Tag Archives: billiards television

Big Trouble at Barney’s

I have to congratulate the data scientists at Amazon.  Somehow, amidst the 17,461 movies and nearly 2,000 TV shows on Prime[1], their algorithms were able to sift past the Ostern, Bollywood Horror, and Bruceploitation sub-genre films and recommend to me Big Trouble at Barney’s, a heretofore unheard of entrant in my favorite sub-genre, billiards movies and TV shows.

This television series debuted on Amazon Prime in November 2018 with three episodes.  Produced by New Zealand Son Films, which has no immediately clear Kiwi connection, Big Trouble at Barney’s, like the name suggests, focuses on the big trouble two estranged siblings, Jake (Ken Breese) and Caroline (Megan Nager), incur when they inherit their father’s failing pool hall Barney’s.

That trouble only gets worse when Jake and Jessica (Zoe Sidney), an escort with financial struggles, concoct a plan to run an exclusive “dating” service out of Barney’s.  Essentially, ten guys pay to come to the bar and meet ten women, all whom are professional escorts. My favorites are the Swallow Twins. (No, really.) After a quick round of comical speed-dating, they pair as partners, playing pool and then, hopefully, going home for some action.  Barney’s gets the bar tab, and a percent of anything the women earn post-pool.

It’s a promising concept, good for on occasional laugh (“Three words to describe you: ‘pretty, attractive, and I’ve also heard beautiful.’”). But, the first-time actors are so amateur that it’s hard to enjoy, never mind impossible to believe. Fortunately, Jake and Caroline’s dialogue is a little more imaginative and is buoyed by the actors’ comedic chops.

The roly-poly Ken Breese brings an endearing innocence to his otherwise cornball and scuzzy plans, such as having Naked Poetry night at Barney’s.  To one unsuspecting woman, he says, “Our research has shown that if you perform your poetry without the confines of your clothing than the audiences will be bigger and we can charge more.”

And Megan Nager, who could be Kat Dennings’ doppelgänger, brings the sass, as well as delivers the best line of the first three episodes.  To her slug boss that is firing her for not being a team player when she is mourning her father’s death, she says, “Listen you skinny dick fuck. I was ‘all in’ for 3 years, so you’re severance package better be epic…I want a severance plan emailed to me or I’m going to go all in [with a competitor] balls deep.”

Unfortunately, no number of one-line zingers and obscure sexual vulgarisms (“wet dog in a tub? oh my…) can distract me from the inescapable and inexcusable fact that there is very little billiards played at Barney’s and thus featured in this show.  The occasional shots are true groaners, with an audience of onlookers applauding the most rudimentary of shots.  It’s the equivalent of cheering for a golf putt three inches from hole. And that perhaps is the biggest trouble at Barney’s.

[1]       The number of movies is as of January 20, 2019 (source: Streaming Observer). The number of TV shows is as of March, 2016 (source: Barclays, quoted in Variety).

Probe Profile: Efren Reyes

Efren Reyes and Cheche Lazaro (source: The AnitoKid on BIlliards)

Watching the Probe Profile on Efren Reyes, I kept hoping for some dirt, perhaps a competitor’s jeer or a scintilla of a scandal.  The profile, which heavily revolves around Cheche Lazaro’s interview with Mr. Reyes, and first aired in July 2009, borders on hagiography.  He may have earned the moniker ‘The Magician,’ but if this exposé were to be believed, he should have been christened ‘The Saint.’

Had I become so jaded that I could neither believe nor enjoy an unsullied rags-to-riches story? Does every hero need a dark side?

Martin Luther King, Jr. was posthumously discovered to be an extensive plagiarist. John F. Kennedy was a compulsive womanizer. Albert Einstein was a xenophobe. Even Mother Teresa is clouded by controversy, ranging from misuse of funding to religious evangelism.  Let’s face it: most of the world’s Most Admired have some skeletons in their closet.

And then there’s Mr. Reyes, 55 years old at the time of the Probe Profile, whose life story incredulously seems beyond reproach or blemish. You can watch the full Probe Profile here.

https://www.youtube.com/watch?v=rCL0lC838-w

Born the fifth of nine children in Pampanga, Philippines, Mr. Reyes grew up dirt-poor.  He got introduced to billiards at age 5, when he was sent to work in Manila at his uncles Lucky-13 billiard hall.  The pool table was literally his bed. Like an innocent moppet, he watched money trading hands at that pool hall, and so began playing pool “so people would hand over money to [him].”

Fast-forward and the young Reyes, who originally had to stand on stacked Coke cases to reach the table, became a formidable hustler for his uncle.  By his early 20s, a larger audience was taking notice, especially after he was profiled by an American sportswriter. He won his first tournament in 1985 and earned $10,500.  Three years later, he beat the reigning Philippines billiards champion Jose “Amang” Parica. In 1996, he beat Earl Strickland in The Color of Money tournament, a race to 120, for which he won $100,000, the largest single-winning purse at a pool event at the time.

From there, his biography only goes north. In 1999, he defeated Chang Hao-Ping to win the World Professional Pool Championship in Cardiff, Wales. It was the first time the championship had been broadcast globally, and Mr. Reyes returned to his home country a national hero and helped turn billiards from a “game for people who fool around and have nothing to do, according to the elders,” to a recognized sport that led to a boom for the country’s billiards industry.

Other honors and accolades followed.  He received the Presidential Medal of Honor. He was inducted into the Billiards Congress of America Hall of Fame. He starred in the billiards movie Pakners. He was featured as one of 60 Asian Heroes in the 2006 Time Magazine cover story.

And yet, throughout all his fame, he retained an unprecedented modesty, humility, and generosity. Regarding the Time Magazine profile, he asked, “Why me? I have done nothing for Asian life.”  Flush with cash from his winnings, he has still never invested in dentures for his toothless mouth. He looks after his relatives, sending them to school, providing them with housing and food. He describes how his earnings over 30 years do not even amount to what boxer Manny Pacquiao – the Philippines other famous athletic son – earns in one match, but there is no anger in his voice.

One sports commentator describes Mr. Reyes as the “simplest, humblest man he has ever met…not a mean bone in his body.” Ms. Lazaro’s depiction almost borders on caricature: “Dressed simple, always smiling (even without teeth), sometimes scratching his head.”

As I watched and re-watched the 35-minute Probe Profile, I became increasingly cynical. I was convinced that this adult cherub, so idolized by the global pool community that apparently billiards champion Ronny “The Volcano” Alcano pulled out his own teeth in an act of devout inspiration, had serious dirty laundry, which had been overlooked by this canonizing piece of journalism.

But, even after all my online sleuthing, I was unable to pinpoint a tragic flaw.  When Mr. Reyes won $500,000 at the 2005 IPT World Open Eight-ball Championship, he first response was, “this is too much money for me.”  Go on to message boards, where anonymous posters can routinely vilify every person, place, or thing, and Mr. Reyes is endeared and idolized for his humility and impossible shot-making.

In a 2017 essay on Mr. Reyes, Mashkur Hussain wrote:

He is a true living Filipino folk hero, very much in an old-fashioned sort of way. And everybody will tell you two things about Efren: He is the best player in the world in cash games, and the most down-to-earth guy you’ll ever come across… Immune to the political infighting that has plagued the pool world, Efren is unique in that he hasn’t an enemy on the Tour. He is a joy to watch, accepting winning and losing with the same humble shrug of the shoulders. Needless to say, he is revered by all Filipino players who have followed in his footsteps.

In today’s era of #FakeNews, do not make the distrustful mistake that I did and conclude that this biographical portrait cannot be accurate.  In fact, quite the opposite, it seems Mr. Reyes is every bit deserving of such acclaim. So, whether you call him Efren or Efrey, Bata or The Magician, I’m sticking with my sobriquet, The Saint.

Alcoa Theatre – “Goodbye Johnny”

It is easy to overlook the “Goodbye Johnny” billiards episode of the NBC anthology series Alcoa Theatre. Almost 60 years old, the series was not particularly notable or groundbreaking, save for the Mickey Rooney episode “Eddie,” which picked up handful of Emmy wins and nominations.  And, “Goodbye Johnny” has a pretty unimaginative plot in which a man, Johnny Keegan, tries to hustle a local mobster in a game of pool in order to win enough money to support his sick wife.  (Spoiler alert: the hustle backfires.) You can watch the full episode here.

Goodbye Johnny But, don’t let those banalities dissuade you. “Goodbye Johnny” is, in fact, one of the best billiards television episodes ever, which is pretty amazing given it’s also one of the first known episodes, having aired in February, 1959, during the series’ second season.  (As a reminder, that’s still more than two years before The Hustler shined a spotlight on the art of hustling and led to a nationwide revival of billiards.) Below are my 7 reasons (in no particular order) why “Goodbye Johnny” ranks as a top billiards television episode.

  1. The billiards. All too often, billiards episodes resort to showing a series of trick shots as a proxy for skilled playing. But, as any real player knows, such shots never appear in actual games. “Goodbye Johnny” gets the pool right. A series of montages highlights the well-executed banks, rail shots, breaks, and subtle spin shots. The camera focuses on the lead – which is what really matters – rather than standard, TV-friendly multi-ball shots that suffocate the genre.
  2. Pop’s praise of Keegan. In the first billiards sequence, Johnny Keegan is practicing his game, preparing for his future hustle. It’s a marathon practice session that catches the eye of the proprietor, Pop.  At the end, Pop comes over and fawns over Keegan’s game: “Beautiful shooting. Beautiful. I never seen such shot-making. Banks, combinations, longs, shorts, cuts, breaks. You own every shot in the book. Beautiful.” It’s a beautiful rhapsody, indeed.
  3. Goodbye Johnny“Bird dog”. In my years of watching billiards movies, I’ve heard a lot of hustler lingo, but “bird dog,” as in “I’ll bird dog for you, boy, but I want 25%,” is a first…and I love it! The dictionary defines it as “to watch closely,” but it has a more urban meaning, “to locate special items or people,” such as marks for Keegan’s hustle. Someone page Will Shortz: this word is New York Times crossword-ready.
  4. Tony Busso’s manicure. The first time we meet mobster Busso, he is…getting his nails trimmed. This is big boss Busso? In fact, many real mafiosos were known for their impeccable attire and grooming (cf., John Gotti Jr. and hitman had nails done after murder). As with the billiards, the emphasis on the manicure speaks to the subtle tone and imagery of the episode.
  5. Goodbye JohnyOpening the cue case. Having recently re-watched Raider of the Lost Ark, Keegan’s initial unveiling and opening of his cue case reminded me of Belloq’s opening of the ark. We don’t see the cue, but know something magical resides within the case, and that once opened, there is no turning back.
  6. Discarding the cue case. Once Busso learns that he’s “the fish” who has been hustled, we know Keegan’s days are numbered. We don’t need to see him get beaten or killed, which would be inconsistent with the show’s nuanced tone. Instead, a couple of Busso’s gorillas put Keegan into a car and toss his cue case into the street, symbolically heralding his violent demise.
  7. Uncle Ben. Take a good look at Keegan. That’s Uncle Ben Parker!  Actually, it’s actor Cliff Robertson, 43 years before his famous role as Spider-Man’s uncle (R.I.P.), as well as 10 years before his Oscar-winning Best Actor performance in Charly.

Unfortunately, Johnny’s exit was just the first good-bye. Fourteen months after “Goodbye Johnny” aired it was good-bye Aloca Theatre, as the series was eclipsed by Aloca Presents: One Step Beyond, and then by Aloca Premiere, which ran until July 1963.

Mr. Lucky – “That Stands for Pool”

Mr. LuckyFollow the money.  First, there is the $100,000 bet between Mr. Lucky and the gambling thug Nick Popolous.  Then, confident Mr. Lucky will throw him the game, Nick convinces the high-roller Mark Langdon to also bet $100,000 on Mr. Lucky.  Knowing Mr. Lucky will have to lose $100,000, his good friend Andamo creates a hedge, convincing J.B., another high-roller, to bet him $100,000 against Mr. Lucky.  This series of bets, summing to more than $2.5 million in today’s dollars, forms the plot of the 1959 Mr. Lucky episode “That Stands for Pool.” 

If you blinked in 1959, you may have missed the short-lived CBS television series Mr. Lucky. Created by Blake Edwards, who had much more success with The Pink Panther series, Peter Gunn, and Breakfast at Tiffany’s, Mr. Lucky ran for just one season. The show starred John Vivyan as Mr. Lucky, an honest professional gambler, who operated a legal, floating casino aboard the ship Fortuna. He is assisted by his close friend Andamo (Ross Martin). Each episode focused on Mr. Lucky playing host to various millionaires, playboys, rogues, and roughnecks, typically engaging in some kind of betting activity.

In the episode “That Stands for Pool,” available to watch here, Mr. Lucky is forced to accept the aforementioned $100,000 bet, having been assured, in the typical hooligan vernacular, that if he chooses to win, welch, or decline the wager, he will lose his life. As subsequent sidebets and hedges are lain, the episode builds to the culminating match of straight pool, which initially is for 100 points, but becomes a 500-point game to avoid any lucky streaks.

Mr. LuckyThe match itself, like the overall episode, is pretty unremarkable, marked by an absurd number of unrealistic thrown shots and standard trick shots. The match’s onlookers also seem to have an over appreciation for even the most basic shots.  And, Mr. Lucky’s inability to stay awake to finish a 500-point game is unbelievable, even for cheap laughs. (After all, it was only 5 years before the airing of this episode when billiards legend Willie Mosconi ran 526 balls in straight pool in just one turn.)

The circle of bets, however, is mildly interesting, as it got me thinking about betting and the legality of gambling in billiards. While ample celluloid has been dedicated to hustling in pool, less has been devoted to betting.  The irony, of course, is that the very word “pool” has its origins in betting. Whereas today a “poolroom” means a place where pool is played, in the 19th century a poolroom was a betting parlor (for horse racing, no less.  The pool tables were added so patrons had something to do between races.).

Even after having done some research, the legality of gambling on billiards seems a bit murky to me, and can depend heavily on state law, but the best I can discern is:

  1. Lucky’s initial bet with Nick would be legal in most places because it’s legal to bet on yourself in a game of skill when you’re playing the game. (Of course, threatening to kill someone is not exactly legal.)[1]
  2. Nick’s initial bet with Mark Langdon would be illegal, at least in some places, because Nick is betting with someone not playing the game on the outcome of the game.
  3. Andamo’s bet with J.B. would be illegal, pretty much everywhere, because neither person is playing the game.

Ultimately, a bunch of people are threatened, some guns are waved, some goons do some chasing, a face is right-hooked (Mr. Lucky’s, no less by his inamorata Maggie) and yet somehow, all debts are settled, followed by Mark Langdon’s parting words of warning, “don’t you ever try to pull another fast one on me…if Lucky didn’t win that game, you’d both be dead.”

All this makes for a rather happy Mr. Lucky.  Unfortunately, Mr. Lucky was not as fortunate. After just 34 episodes, the series was cancelled. According to Mr. Vivyan, “[the series] had good ratings, but Jack Benny’s production company had another show it wanted for our time slot. It wasn’t much of a contest, and CBS dropped us.”[2]

[1]      Fun #billiardsmovies fact: Stanley Adams, who plays Nick Popolous, later played Sure-Shot Wilson, another chain smoking pool hustler, in “The Hustler” episode of The Odd Couple from 1973.

[2]      Interview given by John Vivyan to Vernon Scott at United Press International in 1960. (Source: Television Obscurities.)

Hey Kids! Want to Watch Billiards?

Jason Ferguson, the Chairman of the World Professional Billiards and Snooker Association (WPBSA), has argued for the inclusion of billiards at the Tokyo 2020 Olympics because of the sport’s global reach and influence.  According to Mr. Ferguson, snooker is watched by a half billion people worldwide and played in 90 countries. When pool and carom billiards are added, the sport is played competitively in almost every country in the world.[1]

Pat & Mat billiardsI speculate that critical to the sport’s worldwide popularity is the introduction of billiards to children at a very young age through creative and enjoyable television programming. In the past, I’ve blogged about several of such shows, including Pat & Mat (“Billiard”) from the Czech Republic, Shaun the Sheep (“Shaun Goes Potty”) from the UK, and Benrat (“Billiards”) from China.

This time, my globe-hopping, TV-watching peregrinations took me to Scotland, South Korea, and Russia for some billiards-themed programming aimed at the 3- to 8-year-old crowd. It’s hard to imagine how exposure to the sport at such a developing age doesn’t contribute to the ubiquitous phenomenon of competitive billiards.

Nina and the Neurons – Get Sporty: “Snooker”

Nina and the Neurons billiards“How do you play snooker?,” asks one of the two child Experimenters on the “Snooker” episode of Nina and the Neurons, a Scottish television show aimed at helping four to six-year-olds understand basic science.  It’s the type of question that could spark a billiards battle royale. Fortunately, the show’s lead, Nina (Katrina Bryan) is not prone to the braggadocio and showmanship that might accompany a response, but rather enlists her five Neurons (animated characters representing the senses) to answer the question.

In the “Snooker” episode from the 2014 Get Sporty season, the Neuron that answers Nina’s call is Luke, who represents the sense of sight.  Along with the pint-sized Experimenters, Nina and Luke arrange a series of experiments to illustrate various scientific principles of snooker, such as “balls can’t move themselves, so we use a snooker cue” or “balls move in the direction on the opposite side that they’re hit.”  (This particular experiment involves turning the two moppets into giant snooker balls.) Finally, Nina takes the Experimenters to visit professional snooker player Dylan Craig to show how bouncing balls off a rail cushion is another way to move them into pockets. The full 14-minute episode is available to watch here.

Bernard – “Billiards”

Bernard billiardsKnown as Backkom in its native South Korea, the South Korean-Spanish-France computer animated television Bernard series centers on a curious polar bear named Bernard, whose bumbling slapstick antics typically result in the bear being knocked unconscious or being severely injured by the end of an episode. Bernard is also typically accompanied by one or more members of his menagerie of friends, including two penguins, a lizard, a Chihuahua, a do, and a porcupine.

In the three-and-a-half minute “Billiards” episode, which aired sometime between 2006 and 2012, Bernard competes in a game of 9-ball against his lizard pal Zack.  Bernard has a strong break and some modicum of talent, but he’s no match for his lacertilian opponent.  Once it is Zack’s turn, the lizard brings his A-game, making a behind-the-back masse shot followed by a jump shot the length of the long rail and then a second masse shot.

Realizing Zack is about to run the table, Bernard sabotages his game, frightening him into missing a shot and then blocking the path of the 1-ball with his ursine girth. This causes the frustrated lizard to quit. But, the moment Bernard attempts to savor his victory, he slips on a discarded ball, banging his head on the side table, and falling unconscious. The full episode is available to watch here.

Kikioriki – “The Game Must Go On”

Kikioriki is a Russian animated television series that consists of more than 200 episodes, each 6 minutes and 30 seconds, aimed at children 3- to 8-years old. The series premiered in 2004. Four years later, the English-language rights were acquired and it began airing on The CW under the name GoGoRiki. Created as part of Russia’s cultural-education “World Without Violence” project, the series features stylized round animals, known as Smeshariki, that engage with one another around complex themes

KikiOriki billiardsIn “The Game Must Go On,” which aired in 2009 as part of the second GoGoRiki season, Dokko, a golden moose who is an eccentric scientist, and Carlin, a dark blue crow, play a friendly game of billiards that gets a wee bit too serious.

Oh, there is so much to like about this episode! For starters, the characters are playing Russian pyramid, a version of billiards that requires opponents to sink 15 numbered white balls. Then, there is the priceless dialogue, such as Dokko’s professorial yet condescending opener: “Billiards is a game where everything counts, both physical and geometrical laws, an eagle sharp eye, a hand steady as a boulder, and ice cold nerves. If you lack even one of those things, you’ll never amount to a much of a player.”

As the match progresses, Dokko has a pitch-perfect comment for everything, whether it’s how to make a shot (“The angle of incidence equals the angle of reflection. Give it a little bit of spin, and release the hounds.”), or why his missed shot was an anomaly (“Even I mess up now and again.  Since it happened now, it won’t happen again.”)

But, Dokko vastly under-estimates Carlin, who starts to make his shots.  The score begins to tighten, and each player refuses the other’s mercy offer to end the game.  As the match progresses, torrential rain pours from the sky (“This isn’t billiards. It’s water polo played with a couple of sticks.”), but neither headstrong opponent will call it quits. Eventually, frustration and exhaustion set in, and the players break their sticks, and rip the table apart to use the rails as makeshift cues.  Only when lightning strikes, electrocuting both players, does the game reach its denouement with the players calling it a draw. The full episode is available to watch here.

Well, that’s enough traveling for one today. Fortunately, the pre-tween, billiard scene is sufficiently thriving that I can return to the topic in a future blog post to review shows such as Pleasant Goat (“The Focus in Billiards”), Danny and Daddy (“Billiards or Worms?”) or BinkieTV (“Learn Colors with Billiard Balls”).  Until then, may our kids learn life’s lessons, one billiard ball at a time.

[1]       “Billiards sports queue up for Tokyo 2020 Olympic inclusion,” Inside the Games, January 23, 2015

My Three Sons – “Charley, the Pigeon”

“Girls?,” says Steven Douglas, flabbergasted that his son Robbie lost the $50, which was intended to buy a set of golf clubs, to two female pool hustlers.  It’s a bit hard to imagine for the famous father of three sons in the “Charley, the Pigeon” episode of My Three Sons.

Charley, the PigeonBefore digging into Mr. Douglas’ disbelief, a little refresher for those not familiar with the long-running sitcom.  My Three Sons first aired on ABC in 1960, and then moved to CBS from 1965 to 1970. The wholesome comedy starred Fred MacMurray as widower and aeronautical engineer Steven Douglas who must raise his three sons, Robbie, Chip and Ernie. He is initially helped by the boys’ grandfather, but by the sixth season, which includes “Charley, the Pigeon,” the character has been replaced by Charley (William Demarest), the boys’ great uncle.

In this billiards episode from January 1966, Robbie (Don Grady) gets fleeced by two high school girls who feign ignorance of the game. Asking Robbie to explain it, he replies, “It’s a game of geometric angles, it’s a matter of velocity and angle of carom,” to which one coyly relays to the other, “I told you we could never understand it.”  After questioning the use of the cue ball and then suggesting, “The white ball with the lavender stripes is so much cuter…couldn’t we use that one?,” the girls shark Robbie for his $50.

Fortunately, uncle Charley used to shoot stick when he was younger, so he impersonates a tycoon named Tex and goes down to the pool hall to give the girls a dose of their own medicine. Playing for $1 per ball, Charley promptly calls the 3 on the break, banks the 4, then does a nice masse shot that he “learned from Mr. Masse.”  He caps off the game with a shot in which he uses the crease of his ten-gallon hat to serve as a bridge and pocket the ball.  Beaten and dismayed, the girls fork over the $50 to Charlie, who gives it to Robbie to make things right once more. The full episode is available to watch here.

https://youtu.be/cvRs2hWos9g

Now, back to Mr. Douglas’ exclamation of disbelief: “Girls?”  At its core, it’s the standard sexism one was accustomed to on television, even in our most wholesome shows. The idea that a woman could play pool was simply too much to believe.

It shouldn’t have been a total head-scratcher. Enough women were shooting billiards in the 1960s that the first national women’s billiards tournament occurred just one year later in 1967.  (Dorothy Wise won it that year, and the next five years, and ultimately became the first woman elected in the Billiards Congress of America Hall of Fame.)

Lori Shampo

Lori Shampo

But, a female pool hustler? Well, such a woman was considerably more uncommon (or just undiscussed) at that time.  In my research, I found scant evidence of women pool hustlers until Lori Shampo started sharking people in the 1970s.  (There were other famous pool playing women, such as Jean Balukas, but most experts seem to agree that while Ms. Balukas may have been the better player, Ms. Shampo was the true hustler.  As Freddie “The Beard” Bentivegna described her, “[She was the] highest rolling female pool player – probably the best for cash…. Lori was the best big-money playing woman of all time. She could play for $5,000 a set or $1,000 a game of 9-ball on the bar table….She shot good, best high, woofed good, and was fearless with a big heart…For the money and the intimidation, Lori Shampo was a female Cornbread Red, only much better-looking.[1])

Therefore, as predictable and pedestrian as the “Charley, the Pigeon” episode seems today, it was a bit groundbreaking to portray women pool hustlers in 1966.

So, the next time you watch “Pool Sharks Git Bit” (The Steve Harvey Show) or “Archie is Cursed” (All in the Family) or “Double of Nothing” (Red Shoe Diaries) or “Martin in the Corner Pocket” (Martin) or Turn the River or Virgin Pockets or Kiss Shot or a host of other shows with female hustlers, chalk your cue, ignore the cute lavender-striped ball, and tip your hat to the My Three Sons episode “Charley, the Pigeon.”

[1]       Bentigvena, Freddie “The Beard.” The “Encyclopedia” of Pool Hustlers. 2013.

How Are Billiards Tables Made?

Billiards has come a long way since King Louis XI of France introduced the first table in 1470 exclusively for use by the noble class.  Back then, the handles of maces were used to push balls made of wood, clay, or ivory into a single center hole. Fast forward, in the US alone, there are now more than 20 million players. Though in decline, the billiards tables market is a $200 million industry, with individual tables easily ranging from $500 to $15,000. And the revenue generated from the 340,000 coin-operated tables is close to $1.5 billion.[1]

Billiards tables can have varying dimensions and be considerably customized (e.g., choice of wood, color, cloth, etc); nonetheless, they follow a similar manufacturing process that, when done well, should last several decades. Not surprisingly, several educational reality television shows have attempted to address the question, “How are billiards tables made?”

The oldest of the three shows is How It’s Made, a documentary television series that premiered in early 2001 on the Discovery Channel in Canada and on Discovery’s Science Channel in the US. The low-budget, lo-res series relied on an off-screen narrator who described matter-of-factly in 5-7 minute segments how common items, ranging from guitars to bubble gum, are manufactured, while also injecting some tidbits of history.

The Season 6 episode “Ropes, billiard tables, sailboards, cymbals” from 2006 doesn’t help its cause by getting its history wrong in the first minute, incorrectly saying that “billiards [is] also known as pool” and that the game has “been around nearly 500 years.” The episode then proceeds to walk the viewer through the building process, from the initial table frame getting shaped to the rubber strips getting added to the rails to the workers pre-assembling the pieces and stamping them sequentially to ensure the table can be re-assembled later. Additional attention is given to the hot-gluing of the mother-of-pearl sights and the “real heavy lifting” of the three pieces of slate, each weighing up to 330 pounds, which comprise the table surface. The full episode is available to watch here, starting at 7:02.

https://www.youtube.com/watch?v=VsK1ncVsv44

Disappointingly, Discovery Communications repeated the How It’s Made formula 16 years later with the launch of their series Incredible Inventions, which first aired in March 2017 on their American Heroes Channel. Spread across 30-minute episodes, this documentary reality series aims to “explore the history and science behind different inventions.”

In the Season 2 episode “The Bow, Ferrofluid, The Billiard Table” from September 2017, the narrator, Matt Baker, delves into the table’s history, referencing its evolution from outdoor croquet and the role Neville Chamberlain played in popularizing the sport.

Then, focusing on Thurston, the oldest (1799) snooker table manufacturer in the world, Mr. Baker details how the company makes its tables: selecting the timber, cutting the wood, planing the wood to the appropriate thickness, drilling holes to enable assembly, creating the legs, leveling the table, spraying the wood, fitting the cushions with billiards cloth, adding the pocket leathers and nets, adding the table cloth, marking the cloth to regulation measurements and ironing it, and finally fitting the cushions.

Aside from highlighting the weight of the table slate, and the craftsmanship of the cloth fitters, the episode feels like a retread of its predecessor, maybe minimally better. The full episode is available to rent/buy and watch on Vudu, starting at 14:20.

In fact, one starts to wonder how this episode got made when Discovery Communications had already upped their game 18 months earlier with the “Pool Tables, Gas Fired Boilers and Shopping Carts” episode from Machines: How They Work, produced and aired by their subsidiary network The Science Channel. By far the most innovative of this how-to trio, this ten-part series combines photo-real CGI with real factory footage to show the hidden workings of appliances, objects, and machines.

Airing in March 2016, the “Pool Tables…” episode distinguishes itself by specifically tackling coin-operated tables, in which “500 parts work in unison” to enable a table to “rack up a half million games” in its 30-year lifetime.

Dissecting a table from Valley-Dynamo, the inventor of the 70-year-old coin-op table, the episode highlights the assembly of the dead rail, the mechanics of the coin recognition slot, and the interior “spider web of runways” that transport the balls.  The episode also tackles the classic question, “Why does the cue ball return but not the other balls?”  I anticipated the answer was attributable to the ball’s size, which is also accurate, but on this featured table it is because the cue’s white layer conceals a ball of iron that gets magnetized, pulling the cue out of the regular chute and channeling it back into play. The full episode is available to watch here, starting at 00:46.

https://www.youtube.com/watch?v=DFZHACzo98c

If you’re seeking to understand how billiards tables are manufactured, these three shows should be sufficient.  And, if you’re curiosity wanders more toward the creation of billiards cues or balls, don’t worry. There are plenty of films (The Cuemaker), TV episodes (How It’s Made – “Air filters, billiard cues, ice sculptures, suits”) and video vignettes (Impossible Engineering – “How are billiards balls made?”) to keep you sated.

[1]         Recent data is hard to find. Most of the cited data is 3-5 years old: “…20 million players” (NGSA Sports Participation – Single Sport, 2013); “…a $200 million industry” (Global Billiards Table Market Professional Survey Report, 2017); “…revenue from coin-operated tables” (Statista, 2010; NHBR, 2010)

Magic Kaito 1412 – “Hustler vs Magician”

More than 30 years ago, Gosho Aoyama wrote and illustrated a Japanese manga series entitled Magic Kaito. The story was about a teenager, Kaito Kuroba, who learns that his father was The Kaito Kid, a famous international criminal who was mysteriously murdered over a jewel theft. Vowing to avenge his father, the adolescent becomes a master illusionist and assumes the identity of the Kaito Kid.

Magic Kaito 1412The story was turned into the 24-episode anime series Magic Kaito 1412 that aired from October 4, 2014 to March 28, 2015. In “Hustler vs Magician,” the third episode of the series, Kaito learns that his close family friend Jii, who owns the Blue Parrot Billiards Club, once lost the diamond and emerald-encrusted Legendary Cue (stick) to a local mob boss when he was beaten by the boss’ pool shark, Tsuujirou Hasura in a rigged match.  Now the same boss is threatening to close down the billiards club.

Though Kaito cannot shoot pool, he vows to win back the cue. Sneaking into the boss’ club, the American, he challenges Hasura to multiple matches of 9-ball for $10,000 per game. Losing them all, he wagers the Blue Parrot for the Legendary Cue.  At that point, he assumes the billiards stance of his late father and performs a spectacular trick shot, with multiple jumps, which wins him the cue stick.  It is only later revealed that the shot was an illusion. Hidden wires tautly stretched across the table allowed the cue to travel an otherwise impossible orbit that knocked in all his balls in one shot. The full episode is available to watch here.

https://www.youtube.com/watch?v=QJZo6-MF0Is

Magic Kaito 1412 is the third anime series I’ve discovered with a billiards episode. Unfortunately, it’s the worst of the lot.  Lacking the metaphysical, WTF-ness of Death Billiards or the hyper-sexualized imagination of the “Moulin Rouge” episode of Fairy Tale, the “Hustler vs Magician” episode banally trudges along from its questionable setup to its nonsensical ending. Moreover, the episode feels overly familiar, recycling billiards tropes on its path to an obvious conclusion.

Let’s start with the troubled friend who is poised to lose his bar to the local mob boss. This same idea was the premise of the 1972 film Wandering Ginza Butterfly, which also resolved itself with a match between the main character and a yakuza henchman. Similarly, in the Italian film Il tocco – la sfida the lead character makes the decision to compete in a 5-pin tournament to save his friend’s pool hall. (In that example, the lead unwisely beats the local gangster’s hired pool shark, thereby sealing his friend’s fate.)

Magic Kaito 1412Then, there is the character of Hasura, an honorable pool shark, who is torn between his love of the game and his role as an employee of a ruthless gangster.  This situation is similar to that in the 1991 movie Legend of the Dragon, in which world snooker champion Jimmy “The Whirlwind” White plays the conflicted hustler.

Another trope is the child billiards prodigy underestimated by adults. Less common in movies, this idea formed the backbone of both “The Hustler” episode of The Brady Bunch, when Bobby Brady makes a killing in wagered bubble gum, and the “Minnesota Vicki” episode of Small Wonder, in which 10-year-old Vicki hustles her father’s boss out of the ownership of his company.

On a positive note, “Hustler vs Magician” introduce two ideas that I hadn’t yet encountered.  The first is a prized cue stick with its own moniker.  Sure, Uncle Phil wreaks havoc on his opponent when he unsheathes his cue stick Lucille in The Fresh Prince of Bel-Air episode “Banks Shot.” But, otherwise, most billiards movie cue sticks remain nameless and are of relatively little value.

The second idea is the use of illusions to win a game.  Of course, billiards movies are replete with trick shots, and some are so fantastic that they appear to be magical. So, perhaps it’s a fine line separating magic and world-class pool-playing.  After all, is it any wonder that world billiards legend Efren Reyes goes by the nickname “The Magician”?

What’s My Line?

Salvador Dalí. Walt Disney. Eleanor Roosevelt. Lucille Ball. Alfred Hitchcock. Walt Frazier. Althea Gibson. Dizzy Gillespie. Aretha Franklin. Groucho Marx. Jesse Owens. Vidal Sassoon. Barbara Walters. Orson Welles. Gore Vidal. Sean Connery. Along with hundreds of others, these celebrities all had one thing in common.  Care to guess?

What's My LineThey all appeared on the famous panel game show What’s My Line?  And to this pantheon of household names, we can also add two renowned billiards players, Willie Mosconi and Minnesota Fats, who appeared on the show September 2, 1962 and January 17, 1965, respectively.

What’s My Line? aired in the United States on CBS initially from 1950 to 1967, making it the longest running U.S. primetime network game show. Moderated by John Daly, the game required four “celebrity” panelists to question a contestant in order to determine his or her occupation, with panelists occasionally having to identify a celebrity “mystery guest” by name. Though there were a number of panelists during the 17-year run, a majority of the episodes had a panel that included columnist Dorothy Kilgallen, actress Arlene Francis, and Random House Publishing founder Bennett Cerf.

Willie “Mr. Pocket Billiards” Mosconi, of course, was (and still is) considered one of the greatest pool players in history. He won the World Straight Pool Championship an unmatched 15 times, and he set the straight pool world record in 1954 for pocketing 526 consecutive balls in an exhibition match.

In the What’s My Line? episode featuring Mr. Mosconi as the mystery guest, the billiards legends signs in as Mr. X to avoid recognition. The panel tasked with identifying his profession (“world pocket-billiard champion”) consists of Ms. Francis, Ms. Kilgallen, Mr. Cerf, as well as the flamboyant composer and pianist Liberace. 

Knowing only that Mr. X is salaried, deals in a service, and hails from New Jersey, the panel establishes that Mr. X is an indoor entertainer for a profit-making organization who has appeared on television, but otherwise fails miserably to guess his vocation.  When the host ultimately reveals that Mr. X is Willie Mosconi, the panel erupts into a chorus of ohs, ahs, and “Yes, indeed.” He then closes his appearance by discussing his role as technical advisor on The Hustler, and then giving the audience a lexical lesson on the origin of the term “pool.” 

What's My LineThe episode featuring Minnesota Fats is also available to watch on YouTube here.  New York Fats, aka Rudolf Wanderone, was a pool player and hustler who assumed the name Minnesota Fats in 1961 after the release of The Hustler, starring Jackie Gleason as the fictional character Minnesota Fats. Though he appropriated the moniker and was only a decent player, Minnesota Fats quickly became one of the world’s most famous billiards players, appearing in movies (The Player), starring on game shows (Celebrity Billiards with Minnesota Fats), authoring books (The Bank Shot and Other Great Robberies), and headlining video games (Minnesota Fats – Sega Genius).

In this Season 16 episode of What’s My Line?, mystery guest Mr. Fats enters by signing in as Rudolf Wanderone. His profession, which the panelists must guess in 10 or less turns, is “professional pocket billiards player.” The panel, which includes Ms. Francis, Ms. Kilgallen, Mr. Cerf, as well as author and comedian Alan King, are not blindfolded, as they often are with celebrities who are visually recognizable to the general public. Though the panel determines he is an indoor performer who uses “props,” moves around a good deal, requires skill and dexterity, is an expert/champion in sports, and has been seen on television, they fail to guess his identity.

What's My LineWhen the host Mr. Daly finally reveals his identity, eliciting applauses, head shakes, and an “Oh Yes!” from Ms. Francis, Mr. Daly goes on to reinforce the myth that Mr. Fats “came to great fame” because he was portrayed by Jackie Gleason in The Hustler, which, of course, was entirely inaccurate. Mr. Daly goes on to cite other parts of Mr. Fats’ resume, including that he was also Vice President at billiard table manufacturer Rozel Industries in Lincolnwood, Illinois.[1] Ironically, the fast-talking Mr. Fats has little opportunity to speak in the episode, often over-ruled by Mr. Daly, but he does have a classic in-character retort to Mr. Cerf’s ignorant question about the famous poker novel later adapted into a movie:

Mr. Cerf: Are you in The Cincinnati Kid? Are you one of the characters?

Mr. Fats: I am one of the characters whenever pool is concerned.

For Mr. Mosconi, What’s My Line? was but one of three game show appearances he made.  He also showed up on To Tell the Truth in 1958 and I’ve Got a Secret in 1962. As noted above, Mr. Fats adored the limelight and parlayed his celebrity into a starring role on Minnesota Fats Hustles the Pros in 1967 and then on Celebrity Billiards with Minnesota Fats from 1968 to 1971.

[1]       Rozel, formed in 1963, sold pool tables and accessories under the name Minnesota Fats Billiard & Leisure Centers. In 1980, the five Minnesota Fats stores were converted to Video King outlets. The company filed for bankruptcy in 1985.

 

SNL – “ESPN Classic: 1991 Ladies Billiards Tournament”

In 1991, Robin Bell won the second ever World Pool-Billiard Association’s Women’s World Nine-ball Championship, defeating her opponent Jo Ann Mason, in Las Vegas. Many years later, Ms. Bell would be inducted into the Billiards Congress of America (BCA) Hall of Fame.

Tampax to the MaxThat same year, a very different billiards match also occurred in Las Vegas.  Televised by ESPN Classic, that matchup was the 1991 Tampax to the Max Ladies Billiards Tournament of Champions, featuring Greta Milwaukee versus “The Soft One” Nina Wilkes Booth.

Confused yet?  Not if you’re a fan of Saturday Night Live.

In 2009, SNL cast members Jason Sudeikis and Will Forte introduced their ESPN Classic sketch, which would recur for three seasons through May, 2012. The two comedians portray on-air commentators for various ESPN Classic airings of women’s sporting events in the late 1980s and early 1990s. Sudeikis’ Pete Twinkle is an uber-bro host and kind of a douchebag.  His foil is Forte’s Greg Stink, a cheerful moron, completely uneducated about sports and incapable of even basic conversation. And though Twinkle’s attempt to engage Stink is sometimes humorous, the real heart of the sketch that earned the guffaws is the frequent references to the feminine or sexual product sponsoring the event, using rhyming jingles.

The first ESPN Classic sketch, which aired in October 2009 as part of the Saturday Night Live’s 35th season, is “1991 Ladies Billiard Tournament,” sponsored by Tampax. The full sketch is available to watch here.

Tampax to the MaxGreta Milwaukee (Kristen Wiig) and Nina Wilkes Booth (celebrity host Drew Barrymore) are introduced and subsequently engage in some over-the-top, physical comedy around chalking their cue sticks, breaking, and attempting to make shots in their game of 9-ball. Both women are pretty unmemorable, though Wiig’s billiards-themed ‘80s shirt is a real keeper.

More amusing is the repartee between Twinkle and Stink, such as:

“Where does the name billiards come from?”

“No idea.”

“Greg Stink – best color man in the business.”

But, of course, the real zing comes from Twinkle’s frequent shout-outs to the tournament’s sponsor Tampax. These jingles punctuate the commentary and get progressively more absurd as the sketch goes on, starting with the introductory slogan, “Tamp it to the max with Tampax,” and culminating with, “Helping you relax when Mother Nature attacks your slacks. Tampax.”[1]

The entire sketch is just over four minutes long, so it’s impressive the number of laughs it generates, even with its one-trick pony concept.  Saturday Night Live is also not alone in sketch-comedy shows that have leveraged billiards as source material.  It’s a future blog post to review and rank them all, but it’s worth checking out “The Hustler” (The New Show), “Van Hammersly” (Mr. Show), “Pussy on the Chain Wax” (Key & Peele), “The Hustler” (Mad TV), and “Spot Black” (The Benny Hill Show), among others.

[1]       Ironically, Tampax’s actual slogan at the time – “Outsmart Mother Nature” – also referenced Mother Nature.