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The Color of Money

The Color of MoneyIt’s hard for me to imagine that more than a handful of my blog’s visitors and readers have yet to see the 1986 billiards movie masterpiece The Color of Money.  As this is my 50th blog post, rather than attempt to review this film, I thought I would commemorate it with an appropriately-titled quiz, “50 Questions about The Color of Money.”  Answers appear after the quiz, including some detailed explanations.   Though I anticipate a lot of you will be able to answer many of these questions, I suspect precious few can answer them all, as they range from the easy to the esoteric.   For those who can answer more than 40, you are truly Balabushka-worthy.  Enjoy!

Origins

  1. How many years occurred before The Color of Money was made as a sequel to The Hustler?
  2. Who wrote the book The Color of Money?
  3. In preparation for the movie, who said, “I know nothing about pool.”
  4. Why does Jackie Gleason’s character, Minnesota Fats, not appear in The Color of Money?
  5. Who convinced Martin Scorsese to make The Color of Money?

Actors

The Color of Money

  1. Which three actors have received Oscar nominations since the release of The Color of Money?
  2. Who won a Best Actor Oscar for his acting in The Color of Money?
  3. Who plays Amos, the young man who successfully hustles Eddie?
  4. What actor, who frequently appears in Spike Lee and Coen Brother movies, plays Julian?
  5. What actress from The Color of Money first appeared on-screen as an uncredited extra in another Martin Scorsese film, The King of Comedy?

Quotes

  1. Who provides the opening voiceover in which the game of 9-ball is described?
  2. What does Carmen tell Eddie he’ll be doing if he wins one more game (against Grady Seasons)?
  3. According to Eddie, what are the two things one needs to win?
  4. Who said the memorable quote, “It’s like a nightmare isn’t it?  It just keeps getting worse and worse.  The impossible dream.”?
  5. What are the final two words spoken in the movie?

Critical Reaction

  1. What film critic panned The Color of Money, calling one of its pool sequences “gimmickry that looked like it had been set up for a TV commercial”?The Color of Money
  2. What newspaper ran a review of The Color of Money, calling it “a white Cadillac among the other mainstream American movies of the season”?
  3. How many Oscar nominations did The Color of Money receive?
  4. What film critic said, “If this film had been directed by someone else, I might have thought differently about it because I might not have expected so much.”?
  5. What newspaper ran a review of The Color of Money, calling it “a scratch, a contrived cliffhanger that sets us up for Hustler III”?

Music

  1. What famous Warren Zevon classic was used when Vince first plays Moselle and introduces him to “Doom” (the Balabushka in the case)?
  2. What song did Eric Clapton write and sing specifically for The Color of Money?
  3. What punk rocker makes a cameo as one of the many people Vincent hustles on the road?
  4. What famous musician produced the soundtrack to The Color of Money?
  5. What song is the lounge singer singing in the Atlantic City green room?

Pool Professionals

  1. Tom Cruise did all his own trick shots, except the shot in which he jumped two balls. Who made that shot?
  2. What professional pool player plays Vincent’s nemesis, Grady Seasons?
  3. What four pool professionals had speaking roles in The Color of Money?
  4. What two professional pool players served as the principal technical consultants in the movie?
  5. In 1996, what two professional pool players competed in an event called “The Color of Money,” a three-day race-to-120 challenge match of 9-ball?

Pool Playing

  1. What’s the name of the initial hustle that Eddie teaches Vince and Carmen?
  2. What type of pool cue was made to look like the famous Balabushka that Eddie gives to Vincent?
  3. As Eddie starts to regain his confidence, what kind of “trick” 8-ball shot does he successfully make?
  4. In contrasting the game of 9-ball to straight pool, what two games does Eddie mockingly compare 9-ball to?
  5. In which ball does Eddie see his reflection when he decides to forfeit at the Atlantic City 9-Ball Classic tournament?

Locales

  1. What is the name of the real-life pool bar where Eddie first discovers Vincent and hears his “sledgehammer break”?
  2. To what restaurant does Eddie take Carment and Vincent for a meal and a lesson in “human moves”?
  3. What famous Chicago billiards hall is used in the scene where Vince first plays Grady Seasons?
  4. Where was the final Atlantic City 9-Ball Classic tournament actually filmed?
  5. What former billiards hall was used for the scene in which Eddie is hustled by Amos?

Cultural Impact and References

  1. What comedic actor made a parody of The Color of Money called The Hustler of Money in which Vince is now an amazingly talented bowler?Color of Money
  2. What NBC comedy television show featured a spoof of the “Werewolves of London” scene, with both characters stripping out of their clothes?
  3. What first-person video shooter game got its name from a scene in The Color of Money?
  4. According to movie historians Ray Didinger and Glen Macnow, what movie was a cross between The Color of Money and Dumb and Dumber?
  5. In the movie Poolhall Junkies, Mars Callahan’s character, Johnny Doyle, wears a black shirt with white lettering that is intentionally a reference to the shirt Vince wears in The Color of Money.  What does Doyle’s shirt say?

Movie Minutia

  1. What video game does Vincent play and describe as tougher than 9-ball?
  2. At what toy store does Vincent work?
  3. What is the license plate of Eddie’s Cadillac?
  4. What is Vincent’s last name?
  5. How much did The Color of Money gross domestically?

 NOW THE ANSWERS

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The Hustler of Money

If you haven’t yet watched Ben Stiller’s 1987 trailer, The Hustler of Money, a parody of Martin Scorsese’s 1986 film The Color of Money, stop whatever you’re doing, watch the video below, and spend the next 5 minutes doubled-over in gut-busting laughter.  It’s that good.

Starring Ben Stiller (as Tom Cruise playing “Wince”) and Frasier’s John Mahoney (as Paul Newman playing “Fast” Eddie Felson), the trailer is for a film in which Tom Cruise plays a cocky but immensely talented bowler, who struts around the bowling lanes in a black “WINCE” t-shirt (itself, a mockery of the “VINCE” t-shirt Cruise wears in the film) with his slicked-black hair and perpetual ear-to-ear grimace, as he palms bowling balls and throws strikes with two balls simultaneously.  As Tom Cruise did in the original film, Wince challenges anyone to a game, including a group of octogenarians on walkers, when he is not otherwise slobbering all over his girlfriend.  Eric Clapton’s “It’s in the Way That You Use It,” a song written for and memorably used in the opening scene of the original The Color of Money, plays in the background.

Eddie, after failing to peddle Newman’s Own salad dressing to the bowling hall’s bartender (played by Ben Stiller’s real-life mother Anne Meara) takes an interest in Wince after seeing the “kid nail a 7-10 split.”  He agrees to teach Wince how to hustle in bowling, prompting a very funny spoof of the original dialogue about having the “flake down cold, but can he turn it on and off.”

With Warren Zevon’s “Werewolves of London” playing in the background (the song famously used in The Color of Money’s “Doom” hustling scene), we watch Wince maneuver through a series of struts, dribbles, juggles, and throws, as he hustles local bowling patrons, including a young boy, mothered by Julie Hagerty (from Airplane).  Meanwhile, Eddie attempts to regain his bowling mojo, but breaks down after losing his bowling shoes, putting on an over-the-top display of sadness, blatantly designed to con the Academy of Motion Pictures Arts and Sciences into giving Newman an award.  The trailer ends by lampooning the final scene of The Color of Money, but in this case, it’s with Eddie throwing a bowling ball and then screaming “My back!” (rather than “I’m back!”).

Ben Stiller made The Hustler of Money when he was just 22.  At the time, he was working on Broadway.  Having worked with John Mahoney on a satirical mockumentary, he followed it up with The Hustler of Money parody, which was picked up by Saturday Night Live and aired later that year.  Interestingly, SNL offered Stiller a job as a writer and actor two years later, but he quit after appearing on only four episodes.

While The Hustler of Money was the first time Stiller portrayed Cruise, it was not the last.  He portrayed Cruise on The Ben Stiller Show as part of a “Dress Casual” skit.  Then, for the 2000 MTV Video Awards, Stiller and Cruise joined forces in one of the best parodies of all time (shown below), with Stiller playing Tom Crooze, the stunt double for Tom Cruise, in Mission: Impossible.  In 2008, they teamed up in the Stiller-directed comedy Tropic Thunder.  And, they are allegedly working together on the development of The Hardy Men, an updated version of “The Hardy Boys,” suggesting more great laughs could be coming soon.

 

Turn the River

In the 1986 film The Color of Money, there is an outstanding scene in which Tom Cruise’s character, Vince, slowly reveals his Balabushka cue stick to his opponent, a small-time hustler, and, referring to the cue as “doom,” proceeds to methodically and smugly trounce his competitor in 9-ball.

In fascinating contrast is Kailey, the pool hustler played by Famke Janssen in Chris Eigeman’s 2007 movie Turn the River.  An immensely talented billiards player, Kailey takes no joy in pool.  She has no cue stick of her own, instead using house cues to hustle for gas money, and later in the movie, to raise the necessary funds to rescue and flee with her son.

The Color of Money presents the pool-playing hustler as a cocksure warrior, brandishing a cue stick like a katana, deftly twirling it like a bō and stabbing at the air. Turn the River is the opposite.  It’s the story of the anti-hustler, the reluctant samurai, seemingly forced to play a role, but only to escape a fate.

Turn the RiverAs an individual movie, viewed entirely on its own merit, Turn the River is passable, at best.  The gorgeous Janssen, a former fashion model and best known as Jean Grey/Phoenix in X-Men, is decent in the role, but it’s a little hard to accept her as a worn-down single mom from the school of hard knocks.  Divorced from her husband and without visitation rights to see her 11-year old son Gulley, she hatches a plan to take her son away from his father, who she believes has been abusing him.  To succeed, she’ll need $60,000 to flee to Canada with fake passports.  So, with the help of her friend and pool-hall proprietor Teddy Quinette (played by the awesomely-named Rip Torn and similar in every way to Rod Steiger’s friend and pool-hall proprietor role in Poolhall Junkies), a high-stakes pool game is organized. If the logic is a little questionable up to this point, it gets downright absurd in the last quarter of the movie, once Kailey wins the non-suspenseful pool match and proceeds to “steal” her son.

But, as one of the better-known members of the billiards movie canon, Turn the River presents a number of interesting themes and cinematic choices that are worth discussing in more detail.

First and foremost, as mentioned above, is the creation of an ‘anti-hustler.’  Kailey has no pool ambition like “Fast” Eddie Felson in The Hustler.  She employs no braggadocio, there are no taunts, like those quipped by Johnny Doyle in Poolhall Junkies (e.g., “You watch my mouth, Chico. ‘Cause you sure as hell don’t wanna watch me play pool. Unless, of course, I’m blind-folded and hand-cuffed with a pool cue stickin’ out of my ass.”).

In fact, she seems to barely understand the game of hustling, as she is caught off-guard to learn one of her adversaries, Ralph (played by Tony “Silent Assassin” Robles, one of the top 10 billiards professionals in the world and the movie’s pool technical advisor), is throwing games, or that for her to win $60,000, she’ll need a “stalking horse” (i.e., someone who can lose well to an opponent to encourage him to bet large).  She doesn’t even appreciate that her opponent, Duncan, will “try to fuck with [her], knock [her] off [her] rhythm.” All Kailey has are her formidable billiards skills.

Tony Robles - Raising the Hustler

Director Chris Eigeman and technical pool advisor Tony “Silent Assassin” Robles

Variety Magazine made this interesting observation: “In casting a woman in a traditionally male role, Eigeman subtly shifts both genre and gender.  His heroine adopts the iconography of the hustler movie, but feminizes it.” And, in this sense, Kailey is first a mother, and only second a pool player.  This is dramatically different than the famous male billiards hustlers, for whom pool-playing is their sole identity.

Eigeman’s approach to filming pool is equally interesting. In an interview with IFC, he said, “I was always interested in how much [pool] I had to show. It can get really uninteresting watching balls fall into pockets — it’s a lot like sex scenes, here [what’s] going is infinitely less interesting than [the expressions on] people’s faces.”

In the DVD commentary, he added, “The goal was to show as little pool as possible because it was never just a movie about pool.  We had to show just enough to keep the movie moving.” But, the pool had to be compelling and feel authentic, while still adhering to a very limited budget.  To achieve this, the cast and crew took over a pool-hall for six non-stop days of shooting pool.  They were able to shoot 360-degrees, filming everything with the hope that the shots could be edited together in post-production to form a coherent story.

Turn the RiverEigeman expanded in the same IFC interview: “We were very controlled and very loose…the controlled was we built 20 or 30 pool shots — we took pictures of them, put them in a notebook and named them: Ann, Betty, whatever…all the way down. So we had these shots, and the last shot that Famke makes — Zelda — and we knew that was the shot that we would end all the pool with.”  (“Zelda” being a reference to the four-bank carom shot that Kailey makes to win the match.  Janssen, who did all her own pool-shooting in the film, made this shot on her first attempt, though a full half-day of filming had been budgeted to get it right.)

Finally, it’s intriguing that for most of the movie, the game played is one-pocket, a type of pocket billiards in which “the player making the break chooses a foot corner pocket for the rest of the game; all of that shooter’s balls must be shot into that pocket. All of the opponent’s balls must be made in the other foot corner pocket.”  To my knowledge, Turn the River is the only billiards movie to feature one-pocket, though the final match consists of a race to seven in the more widely known 9-ball.  When her opponent opts to switch to 9-ball, Kailey retorts by referring to 9-ball as “a chumpy game…that’s beneath us.”   Presumably, this is her way of mocking 9-ball, a game that can involve some luck, compared to one-pocket, a game that purists would argue involves almost no luck when played expertly.

Turn the River is widely available for rent or to purchase online or on DVD.