At least since 1948, when Milton Berle first hosted Texaco Star Theater, television has aired sketch comedy shows. Over the years, and propelled by the success of sketch comedy titans such as Saturday Night Live and Monty Python’s Flying Circus, hundreds of shows have followed.
While they’re concentrated in certain geographic markets, such as the United States, Canada, and the United Kingdom, sketch comedy shows are a global television genre. Early progenitors arose in the Netherlands (Van Kooten en De Bie) and Mexico (Los Supergenios de la Mesa Cuadrada); more recent incarnations are everywhere, including Malaysia (Senario), Philippines (Lokomoko), Brazil (Hermes & Renato), and Indonesia (Extravaganza).
Given the global popularity of sketch comedy, it was only a hop, skip, and a jump to explore its intersection with another global phenomenon: billiards, of course. The sampling below is hardly the genre’s best (e.g., “The Hustler of Money” or “Van Hammersly” from Mr. Show) or comprehensive (as I have intentionally omitted England, since I recently wrote about British sketch comedy during snooker’s golden era), but it does represent 25,000 miles of billiards sketch comedies from around the world. Chalk up and enjoy!
Key & Peele – “Pussy on the Chain Wax” (USA)
Circled around an in-home billiards table, four friends begin a game of pool with the opening break. As Jordan Peele’s character lines up to take his shot, Keegan-Michael Key’s character recounts a recent fight he got into. There’s some friendly disputing of the facts, to which Key clarifies that he put the “pussy on the chain wax.” Two of the friends echo their support with laughs, hand slaps, and shoulder bumps. But, Jordan’s character is more suspect – not of the fight details, but of the authenticity of his friend’s phrase. Is “pussy on the chain wax” even a “thing”?1
This 2013 segment from the series’ third season is pitch-perfect, gut-busting fun. In this case, the phrase is absurd. Peele’s linguistic challenge is logical; he even Googles the phrase to find no matches. But, as the background piano fades in, Key shares his true plight: “I lost my job. My girlfriend left me…I just wanted to have a little fund with my friends today” and can’t understand why the origin of the phrase matters. Caught off guard by the rawness of his friend’s emotions, Peele unwinds his crusade without skipping a beat and joins in the brotastic bonhomie. Cue the choir: it’s time to put the “pussy on the chain wax!” The sketch is available to watch here.
SCTV – “Melonville Snooker Championship” (Canada)
Second City Television, a Canadian sketch comedy series which ran from 1976 to 1984, featured an all-star cast of rising Canucks, including John Candy, Eugene Levy, Rick Moranis, and Catherine O’hara. Many of the sketches were side-splittingly funny; unfortunately, the 1978 segment “Melonville Snooker Championship” was not one of them.
The sketch focuses on a snooker championship, pitting Lenny “Golden Arm” Bouchard (John Candy) against “The Greek Hustler” Alki Stereopolis (Joe Flaherty), at Dwayne & Tino’s Bowling and Billiards bar.2 Both players are a far cry from the formal, polished gentlemen of English snooker. But, the real grater is announcer Lou Jaffe (Eugene Levy), whose nasal, singsongy voice and random exclamations continue to interrupt the match and ultimately lead to fisticuffs between the two players.
Full Frontal – “Parko’s Good Sports: Snooker” (Australia)
On the positive, Full Frontal, the Australian sketch comedy series that ran from 1993 to 1997, introduced us to Eric Bana, who eventually stepped away from the funnyman role to headline Hollywood blockbusters, such as Troy, Hulk, and Munich.
But Full Frontal also included the the incredibly unhumorous segment “Parko’s Good Sports: Snooker,” which has our Good Sports host interviewing Milo Kerrigan, a punch-drunk ex-boxer (played by Shaun Micallef) about snooker, a “quiet game requiring a delicate touch and a lot of finesse.” The gag is that Milo is hardly delicate (or coherent). He garbles and babbles; he hits balls off the table and wears the rack on his head; he launches his cue stick into the wall – twice. The one thing he doesn’t do is act remotely funny, which makes me hard-pressed to understand why he was one of Full Frontal’s most popular characters.
Comedy Central Stand-Up, Asia! – “Mini Billiards” (Singapore)
With a big heart and a small billiards table, the “Mini Billiards” sketch from Comedy Central Stand-Up, Asia! has just enough humor and originality to keep viewers smiling and engaged. The sketch pits GB Labrador, a Pinoy stand-up comedian, against Eliot Chang, an NY-based comedian, in a game of billiards that is played on a desktop table less than a foot long.
Capitalizing on the popularity of billiards in the Philippines, Mr. Labrador embraces his nationality and declares, “Billiards is our game.” The two comedians then alternate taking shots, which seems much harder for Mr. Chang, who is “not used to small balls.”
The players’ quips are rather feeble (especially when Mr. Chang invokes Harry Potter), but the editors score humor points with some clever sound and visual effects. And, Mr. Labrador gets in a good laugh when he rebuffs Mr. Chang’s plea for mercy by telling him that he “already has a wealthy country.”
Chewin’ the Fat: “Ford and Greg on the Couch” (Scotland)
Chewin’ the Fat was a Scottish sketch comedy series that aired 30 episodes of guffaws between 1999 and 2002. In the season’s first episode, one of the segments takes us behind the scenes of the Snooker Semi-Finals at the Crucible to view some of the “lighter moments that have made this tournament so entertaining.”
Yet another sketch lampooning the formality of snooker, this wordless episode is a pastiche of boys behaving badly set to a ragtime soundtrack. The players drop their drawers, pick their wedgies, pick their noses, dance on tables, chalk their faces, give one another piggybacks, mock, jeer, cackle, and act like asses.
Perhaps the Scots had grown bored with snooker. Their national champion, Stephen Hendry, was so good he won seven world titles in the 1990s. But, otherwise I’m struggling to find the mirth in this puerile send-up. The sketch is available to watch here, starting at 20:18.
Top Lista Nadrealista – [name of segment unknown] (Yugoslavia)
Historians will recall that in 1991 Slovenia and Croatia became the first republics to declare independence from the former Yugoslavia. Around that same time, Top Lista Nadrealista, a Yugoslav sketch comedy show that ran from 1984 to 1991, aired a segment showing two Belgian members of the European Community Monitoring Mission in Bosnia trying to incite a Bosnian Muslim and a Serb, lifelong friends, to start fighting one another during a game of pool at a Sarajevo bar.
The episode is available to watch below, but only in Serbian without subtitles, so I can’t comment on the humor. But, as in Melonville, billiards begets bedlam.
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- Teasing the question whether art imitates life, or life imitates art, “pussy on the chain wax” is now a real phrase in Urban Dictionary.
- Largely wasted in this sketch, Mr. Candy returned to billiards in 1984, when he starred in one of the best billiards sketch comedies ever, “The Hustler” from the series The New Show.