My billiards short films pilgrimage has allowed me to crisscross the planet, from Alberta, Canada (Penance) to Australia (The Billiards Room); from Sweden (Biljardkundgen) to Argentina (Maltempo); from Brazil (Inglorious Billiards) to Japan (Death Billiards).  Yet, in all my cinematic searches and layovers over the past seven years, I had never unearthed a billiards film from any of the 54 countries within the African continent.

That is, until two months ago, when I stumbled across Game, a 2017 movie shot in Buea, Cameroon. The 28-minute short film stars and is written and directed by Cyril Nambangi, a Cameroonian filmmaker currently living in the United States.

Mr. Nambangi plays Marcus, an individual bored with his day job who understands that one can learn a lot about women and specifically their habits and vulnerabilities by reviewing their social media presence. Marcus is attracted to Fesse (Nsang Dilong), a woman he knows but has never engaged with. Realizing from her Facebook posts that she recently ended a relationship and now frequents a local pool hall, he intentionally stops by. When the pool hall’s reigning loud-mouth champion pompously beats her in a game of billiards, he seizes his chance to dethrone the champion and impress Fesse. The gambit works, as Marcus humiliates the champion with a deft jump shot in the first game and sinking the 8-ball on a one-handed break in the second game.  Fesse becomes immediately attracted, and the rest is history.

The social media stalking plot is a bit cringe worthy, and while there is a lot of pool-playing in the film, it’s filmed rather uninterestingly, with the exception of the aforementioned shots. I found the most enjoyable parts of the film were the close-ups on Buea nightlife, as the streets, cuisine, and energy made the movie feel wonderfully authentic.

But, sometimes, the appeal of a film can be magnified by knowing its origins. Such is the story behind the making of Game, as recounted to me during a Zoom interview with Mr. Nambangi. “Film making in Africa? You just have to adapt,” he explained teasingly.

Let’s start with the impetus for the movie. Mr. Nambangi shared, “I am an amateur pool player and film maker….I do know how to shoot pool, all the guys in the film are my friends still based in Cameroon.  Whenever we meet, there is a big competition, everyone thinks they are the best player… [I came up with] a story that ties into that, [so I didn’t] need to train actors how to play pool. I did it in reverse: I got pool players then trained them how to act.”

Armed with his idea and cast, the next question was where to film within the town of Buea. A local university provided an unoccupied performing arts space to Mr. Nambangi for one night only to convert into a pool hall, so long as he could outfit it with the necessary pool table and seating.

But in Buea, there are only two locations that have functional pool tables, and people are shooting on them around the clock because “pool is the club’s money maker.” One of those locations is a club managed by three brothers. Incredibly, Mr. Nambangi got approval from the middle brother to borrow the pool table and some matching stools for the evening, so he picked up the equipment in a rented truck and transported it to the university for the shoot.

Fesse (Nsang Dilong)

After filming wrapped at 2AM, three members of Mr. Nambangi’s crew attempted to return the pool table. But, when they arrived, a different manager was on duty and he claimed he knew nothing about the missing table and stools, so he called the police, assuming his club had been robbed. He had the crew members promptly arrested. It would take lawyers working through the twilight hours to get them out of jail.

Around the same time the crew members were getting arrested for returning the table, Mr. Nambangi’s trio of local actresses (“dressed in little minis for their scene”) were heading home in taxis. Mr. Nambangi recounted what happened next:

“As soon as they got out of the taxi, a black maria (i.e., a police van) came up, door swung open, two officers jumped out, and drove off with the girls bringing them to the police station. We went to the police station and were told they were dressed indecently.  But, [the officers] were just looking for some bribery money. They think, ‘Give me something and you can go home.’ The girls were terrified. If you don’t have someone to call, you’re screwed. That’s how it goes for you. The police will keep you there for a couple of days. And those are not conditions where you want to stay.”

Fortunately, Mr. Nambangi was able to grease some hands and get the women released, bringing his night of multiple arrests to a close.

The coda to the film’s production came much later once Mr. Nambangi had competed the film and was trying to get it included at festivals through submission to the now defunct Withoutabox. Out of the blue, he was contacted by Amazon Prime, which offered him the chance to have it featured exclusively within their platform. (Note: IMDB, a subsidiary of Amazon, acquired Withoutabox in 2008.) For a budding filmmaker, the opportunity was irresistible.

The experience has been mostly positive for Mr. Nambangi, though the decision has come with some tough sacrifices. He explains, “Amazon Prime is not available in Cameroon, so my friends could not see the movie, and once on Prime, I could not submit it to festivals.  Everyone who has participated has still not seen the project. I was planning to do a local premiere, but we have a war situation, so I’m not going back there now.”

While it may be some time before his colleagues can watch and appreciate Game, I hope those who do have access to Amazon Prime will spend the half-hour and watch it. The movie is available here.