’ll whip you like I was your daddy”; “I can roll you big fat guys up into one big round ball, and use you for a cue stick and beat both of you”; and “Grady, I could beat you blind-folded, one arm tied behind me, and the other one in a cast wearing armored shoes in the hospital having an emergency appendectomy.”

The other wonderfully humorous thing about the episode is how it captures the lure of pool.  Once the table is in the house, Fred ignores all his other responsibilities, as well as his romantic interest Donna, to keep playing.  The table becomes Mecca for his friends.  In fact, the cruel irony is that Fred must ultimately get rid of the table, lest he have to keep putting out money to feed his friends.

Finally, it’s worth noting that “A House is not a Poolroom” was likely the first in a history of black sitcom episodes to prominently feature billiards.  Three years later, there was another Sanford and Son TV episode indirectly about billiards called “Carol.”  And then in the ‘90s, billiards was prominently featured both on The Fresh Prince of Bel-Air (“Bank Shots” (1991)) and twice on The Steve Harvey Show (“Pool Sharks Git Bit” (1996) and “What You Won’t Cue For Love” (1998)).  Were there others?  Let me know.

9-Ball (billiards movie)

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Though 12 different billiards movies have been released since Poolhall Junkies in 2003 (Don’t believe me?  Check my list.), the only one that really catalyzed the billiards community with anticipation and passion was the most recent one, the 2012 billiards movie 9-Ball, written and directed by Tony Palma.

9-Ball with Jennifer Barretta - Billiards MovieIt wasn’t just that the film starred Women’s Professional Billiard Association (WPBA) pool professional Jennifer “9mm” Barretta as the lead, or that Allison “The Dutchess of Doom” Fisher and Jeanette “Black Widow” Lee, perhaps the two most famous women in billiards, were going to appear in the movie.  It wasn’t even that the American Poolplayers Association (APA), the world’s largest pool league, was a sponsor of the movie (though it significantly helped that the APA marketed the movie to its 265,000 members).   It was that the movie sought to show pool as a professional sport.  As Palma told me, “I wanted to take the essence of pool out of the smoky backroom bar scene and shine a bright spotlight on it…I wanted to focus on one woman’s dream of becoming a professional pool player.”

This proven, well-worn theme of an aspiring athlete overcoming obstacles to pursue a dream is so recognizable in cinema, from Rocky to Rudy, from Hoosiers to Hoop Dreams, yet it had never been done in billiards, a sport that is too often derided as a barroom game with professional players too often caricatured as hustlers.  (Yes, the movie The Hustler likely contributed more to the popularity of pool than any other single event, but it also did reinforce the stereotype.)

Under this lens, it’s clear why the APA sponsored the film, why the Billiard Congress of America (BCA) endorsed the film, and why interest and enthusiasm abounded from all across the globe, years before the film even began shooting.  Similarly, it’s why individuals like Allison Fisher and Jeanette Lee lent their name.  According to Palma, “[Jeanette] felt the movie would be beneficial to pool…She felt it would get people interested in playing in an organized league…she felt it told a very positive story about pool and about women in pool.”

For those not familiar with the movie, it follows the life of a young Gail (played by Barretta), who is left in the care of her creepy uncle Joey (played by Kurt Hanover), after her father is murdered.  The uncle, sensing great pool skills in his niece, turns her onto the life of hustling and uses her as a way to make money for himself.  But, as Gail gets older, she aspires to break out of that lifestyle and join the APA to become a professional 9-ball champion.

(Interestingly, Poolhall Junkies also is about a skilled billiards player who dreams of becoming a professional, but has his plans sabotaged by his mentor/trainer, also named Joe.  Of course, that’s where the similarities between the two movies stop, and as we all know, Poolhall Junkies ultimately presented a far less positive portrayal of league play/players.)

9-Ball took Palma almost 5 years and a budget just under $1 million to make, such was the challenge of “independently writing, casting, directing and producing a dramatic, contemporary, character-driven feature film.” Financing was a big issue.  Fortunately, Palma produced a trailer from some of the original scenes that generated excitement and ultimately landed him an angel investor.

With all the anticipating mounting for so long, it is not a surprise that when the movie was finally released in November, 2012, reviews ran the gamut (as you can clearly see on IMDB or Amazon).  Regardless of whether the movie is a little too “feel-good,” my primary criticism of 9-Ball is the sheer lack of pool.  In my interviews with both Palma and Barretta, they dismissed this criticism.  “It’s really a character-driven story more than it’s a story about pool,” said Palma.  Barretta also said, “It’s not a movie about pool, it’s a movie with pool in it.  I don’t think a montage of fancy shots will help tell the story.  Nobody is impressed by them.”  But, given the movie’s noble purpose, I wish the movie had emphasized and shown in much greater detail the beauty, skill and art of an exceptional game of billiards.  Of course, Martin Scorsese did this exceptionally in The Color of Money, as did Mars Callahan in Poolhall Junkies.  But, even a little known film like Carambola (2005) figured out how to weave in incredible examples of three-cushion shots.  In 9-Ball, Barretta’s final rail shot is a stunner, but it’s a rare treat.

On the other hand, I think too many of the movie’s harshest critics did not understand Palma’s underlying objective to “shine a bright spotlight on pool…and to talk about a sport that is deserving of being in the Olympics.” Measured against this goal, I give the movie high marks, and I join the thousands of others around the world who, according to Palma, have sent emails and Facebook messages saying how much they appreciated the portrayal of billiards in 9-Ball and its obvious respect and love for the sport.

To conclude, I want to share the sentiments expressed by Michael J’s Cues in Toledo, Ohio. “Overall in my opinion this movie promotes the game and that is great for the business of billiards…An honest reflection of the game as it stands today!! The game of billiards needs to be shown more as a game the whole family can enjoy.”.

To watch or purchase 9-Ball, go to Tubi or Roku.  You can also join the 9-Ball community on its Facebook page or follow 9-Ball on Twitter (@9Ballthemovie).

Special congratulations to Jeanette Lee, who appeared in 9-Ball, for her induction just days ago into the Billiard Congress of America Hall of Fame.

8 Ball (billiards short film)

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In 2007, having graduated from the USC School of Cinematic Arts, Inon Shampanier decided to make a short film that could showcase his writing and directing talent, and ultimately, help him get his first feature made.  That billiards short film was called 8 Ball.  Released in 2008 at the Rhode Island International Film Festival, 8 Ball was well-received, and it subsequently played at several other film festivals.  It also helped Shampanier achieve his larger goal:  in 2012, he directed The Millionaire Tour, his first feature film.

8 Ball - billiards short film8 Ball occupies an interesting niche in the “billiards movies” genre in that it uses pool as an “allegory for life,” while the actual game of pool is only featured in the opening credits and first scene.  As Shampanier shared with me, the larger allegory is that “like balls on a pool table, the lives of strangers collide and change course.  The film poses questions about the accidental nature of these collisions and the sense of ‘order in the chaos.’”  Said differently, a billiards game may make all the sense in the world until one unintended shot completely disrupts everything, creating a new game to play.

In more practical terms, the movie mingles the separate lives of three characters: an ex-con terrified to reunite with his daughter, a hustler who is terrified to breach his moral limits, and a tough orphaned child who is terrified about his exterior cracking and revealing a longing for family.  And, of course, these lives not only eventually intersect, but also have an unexpectedly optimistic conclusion.

Though the film’s pacing is a little erratic, it’s quite impressive the amount of interesting story-telling that Shampanier packs into 24 minutes.  And any billiards short film that gets one thinking about the cerebral nature of pool is a winner by me.

Special thank you to Inon Shampanier for sending me a private copy of his movie and responding to my questions.  8 Ball is not currently available for sale or public viewing.

Pat & Mat – “Billiard” (billiards TV)

Ever since the stop-motion animated sequences of billiard balls jumping off the table and re-racking themselves in the 1915 short film Pool Sharks, billiards and animation have been recurrent bedfellows.  From the traditional animation of the Tom & Jerry episode “Cue Ball Cat” in 1950 to the anime of Death Billiards in 2013, billiards and animation have supported one another in their pursuit of motion.  After all, without movement, there is neither billiards nor animation.

Pat & MatSo, it’s a not a surprise that the highly popular Czech stop-motion animated television series, Pat & Mat includes a memorable and award-winning episode “Billiard” (or “Kulečník” in Czech). Created by Lubomír Beneš and Vladmír Jiránek in 1976, Pat & Mat features two handymen who encounter self-made problems and then hatch Rube Goldbergian solutions that then spiral into more problems.  Throughout a 7-9 minute episode, the two handymen never get discouraged and often their imaginative solutions are far more interesting than the original problem.

In the case of the 1994 episode “Billiard” (shown in its entirety below), the predicament begins when one of the legs on Pat and Mat’s new billiards table falls off.  Unable to reconnect it, they attempt to level the table with books under one corner.  When it’s still uneven, they proceed to elevate all sides with books, then elevate themselves with a crate, which then has the unintended effect of causing them to puncture holes in the ceiling, break the television, lose a ball down the toilet, and even explode a ball in the fireplace (apparently verifying the old urban legend about flammable cue balls). Unfazed by the self-imposed destruction to both their new table and their house, the episode culminates with them cheerily using the one remaining billiard ball to play a crude form of bowling outdoors.

 

Aside from an immensely humorous way to spend 8 minutes (note: the show was initially conceived for adults), the “Billiard” episode also provides a great lesson in billiards education.  In July, I guest wrote an article for About.com entitled “A Billiards Education in Movies.” The article’s main premise is that people could learn a lot about alternate forms of billiards, as opposed to the common pocket billiards games (e.g., 8-ball, 9-ball, straight pool) from watching specific billiards movies and TV episodes (e.g., the Italian carom billiards game goriziani from the movie The Pool Hustlers).

In “Billiard,” Pat and Mat purchase a pocketless table that includes only 4 balls (2 white, 1 red, and 1 blue).  As it turns out, they are preparing to play destíkový carambol, which is Czech for “tenfold carom,” a variation of the carom billiards game four-ball.  According to Wikipedia, in four-ball, “each player is assigned one of the white balls as his own cue ball. A point is scored when a shooter caroms on any two other balls. Two points are scored when the player caroms on each of the three other balls.”  But in the Czech version, “a hit off all three balls, however, scores 10 points, one point shot and 10 points shot is doubled by hitting a cushion before hitting any of the other balls for a total of 2 or 20 points in one shot.”

So, the next time you consider disapproving of a cartoon, just remember…there might be a billiards education waiting for you.

[Wanted!] The Player

Author’s Note: With the discovery and April 2024 release of “The Player,” 53 years after it’s initial limited showing, please also read my follow-up post to the post below.

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Among the world’s greatest unresolved mysteries is the identity of the Zodiac serial killer, the location of the Bermuda Triangle, and the translation of the Voynich Manuscript.  But, equally high up on that list is another perplexing mystery:  Whatever happened to the 1971 billiards movie The Player?

The Player - billiards movieFor a while, the pursuit of this movie was a periodic topic of discussion within the most popular billiards forums, such as AZ Billiards and Inside Pool Magazine.  Often, the initial thread began with the question, “Has anyone heard of this movie The Player? I’d really love to see it.”  This was then followed by a bandwagon of “Me too!” or “I’m also interested” responses, before someone dropped the hammer and shared that he’s already been searching for this movie for some time and has run into nothing but dead ends.

What is the fascination with The Player?  Why does this long-lost billiards movie produce such passion, craving and rumors, whereas other “missing” billiards movies, such as Lemon Tree Billiards House (1996) or Running Out (2001) evoke nary a whisper?  Finally, does it still exist?

Here’s what we know: The Player, was directed and written by Thomas DeMartini, a man with no prior or posterior film credits.  The main cast included Jerry Como, Rae Phillips, and Carey Wilmot, all people who again had no previous or subsequent acting experience.

But, the remaining two cast members, who played themselves in the film, were a completely different story.  First, there was “Gentleman Jack” Colavita, a Tri-State straight pool champion.  And then there was Rudolf Wanderone Jr., aka “Minnesota Fats,” one of the most famous pocket billiards players of that era.  Though he never won a major tournament, he gained great fame in the early ‘60s by claiming the Minnesota Fats character in The Hustler was based on him.  And he then parlayed that fame into a series of book deals and television appearances, including the Celebrity Billiards with Minnesota Fats game show and a guest spot on The Tonight Show Starring Johnny Carson.

While there have been many billiards movies that star pool professionals (e.g., Jennifer Barretta in 9-Ball; Jimmy White in The Legend of the Dragon; Efren Reyes in Pakners; Marcello Lotti in The Pool Hustlers) The Player is the only movie that starred Minnesota Fats.  Even juicier, it billed him as “The greatest pool hustler in the greatest pool movie.”

According to the Temple of Schlock’s “Endangered List,”  the movie was about a down-and-out professional pool player who, struggling with his relationship, hits the road, resorts to hustling, and makes a series of bad decisions (including challenging Minnesota Fats) that only worsen his situation.

Beyond the appeal of Fats and the hustler storyline, the excitement about this billiards movie has grown because of the confusion around its release.  For example, the Turner Classics Movie website mistakenly says it was released in 1972.  And, within online forums, some people incorrectly argue the movie was never actually released.  But, from the various first-hand testimonies I’ve read, it’s clear the movie showed at a few private screenings in 1971 and 1972 in the Southeast at theaters owned by the family of the movie’s producer, George Ogden, though it never had a mainstream release.

The Player - billiards movieBut here is where the story turns tragic, as it appears this billiards movie will never become viewable again, based on the investigatory work done by Craig Rittel, owner of Full Splice Billiards in Lakewood, Washington.  He has done considerable research, talking to industry professionals and tracking down people involved with the film.  According to his online posts (and some of my own research), we know:

  • There were management problems, presumably within International Cinema, the movie’s production company, that led to the film getting shelved. International Cinema no longer exists.  It was merged with RSL Entertainment in 1985 to form Alliance Entertainment, now the largest wholesale distributor of home entertainment audio and video software in the United States.
  • Producer George Ogden was believed to have the original film. He passed away years ago, and the only thing found among his estate related to The Player was a framed poster.
  • The Ogden Theater in Baton Rouge, Louisiana, which privately screened The Player, closed in 1985.
  • There is no information that can be learned from the main cast and crew members. The director Thomas DeMartini is deceased (date unknown), Minnesota Fats died in 1996, and “Gentleman Jack” Colavita died in 2005.  In fact, Colavita’s son, Jack, has also unsuccessfully tried to find the film.
  • Even the Jackson Mall Cinema, another of the few venues that did a private screening of the film, is no longer around. It is now a medical center.

So, that’s where the story ends…or does it?  If there is a lesson to be learned from the 2012 smash documentary Searching for Sugarman about the hunt to find the singer Rodriguez, or the 2002 documentary Stone Reader, which details one person’s quest to find the author of a well-received novel from 30 years ago, it’s that maybe, just maybe, with a lot of sleuthing and a lot of luck, something seemingly gone forever will show up again one day.  We can only hope.

[Periodically, I will publish posts on movies that I have been unable to find and watch.  These are part of my “Wanted!” series. If you have any information about a “Wanted!” movie, please contact me.  I will be most grateful.]

Jennifer Barretta: A League of Her Own

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Here’s a pop quiz.  Name a professional athlete who appeared in a movie.

There have been a considerable number over the years, ranging from the highly indelible (Kareem Abdul-Jabbar as co-pilot Roger Murdock in Airplane) to the highly forgettable (Shaquille O’Neal as the title genie in Kazaam).  And the list goes on… Jim Brown, Carl Weathers, Ray Allen, OJ Simpson, Michael Irvin, Jason Lee, Howie Long, Michael Jordan…

OK, now name a professional female athlete who appeared in a movie.

Wow.  That’s much tougher.  Well, there’s the former mixed martial artist Gina Carano from Haywire.  And, there’s Esther Williams, the competitive swimmer who starred in films in the ‘40s and ‘50s.  Umm…

Fortunately, also at the top of that short list belongs Women’s Professional Billiard Association (WPBA) tour professional Jennifer Barretta, the star of last year’s highly anticipated movie 9-Ball. She not only appeared in the movie, but headlined it.  And, she did it while continuing to play professional pool, rather than the more common path of retiring to pursue an acting career. This puts her in a very small pantheon of athletes, male or female.  (Interestingly, she is joined by one other professional billiards player, Efren Reyes, who starred in Pakners, a 2003 movie from the Philippines.)

The irony is that Barretta’s starring role almost never happened.

A week ago, right before she departed for the 9 Ball Women’s World Championships in Shenyang, China as one of only 4 Americans representing the USA, I had the distinct pleasure to interview  Barretta about her experience filming and starring as Gail in 9-Ball.

“[Director] Tony [Palma] had asked [professional billiards player] Karen Corr to do a walk-on. He then asked her if she knew other players.  She thought of me.  So I came expecting to do a walk-on.  But, when I got there, Tony said he wanted me to read for the role of Gail.  Like now…And the next thing I knew, I had gotten the lead role as Gail.”

As excited as Barretta was to have been chosen, she was also skeptical. “Not everyone can get a pool movie made,” she said.  In fact, that skepticism was initially well-placed, as it was years between the audition and the actual filming.  “I had actually given up on the role.”

It was to Barretta’s great surprise then when she got a call from Palma years later saying he was proceeding with the movie.  “I thought I was going to show up in Maryland and he would maybe have a handy-cam.  But, I got there, and there was set design, grips, gaffers…it was a real movie.”

9-Ball with Jennifer Barretta - Billiards MovieFor those not familiar with the movie, it follows the life of a young Gail, who is left in the care of her creepy uncle, after her father is murdered.  The uncle, sensing great pool skills in his niece, turns her onto the life of hustling and uses her as a way to make money for himself.  But, as Gail gets older, she aspires to break out of that lifestyle and join the American Poolplayers Association (APA) to become a professional 9-ball champion.

For Barretta, playing a pool-player was not the challenge.  In fact, as someone who had started in the APA, Gail’s quest was familiar.  “The real challenge was playing someone who had been so emotionally abused…It was exciting to act and be somebody so different.  I got to test the limits of what I was capable of.”

The real challenge in playing Gail (or simply committing to star in the film) was the potential disruption to her own practice and tournament schedule.  In 2012, Barretta was the 7th-highest ranked player on the WPBA tour.  As one would imagine, that level of excellence requires constant practice.  For Barretta, it’s typically 5-8 hours a day, including honing particular self-defined weaknesses each year.  “I study pool like an education,” she says.  “I set goals.  Every year, I pick one thing.  This year, it’s my break. I’ll do just breaks for 2 hours straight.  I have a break trainer.”

Fortunately, when it came time to shoot scenes, director Palma was very sensitive to Barretta’s schedule.  “Before he booked shots, he would make sure I was free.  We would be away for 2 weeks tops over the 2 years.  Otherwise, when I’m home, I practice.”  Of course, that’s not to say the shooting never interfered.  “There was one time when we filmed and then I got home and went to Vegas the very next day [for a tournament].  But, it’s worth it…how many times in a life can you do a movie?”

Critical reaction to the movie was mixed, but for Barretta, the film has had a tremendous personal impact, including among her peers. “I was recently out in Vegas for the biggest amateur and professional pool event.  I could feel the difference.  I was treated like a movie star.  So many people came up to me.  I had professionals come up to me, asking me to sign a copy of their movie.  I think a lot people [in the billiards community] have seen it.”

Jennifer Barretta

Carlos Luna Photography

Whether the movie has had a broader impact on the popularity of billiards, similar to what occurred after The Hustler and The Color of Money were released, is harder to gauge.  “It’s tough to say if it had an impact.  Either way, people are playing, and it’s available in millions of households.  It’s like when Poolhall Junkies came out.  This is a movie available worldwide with a touch of a button.”

For Barretta, it was an incredible experience that has gotten her more interested in acting.  Fans should expect to see her in a couple of small roles in some upcoming films, and she’s more than eager to reprise her role as Gail if Palma films a sequel. But, otherwise, she won’t be trading in her cue stick for the big screen any time soon.  “It’s not like I’m going to run out and get an agent.”

To learn more about Jennifer Barretta, visit her website.  To learn more about the movie 9-Ball, read this blog for my upcoming review in 2 weeks that includes an interview with the director Tony Palma.  You can also like the movie on Facebook.

A version of this article will also appear later this week on About.com in the highly engaging Pool and Billiards section.

 

Ballbreakers (billiards TV game show)

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For a fleeting moment in July 2005, members of the billiards community were aroused by a new billiards TV show – specifically, a billiards game show featuring both amateur “pool sharks” and celebrities – that debuted on the Game Show Network.

Produced by Sokolobl Entertainment, the show Ballbreakers (originally titled No Limit 9 Ball) consisted of contestants competing in 9-ball for a chance to win $20,000.  Giving the show its billiards imprimatur was Ewa Mataya Laurance (“The Striking Viking”), who provided commentary on game play and expert advice on shots if asked by the players, as well as Mars Callahan, the director of Poolhall Junkies, who was the show’s co-executive producer.   Adding to the show’s popular appeal was Adrianne Curry, winner of the first season of America’s Top Model, who served as the series’ “Rack Girl.”

Billiards TV - BallbreakersWith its cover story in the July 2005 issue of Pool & Billiard Magazine, the show sparked a brief surge of debate about its merit and role in improving the popular image of pool.  Rob Lobl, one of the show’s creators, said, “Pool is coolest in the movies…and the lamest thing on TV.”  His partner, Sam Sokolow, added, “With the right set, the right format, we knew we could come up with the coolest pool show ever…the sky is the limit.”

But, among billiards players, the reactions were more polarizing, even before it premiered.  One person posting in the Billiards Digest Forum said, “This program will probably bring more interest to the game and more pool players.”  While another person countered by saying, “Great.  Another dumbass show to lower the bar…whatever happened to elegance and the beauty of this game to those who really can play.”

In hindsight, Ballbreakers had very little impact on billiards.  This was, in a large part, because the show wasn’t particularly good, and it was cancelled in 2006.   Why, you might ask?  Let’s start with the premise: watching amateur players compete in 9-ball is only interesting to watch on TV if the billiards-playing is decent.  But, the contestants never ran more than a few shots and often missed easy ones.  Similar to hearing bad jokes told at an amateur comedy show, some of the playing became downright cringe-worthy.

This “lousy pool” dynamic in turn made the Striking Viking’s job as commentator kind of a joke, too.  Laurance may be an ESPN commentator, a member of the Billiard Congress of America Hall of Fame, and a winner of all the major events on the WPBA tour, but even she couldn’t breathe much excitement into average playing and positioning.

The addition of Sal Masekela (X Games) as host also did little to dial up the engagement factor, especially because he was asked to treat the contestants as caricatures (e.g., the gay player “Cupcake,” the big player “Beefcake, etc.).  I did, however, enjoy his catchphrase, “Good luck.  Break some balls.”

A group of b- and c-list celebrities, including Tia Carrere (Wayne’s World), Lou Diamond Phillips (La Bamba) and Noah Wyle (ER) also joined two episodes of the series to boost ratings, but had little long-term impact.  However, at least one of those celebrities – Dorian Harewood – gets an honorary shout-out from me, for he also appeared 6 years earlier in the pool movie Kiss Shot, the topic of a future blog post.

I’ve included above one full episode of Ballbreakers, divided into four segments.  Watch them all, but I encourage you to check out the most novel part of the episode, which was Laurance’s introduction of the game “Jawbreakers” (Segment 2, 7:38) to get table control in the 2nd round.  It’s an interesting game designed to test how fast the players can pocket the 6 balls arranged next to the 6 pockets on the table.  But, like the show itself, it quickly falls apart.

The Cuemaker (billiards documentary)

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In 2012, Gary Chin, a 20-year-old film student at Ithaca College in upstate New York, directed and produced a 19-minute billiards documentary about Dana Paul, an impressive 64-year-old local artisan, who makes custom pool cues and espresso tampers.   Entitled The Cuemaker, the short film, which won Chin a Best Director award at the 2012 Honey and Buddy Documentary Film Festival, is largely not about the technical aspects of making cue sticks, but more about the passion and commitment Paul brings to his craft.

The Cuemaker - billiards documentaryChin, a rising pool player and the president of Ithaca College’s Billiards Club, starts his documentary with his personal quest to “take [his]game to the next level by building a custom cue,” specifically a 19.5-oz jump break cue.  That quest leads him to Paul, the resident cue repair and cue-building expert.  Along his quest, he also attends the 2012 Super Billiards Expo in Philadelphia, where he observes Shane Van Boening, currently ranked #1 in the US, win the Ten-Ball Players Championship.

But, Chin’s quest is intentionally subsumed under Paul’s larger “quest for [cue-making] perfection.”  It is powerful to hear a craftsman talk with such pride about his trade. Speaking to Chin, Paul says, “I am not attached to [a] particular piece of wood…I’m attached to the idea that it will become, it not treasured, at least respected by you or maybe even your children.  He then later adds, “I am not obsessed but I am determined….I want to love the cue because I want it to be an example of my most prodigious effort to do the best I can do with a cue.”

In the end, Chin, with Paul’s obvious assistance, does make himself the perfect jump break cue.  But, it’s also clear that Paul will forever chase that state of perfection.   If I were currently investing in a cue stick, I wouldn’t want it any other way.

The Cuemaker billiards documentary is available to order on DVD only through Gary Chin’s website.  A preview trailer for the documentary is below. You can also show your support for Chin by liking his Facebook page for The Cuemaker.  To see more of Dana Paul’s woodwork, visit his Tamperista website.

The Baron and the Kid

As far back as 1906, there have been movies based on songs, such as the silent short Waiting at the Church, based on the music hall song of the same name by Vesta Victoria.  Over the years, the genre has expanded to include more well-known movies, such as Alice’s Restaurant, Yellow Submarine, The Night the Lights Went Out in Georgia, and Born in East L.A.

To this atypical list, we must also add the 1984 made-for-TV-movie, The Baron and the Kid, directed by Gary Nelson and starring Johnny Cash as William “The Baron” Addington.

The Baron and the Kid (billiards movie)Based on Cash’s 1980 song “The Baron,” the title track of his 1981 Columbia Records album of the same name, The Baron and the Kid was derided by pundits as a feeble attempt to follow in the footprint of Kenny Rogers’ The Gambler (1980) – another movie based on a song – and rope in those same fans.  (There is something inherently in the story-driven DNA of C&W songs that lends themselves to movie translation. See also Convoy; Ode to Billy Joe; and Take This Job and Shove It.)

In any event, this criticism is not entirely unfounded.  The Baron and the Kid follows the basic sentimental father-son drama as The Gambler in that it casts Cash as an ex-pool hustler determined to rectify the wrongs of his violent, alcoholic past life by establishing a relationship with his son, Billy Joe “The Cajun Kid” Stanley (Greg Webb), who his ex-wife Dee Dee Stanley (June Carter Cash) had kept a secret for 18 years.

Wish I had a known ya
When you were a little younger
Around me you might have learned
a thing or two
If I had known you longer
You might be a little stronger
And maybe you’d shoot straighter
Then you doooo

Not surprisingly, that reunion doesn’t go swimmingly well at first, especially since the Cajun Kid, now a successful small Southern town hustler, has no interest changing his cue stick ways and listening to the Man in Black.

Apparently, when there is “nothing to lose, everything to win,” the only way to forge a father-son bond and remedy almost two decades of absence is to bond over billiards on the road and get “in the zone…a combination of what experience tells you to do, the ego wants you to do, and the nerves will let you do.”  This includes competing against Dr. Pockett (played by the perfectly named Earl Poole Ball, Johnny Cash’s pianist of 20 years) in a double-elimination tournament;  playing a “10-game freeze out” against the menacing Frosty (memorably and most ironically played by Richard Roundtree a.k.a. “Shaft”) and his posse of rednecks;  and trading shots with trick-shot legend Mike Massey, who makes a cameo as a rival 9-ball player.

Regardless of the predictable plot, the fact is any billiards movie starring Johnny Cash gets a thumbs-up from me.  And, without question, this is a billiards movie.  It opens with an incredible series of pool shots performed by Cash (reflecting the brilliance of technical adviser Mike Massey). There are then frequent pool games and demonstrations of pool prowess, including the introduction of Tracy Pollan (future spouse of Michael J. Fox) as pool-shooting Southern belle Mary Beth Phillips.  And, of course, like so many other billiards movies (e.g., The Color of Money; Up Against the 8 Ball; Kiss Shot), there is the culminating final tournament, in this case, the National Pocket Billiards 9-Ball Championship

And while the movie is rather hackneyed, it does introduce one aspect of pool that I’ve not seen in other movies – namely, the practice of ”jarring,” in which a player has his opponent’s drink spiked with drugs (e.g., amphetamine) to make him overconfident so that he’ll undertake impossible shots.  I couldn’t turn up much research on the practice, though a handful of message boards confirmed that “jarring” was done through the 1980s.  Of course, today in sports, the issue is less about drugging one’s opponent than it is about self-doping…yes, even in billiards.   Just ask German billiards champ Axel Buescher, who was stripped of his national carom billiards title in 2008.

The Baron and the Kid is widely available to rent or buy online.

The Baron and the Kid v2Additional information of interest:

[Wanted!] Lemon Tree Billiards House

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[Periodically, I will publish posts on movies that I have been unable to find and watch.  These are part of my “Wanted!” series, and this is my first post in that series. If you know how to find a “Wanted!” movie, please let me know.  I will be most grateful.]

In 1996, director Tim Savage premiered his billiards short film The Lemon Tree Billiards House at the Hawaii International Film Festival.  The film took first place in the short film category. It then aired on local Hawaii TV about 15 years ago in a time slot following the Super Bowl.  But, unfortunately, if, like me, you missed either of those showings, then you missed what was presumably a very entertaining tale that merged billiards with gangsters, and magical realism with local Hawaiian culture.

Lemon Tree Billiards House - Billiards Short FilmsTo learn more about the movie and potentially find a copy, I successfully tracked down Dana Hankins, the President of RedHead Productions and the producer of The Lemon Tree Billiards House. She’s been immensely helpful and our exchanges have only furthered my wish to see this film.

The film is based on a short story of the same name written by Cedric Yamanaka.  It was originally published in Honolulu Magazine 15 years ago for a fiction-writing contest. Now, the story is available in his eight-story collection In Good Company.

The story is about a college freshman, Mitch, who fancies himself somewhat of a pool hustler. After accepting an invitation to play 8-ball against an unknown opponent, he quickly learns that he will play the infamous, 265-pound Locust Cordero, widely believed to be a menacing, local hitman.  The wager: first person to win 6 games wins $500.  And while the pool game forms the “action” of the story, the real story ends up being about the similarities Locust and Mitch discover in one another.

Hankins shared with me that when she first read the story, she “loved the characters, the inclusion of pidgin (dialect), the quirkiness of the cultural beliefs and the element of magical realism.”  Local actors were cast, including a number of well-known Hawaiian comedians. That’s an interesting mix…probably the same way I might describe one of my favorite (non-billiards) movies of all time – Beasts of the Southern Wild — which amazingly and effectively used local actors, language, and cultural beliefs and interwove it with magical realism (particularly through the mind of Hushpuppy).

Hankins couldn’t promise me a date when the movie would become available once more, but she did say that she “intends to get the film cleared for internet streaming in order to share with long-time fans” and that it will likely be “combined with two other short festival films…all made in Hawaii…and all having moments of magical realism.”

If you’re as eager to see the film as I am, let me know or leave a comment.  I promise to share with her the feedback.