Category Archives: Billiards TV

The Billiards TV category is about television episodes that prominently feature billiards or have plots centered around billiards.

Steptoe and Son – “Pot Black”

Pot BlackWhen asked, “What is your favorite billiards movie or TV episode?,” most the writers, actors and directors I have interviewed respond, understandably, by saying The Hustler or The Color of Money. (I would reply the same way.) But, Oliver Crocker, director of the forthcoming snooker film, Extended Rest, surprised me with his answer: “Pot Black,” the Season 6, December, 1970 episode of the British sitcom Steptoe and Son.

At the risk of Anglican dismay, I admit in full transparency that I had never heard of the series, which was broadcast by the BBC from 1962 to 1965, and again from 1970 to 1974. Steptoe and Son focused on the inter-generational conflicts of a father (Wilfrid Brambell) and son (Harry H. Corbett) who run a rag-and-bone (i.e., junk collection) business on Oil Drum Lane, a fictional street in Shepherd’s Bush, London.   The series was remade in the US as Sanford and Son.[1]

Like many Steptoe and Son episodes, “Pot Black” featured only the father Albert and the son Harold. The full episode is available to watch here.

http://youtu.be/d4KV9MYkpjE

“Pot Black” begins with Harold’s one-sided decision to bring an old snooker table into the house so that he can rediscover his skills for the game. Albert, characteristically grumpy, believes there is no room for the table in the house, but he is overruled by his son in one of their umpteenth disagreements, who is convinced the table will fit. Moreover, Harold conceives that having a snooker table in the house will finally enable him to beat his father in a game, as history has repeatedly sided with his father, who effortlessly and routinely trounces him in games whenever they compete.

Pot BlackThe table, of course, does not fit, albeit the bull-headed Harold refuses to admit it. A comedic sequence ensues with Harold challenging his father to a match and overruling his protestations. But, the game does not go well. Butting up against walls, and forced to take shots leaning in through windows, Harold continues to miscue, potting the cue ball on every shot. (Fans of Seinfeld will recall a similar claustrophobic pool table shtick with Kramer and Frank Costanza at the end of “The Doll” episode.) Eventually, Harold snaps a cue stick in rage, conceding that his game is hamstrung by the lack of space, and then insisting that they continue their match by bringing the snooker table outside.

Pot BlackAs the hours go by, both players struggle to make shots and the score remains about even. Albert’s insistence that he will catch pneumonia and his subsequent plea to end the game at 3AM is overruled. Similarly, a lightning storm, which frightens the father and drenches the table, fails to stop the game, though ample squeegeeing is now required in between shots.

Finally, after a seeming eternity, Harold squeaks out a win. After doing a brief victory jig and proclaiming he has a “natural aptitude for the game,” Harold condescendingly offers to give his father “a few lessons tomorrow and show him exactly where he went wrong.” Albert congratulates his son and humbly acknowledges his own inferiority.

[SPOILER ALERT] But when his son walks off, Albert returns to the table, grimacing, and proceeds to make a series of incredible trick shots, revealing to the audience the snooker skills he intentionally did not share with his son, thereby having the last laugh.

The “Pot Black” episode took its name from the BBC televised series Pot Black, which featured annual snooker tournaments held across the United Kingdom from 1969 to 1986. The series transformed snooker from a minority sport played by a few professionals into one of the most popular sports in the United Kingdom. In fact, an interesting linkage between the Pot Black series and the “Pot Black” episode is Sydney Lee, a snooker player from the 1950s, who was both the technical advisor on the snooker sequences in “Pot Black” and a popular referee on the Pot Black series.

[1]       In fact, Sanford and Son had a 1973 billiards episode, “A House is Not a Poolroom,” which loosely borrowed from the Steptoe and Son – “Pot Black” episode in that the residence does not have room for a new billiards table.

Ten-Twenty

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It is difficult today to conceive the challenge billiards evangelist and promoter Frank Oliva, and his partner, sportscaster “Whispering” Joe Wilson, faced in launching the billiards game-show Ten-Twenty in 1959.

Ten-TwentyBilliards columnist George Fels captured the time period well: “There was no The Hustler except in fiction form, where it barely created a ripple. There was no Johnson City or its hustlers’ jamborees, therefore no “Minnesota Fats” in the national eye, nor his fabled rivalry with all-time champion Willie Mosconi. In other words, the two men had absolutely no momentum of any kind going for them to support the pitching of their idea.”[1]

Fortunately, Oliva was a hustler – not the pejorative version that has become the archetype of billiards players in movies, but the unwavering type, who would pursue a goal with bottomless passion and courageous conviction.

In describing his mentor and teacher in an AZ Billiards Forum message thread years ago, Scott Lee (of Pool Knowledge) said, “Frank [Oliva] was an innovator, a master teacher…and an all-around good guy, who loved pool…All he ever wanted was to help pool players find a way to make legitimate money at pool, without having to resort to gambling.”

Oliva recognized that for billiards to achieve public popularity, it must expand beyond the pool parlor scene to the television screen. Bowling provided a great analog and forerunner. In the late 1950s, ten-pin bowling went mainstream, entering millions of homes on Friday nights, thanks to hugely popular televised shows like Jackpot Bowling.

Ten-TwentyThe key was how to translate billiards to the television medium. In 1958, Oliva created a new game, Ten-Twenty, that was a variation of classic 14-1 straight pool. Each match consisted of eight innings of play. Each player could score up to 10 points each per inning. In the eighth inning, if a player scored 10 points, he could continue shooting for an extra 20 points. A perfect match score would be 100 points. Fouls would cost 1 point each. The matches were timed and if it ended before the eighth inning, the scores would be taken from the last fully completed inning. The full rules are available here. Oliva’s brilliance was acknowledging the need for time constraints, and then introducing the concept of timed play to professional pool in a way that could substantially, yet fairly, impact the outcome.

But, creating the game was only the first of many challenges. To pitch it to a broadcasting network, Oliva had to prove there was sufficient interest and financial support. Oliva successfully wrangled 82 different billiards parlors from the Chicago area to pitch in. (Many years later, Oliva elaborated, “Brunswick was main sponsor of the show, along with several distributors, manufacturers, and billiards rooms…Some that I remember were Hanson Billiard Mfg, Sydney Laner Co, and National Billiards…we probably had more sponsors than any show since.”[2])

Finally, there was the issue of player support. Unlike future US billiards game shows (i.e. Ballbreakers), Ten-Twenty was not designed for amateurs; it was intended to attract the top players of the era. The lure of playing on television of course helped, but so did the financial rewards. The best players could win more than $1000 ($8,160 inflated in today’s real dollars), or even $5000 for a perfect game.   And, since “each week’s winner would return the following week to do battle with a new qualifying top contender, seldom did anyone hold the championship beyond two weeks.”[3]

Ten-Twenty

Frank Oliva

This model would prove successful in attracting a who’s-who among billiards greats. Some of the players that appeared on the show included Joe Procita, Joe Diehl, Don Tozer, Charlie Cacciapaglia, Mike Eufemia, Cisero Murphy, Nick Oliva, “Little” Joey Canton, Jimmy Caras, Willis Covington, “Cowboy” Jimmy Moore, and Irving “The Deacon” Crane.

Armed with a masterful game design, a battalion of sponsors, and a commitment from many of the country’s leading pool-players, Oliva was able to convince WBKB, an ABC affiliate in Chicago, to air Ten-Twenty, starting in 1959. The 30-minute show ran was picked up in many cities, though it never achieved national syndication. Oliva played the role of show producer, referee and player recruiter. His partner, “Whispering” Joe Wilson, who was the Howard Cosell of sports-casting in the 1950s and 1960s, provided the sotto voce play-by-play.

Most of the Ten-Twenty episodes are no longer available (and sadly may no longer exist), but fortunately the entire match between “Cowboy” Jimmy Moore and Irving “The Deacon” Crane is available on YouTube split across five separate clips. You can watch them here.

For those not up on their billiards history, Moore and Crane were two of the world’s best. Moore, a straight-pool master, who was inducted into the Billiard Congress of America’s Hall of Fame in 1994, won the United States National Pocket Billiards Championship in 1958. (He was also a technical advisor on billiards-related scenes in television and film, including My Living Doll and The Family Jewels.) Crane, another straight-pool master, won numerous championships, including six World Crown billiards titles in his career. He was inducted into the Hall of Fame in 1978.

Ten-TwentyThis particular episode not only showcased their incredible skill (a jubilant Wilson remarks at one point, “[That was] one of the greatest shots I’ve ever seen.”), buy also showed how even the greatest can make simple mistakes (check out the rare miss by Crane in Part 4 at 2:33). It also serves as an interesting time capsule, with its public service announcement from top leading man Jeff Chandler about mental illness, which he describes as “America’s number one health problem,” as well as its advertisement for ABC’s new show about the supernatural, Alcoa Presents: One Step Beyond.

Sadly, Ten-Twenty was short-lived, lasting maybe 13 weeks in total.[4] There are scant details available about why the show did not experience the same trajectory of success that occurred in bowling game shows like Jackpot Bowling and Make That Spare.  It would require two more years before billiards truly burst into the public imagination with the release of The Hustler in 1961.

Nor was our real hustler, Frank Oliva, deterred for long. His passion for billiards led him to found and organize in the Oliva Women’s Pool League, the country’s most enduring, women’s billiard league. And, his determination to get billiards its deserved national audience also led him back to television in 1967, when he partnered once again with Wilson to launch the game show Minnesota Fats Hustles the Pros.

[1]       “November: Pool, Meet TV,” George Fels, Billiards Digest, November 2011.

[2]       “Frank Oliva,” Pool & Billiards Magazine, November 1986

[3]       “A tribute to the King of televised championship billiards in America,” by Jim Parker.

[4]       There is some confusion about how long the show ran. Various sources I checked said it lasted 8 episodes, 13 weeks, or 2 years.

Fairy Tail – “Moulin Rouge”

Exploding eight balls. Multi-ball trick shots. Cats pitching cue balls. Girl-on-girl pool brawls. A young woman shooting billiards in a revealing bunny outfit. Yep, figured by now I had your attention.

Fairy TailWelcome to the imagination of Hiro Mashima, the creator and illustrator of Fairy Tail, a Japanese manga series that was subsequently adapted into an anime series beginning in 2009. The billiards snippets referenced above are from the episode “Moulin Rouge” (“Mūran Rūju”), released on October 11, 2014, toward the end of the series’ fifth season. The full episode is available to watch here.

Both in its original manga (Japanese comic book) and subsequent anime (Japanese animated art form) format, Fairy Tail is aimed at the shōnen demographic, which is a broad male audience, though the target age range is probably 12-18 years old. As such, the anime features strong male characters, attractive young women with gravity-defying proportions, tight-knit teams, and plenty of high-action battle sequences.

https://youtu.be/m3nQvPr-Tz4

Fairy Tail follows the adventures of the excessively curvaceous 17-year-old wizard, Lucy Heartfilia,[1] after she joins the Fairy Tail wizards’ guild and partners with Natsu Dragneel, who is searching for his missing foster father. Over time, the team expands to many wizards, including Erza Scarlet, an equally sexy, buxom wizard who is widely considered to be the most powerful female member of the guild.

The “Moulin Rouge” episode begins with two of the Fairy Tail Guild wizards, Gray Fullbuster and Juvia Lockser, returning from a job with a new pool table, courtesy of an appreciative client. Gray, showing off not only his chiseled physique but also his otherworldly pool prowess, proceeds to make a series of incredible shots, wowing his fellow wizards and causing Juvia to ask aloud whether he will “poke [her] with his cue stick next.”

Fairy TailNatsu, less familiar with the subtleties of pool, also picks up a cue stick, but confusing the game with baseball, starts smacking pool balls around the hall, causing considerable havoc and wizardly mischief. The hullabaloo wakes reigning ass-kicker and S-class swordsman Erza Scarlet, who recounts the tale of her first introduction to billiards.

The episode then flashes back to Erza some time ago walking into a pool hall. The hall’s gaggle of male patrons, unaware that Erza is a wizard, jape that pool may be “difficult for a woman.” Confronted with such derision, Erza makes a questionable costume change (though not questionable to the series’ pubescent viewers) into a revealing bunny costume that even Hugh Hefner might endorse. Then, picking up the cue stick and channeling her wizardly pool-playing power, she – literally – breaks the pool balls.

Fairy TailThe pool hall schlubs, unsure whether to ogle in her presence or duck for cover, start screaming willy-nilly only when they glance her Fairy Tail guild tattoo. Coincidentally, there is another female wizard that has been recently claiming membership to the guild and stealing from the local proprietors.

Outraged by the notion of a bandit masquerading as a guild member, Erza opts to shed the bunny for a hot waitress outfit and goes next door to the sweets shop to confront the green-haired, scantily-clad, uber-bodacious impersonator known as Mulan Rouge.[2] Unfazed by Erza’s cease-and-desist threats, Mulan naturally fights back by stealing Mulan’s panties (?!) and leaving the scene. Additional fighting ensues, including Erza punching Mulans’ head through the pool hall wall and deflecting Mulan’s bullets with her sword, while simultaneously pocketing billiards balls. Ultimately, Erza extracts a confession from Mulan that her real name is Bisca Mulan, a destitute immigrant who feigns a Fairy Tale guild affiliation in order to make ends meet and feed her sick friend (and mouse) Sonny, which hides in her cleavage.

Fairy TailFortunately, Erza takes pity on Mulan and extends an invitation for her to join the Fairy Tail guild if she’ll renounce her lawless ways. That’s when the flashback ends and we see Bisca, now with long green hair and perhaps even skimpier outfits, reunited with Erza and reminiscing about their first encounter, which leads to them once more playing pool.

As the popularity of anime increases, it will be interesting to see how it intersects with billiards. Until recently, the only “game” in town was Death Billiards, a 26-minute psycho-fantastic film from Madhouse Studios that released in March 2013. Then, one week after A-1 Pictures and Satelight aired the “Moulin Rouge” episode of Fairy Tail, A-1 Pictures aired a billiards episode of Magic Kaito 1412 entitled “Hustler vs Magician.” And on Halloween this year, Madhouse Studios set the Twitterverse aflame with the announcement that Death Billiards would become the basis for a new televised anime series called Death Parade in 2015.

[1]       Lucy’s presumed measurements are a 37-inch bust, 23-inch waist, and 36-inch hips. In comparison, Barbie’s measurements are probably a 36-inch bust, 18-inch waist, and 33-inch hips.

[2]      Mulan Rouge is not only a variation of the Baz Luhrmann Moulin Rouge musical with Nicole Kidman, but also the spiritual birthplace of the modern form of the can-can, a seductive dance originally introduced by courtesans.

 

My Living Doll – “Pool Shark”

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When asked how she ever learned to shoot pool so well, Rhoda Miller, the lifelike android played by the ever-sexy Julie Newmar, responds, “By computing the circumference of the spheres and the angles of trajectory plus the coordinates of the points of impact.” It’s a reasonable answer from a prototype robot built by the U.S. Air Force. It also establishes that Rhoda (aka AF 709) not only has the ability to learn new skills, but also that she will be able to play billiards nearly flawlessly (or, at least, until commanded to do otherwise by her caretaker, Dr. Bob McDonald, played by Bob Cummings).

My Living DollThe exchange described above is from the January, 1965, “Pool Shark” episode of the American science fiction sitcom My Living Doll, which aired for only 26 episodes on CBS. In the episode, Rhoda is recruited to hustle a wealthy pool shark in order to erase a debt indirectly owed by Dr. McDonald. Though Rhoda has never played pool, her ability to perfectly apply geometry and physics to the game enables her to shoot without error.

My Living DollThis is established by making a series of obligatory, but nonetheless eye-popping, trick shots, including the classic six ball “butterfly pool shot;” the famous two balls in the same pocket masse shot from The Hustler; a “railroad shot” (using the cue sticks as a railroad track); and a “paper bag shot,” in which the ball is hit with just enough momentum to enter a paper bag, flip it over, and exit the other side into the pocket. The full episode is available to watch on YouTube.

My Living DollMy Living Doll is hardly the only show to reduce billiards supremacy to physics and geometry, though it may have been the first. A quarter century later, the 1990 “Pool Hall Blues” episode of Quantum Leap enabled Dr. Sam Beckett to play masterful pool by relying on Al’s super-computer, which revealed the necessary angle for hitting every shot. Similarly, in the 1999 “Pool” episode of The Pretender, the prodigy Jarod becomes an ace billiards player through his “familiarity [with] the architectural theory of dynamic symmetry, as well as Descartes’ theory of coordinate geometry.”

What was, and remains, truly original about the “Pool Shark” episode of My Living Doll is embodying the geometry and physics aptitude inside a robot. Though it was pure science fiction in 1965, today, the notion of creating a robot that excels at pool, much the same way that IBM’s Deep Blue has become the definitive grandmaster of chess, has captured the imagination of scientists and inventors around the globe.

For starters, there is Deep Green, an industrial robot created by engineers at Queens University. The robot is “equipped with a cue and hung over a standard coin-op table. A digital camera reads the scene below and the robot’s computer brain compares it to 30 pre-stored images of an empty table, using the differences to decide where, and what color, the balls are. From there, the robot can nominate a ball and pocket and slide into action.”[1]

Then the robotic wizards of Willow Garage taught a Personal Robot 2 (PR2) to shoot pool. Created in response to a hackathon, the engineers spent one week teaching their robot hot to identify the pool table, locate a shot, and make it. They built it using their open source hardware platform and the ROS open source software library, which allowed them to adapt the existing FastFiz billiards software.[2]

My Living DollFinally, there is the Munchen Robot, created by scientists from the Technische Universität München in Germany. This dual-armed robot relies on a “camera mounted above the table and advanced physics engines to assess and detect the best way to approach a game of pool and execute the perfect [shot].”[3]

Though these robots all shoot an impressive game, none are indefectible, making them a futuristic far cry from the can’t-miss android Rhoda Miller. In fact, it is only when Dr. McDonald “forces” Rhoda to adjust her shot by two degrees, does she inevitably miss. Julie Newmar clearly appears to have had fun making some of the trick shots, but her slapstick sense of humor really shines when she misses and must “act angry,” resulting in myriad forms of cue stick destruction.

My Living DollThough the short-lived series was cancelled when it didn’t deliver the desired ratings, the show did yield Newmar her second Golden Globe nomination. Moreover and more important, with the abandonment of My Living Doll, Newmar was freed to assume the iconic role of Selina Kyle, aka Catwoman, in the 1966 Batman TV series, forever imprinting and arousing the minds of adolescents everywhere.

[1]       “Video: Pool-Playing Robot is Unbeatable,” Wired, 9/21/09

[2]       “Willow Garage teaches robot to play pool in one week,” SingularityHub, 6/16/10

[3]       “Billiard playing robot able to rack up eight balls with precision hustle,” Metro UK, 6/6/11

Fresh Prince of Bel-Air – “Banks Shot”

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Banks ShotThe late 1980s and early 1990s experienced a surge of black sitcoms. Two of the leaders in that category were Family Matters, which first aired in September 1989 and had 215 episodes over 11 seasons, and The Fresh Prince of Bel-Air, which first aired in September 1990 and had 148 episodes over six seasons. Family Matters, the more successful of the two, was the second-longest running black sitcom (behind The Jeffersons), though Fresh Prince arguably had a bigger impact on popular culture, as the vehicle behind the meteoric rise of its star, Will Smith.

A more practical exercise around comparing the two shows is in the genre of billiards TV, where each series made a contribution: the “Fast Eddie Winslow” episode of Family Matters (November, 1990) and the “Banks Shot” episode of Fresh Prince (February, 1991).

In “Fast Eddie Winslow,” the high-schooler Eddie fancies himself a pool shark after winning a series of games. But, when he agrees to raise the stakes to $25/game, he is quickly hustled, owing his opponent now $250. With violence imminent, Eddie’s father and grandmother show up in the nick of time, and erase the debt with a series of trick shots.

Banks Shot“Banks Shot” aired just four months later, and essentially recycled the storyline, albeit with a few positive twists. (It would not be the last reenactment of this billiards trope. The Steve Harvey Show episode “Pool Sharks Git Bit” copied it six years later.) In “Banks Shot,” high-schooler Will (Will Smith) ignores the admonitions of his Uncle Phil (James Avery) by taking the Mercedes Benz to a seedy pool hall. There, he makes some fast money by besting a few of the locals in eight-ball. (This includes making a shot through the legs, doing a no-look combination, as well as hitting a handful of can’t miss multi-ball shots, all while strutting to Snap!’s 1990 anthem, “The Power.”) But, like the impudent Eddie, Will’s cocksureness blinds himself to the true ability of his forthcoming opponent, Charlie Mack. Boasting “ain’t no thing like a chicken wing, my game is all that,” Will rapidly goes down $300. Suddenly realizing he’s been hustled (or a victim of “creative money management,” as his opponent says), Will must put up his uncle’s car as collateral until he can pay the debt.

In “Banks Shot,” it’s not the father-grandmother coming to the rescue, but rather Uncle Phil. This is an improvement over the “Fast Eddie Winslow” progenitor, since Uncle Phil does not disclose to Will his plan for getting back the money. In fact, he intentionally misleads Will, first by attempting to make a legal argument for restitution with the pool hall proprietor, and then by insisting that billiards “can’t be that difficult – I’ve seen it on TV,” and playing Charlie Mack in a $20/ball game of pool, which Uncle Phil subsequently loses.

Banks ShotNow further in debt, Charlie Mack successfully raises the stakes to $100/ball. [SPOILER ALERT!] It is at this moment that the hustler becomes the hustled, as Uncle Phil asks Geoffrey (his tag-along butler) for his cue stick Lucille, which Geoffrey promptly unsheathes from his pants leg. Armed with Lucille, the usually humorless Uncle Phil becomes a performer, swaggering around the table to the song “Soul Man,” and making consecutive trick shots, including a one-hander (while eating a sandwich), four-rail shots, and four-ball combinations. The pool hall patrons, including Will, can only watch in awe, as Uncle Phil wins back the debt, plus $600. Turns out Uncle Phil frequented a fair number of pool halls in his days, which is also why he tried to shelter his nephew from the dangerous elements that reside within. (“You think I’m trying to spoil your fun? I just want you to come home in one piece.”)

The episode may lack originality, and the moralistic ending is beyond heavy-handed, but it’s a hoot to watch the actor James Avery, who sadly died earlier this year, shed his patriarchal mien and assume the jaunty pool hustler persona.

“Banks Shot” is available to order online through Amazon.

Drake & Josh – “Pool Shark”

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Billiards movies and TV episodes are replete with shrewd, cunning hustlers: “Fast Eddie” Felson (The Hustler), Johnny Doyle (Poolhall Junkies), Nick Casey (The Baltimore Bullet), Kitty Montgomery (Dharma & Greg – “Do the Hustle”), even Mr. Ed (Mr. Ed – “Ed the Pool Player”).

But, the uninitiated, unknowing and unwilling hustler is a far less common trope within the genre. Until a couple of days ago, the only example that came to mind was Chow Siu-Ling, the naïve man-child played by Stephen Chow in the 1991 Hong Kong film Legend of the Dragon. In that movie, Siu-Ling is a snooker prodigy who his cousin Yan stake-horses (without Siu-Ling’s knowledge) to pay off Yan’s gambling debts. Once Siu-Ling catches wind of his cousin’s hustling plot, he becomes quickly traumatized and unable to play the sport.

Drake & Josh - Pool SharkSure enough, no inane plotline stays retired for long in the world of entertainment. Thirteen years after the release of Legend of the Dragon, the dewy-eyed, nescient hustler returns, this time in the form of the socially inept high-school student Josh Nichols. Played by Josh Peck, Nichols was one half of the titular duo in Drake & Josh, the Nickelodeon sitcom that ran for four seasons from 2004 to 2007. His conniving, but immature, stepbrother, Drake Parker (played by Drake Bell), was the other half.

Drake & Josh - Pool SharkIn the 2004, Season 2 “Pool Shark” episode of Drake & Josh, Drake learns that Josh is a pool powerhouse when he is forced to bring him on as a partner in a game of doubles. Josh’s secret: “It’s just basic geometry and physics.” Drake quickly hatches a plan to exploit Josh’s skills and hustle all the local denizens by first duping Josh to publicly throw a game to a “bunch of losers.” Once people start lining up to play, Drake encourages Josh to “show ‘em what he got,” but conceals from Josh he’s swindling the opponents at twenty dollars per game.  (For some reason, even after Josh makes a series of impressive caroms and multi-ball shots, no one wises up to the fact that they may be getting hustled.)

The plan predictably falls apart when Josh inadvertently learns that Drake has been “playing for profit,” rather than to “hang out and have fun.” Even when Drake tries to make amends by buying Josh a cue stick or tantalizing him with a rack of oranges, Josh refuses to resume playing, retorting, “Keep your citrus to yourself.” Josh, however, gets his revenge in the end when [SPOILER ALERT!] he enlists two former counselors to dress up as pool-playing roughnecks (?!) and threaten Drake into promising to disavow his hustling ways.

For a pretty lame billiards TV episode, there are a handful of impressive (but not overly showy) billiards shots. In an interview years later, the actor Josh Peck responding to a question about his pool ability by revealing, “I’m an awful pool player. I’m terrible at table sports – pool, table tennis. I’m pretty amazing at chess, but thank god for TV magic.”

Jan McWorter

Jan McWorter

That “TV magic” was, in fact, the handiwork of Jan McWorter, now best associated with McWorter Cues. She was the billiards consultant for the “Pool Shark” episode. McWorter’s story is an interesting one. First introduced to pool at the age of nine, she began playing competitive billiards in 1985 but quickly got tired of life on the road. Looking to change her life, she met Robin (Dodson) Bell, the world champion pool player and – yes!! – the mother of Drake Bell (from Drake & Josh). McWorter moved in with the Bell family in 1987 and became a born-again Christian. She subsequently returned to billiards two and a half years later, eventually becoming a top ranked WPBA player in 1993 and later becoming active in commercials, movies, television shows, and pool exhibitions.

This all begs the question whether it could have been Drake Bell making the pool shots in “Pool Shark” instead of Josh Peck. After all, there is a Drake Bell cue stick. And that’s no hustle.

The full “Pool Shark” episode of Drake & Josh is available to watch here.

Shotgun Slade – “The Pool Shark”

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The American Western television series Shotgun Slade came out in 1959, widely recognized as the peak year for television westerns, with 26 such shows airing during prime-time. While it only lasted two years, Shotgun Slade differentiated itself from the herd by having the show’s star, Scott Brady, portray a private detective (rather than a gunfighter or sheriff) who carried an intimidating (and unique on TV) customized shotgun that fired a 12-gauge shell out of its upper barrel and a 35-caliber bullet from its lower register. The series also featured a modern jazz score by Stanley Wilson instead of traditional Western-themed music.

Since Shotgun Slade went off the air in 1961, several home entertainment companies have tried to resurrect interest in the show.  Echo Bridge (formerly the Platinum Disc Corporation) released a total of 15 episodes in 2004.  Timeless Media followed in 2007 by releasing 10 episodes on DVD, almost all of them duplicative with the Echo Bridge series.  Finally Alpha Home Entertainment jumped on the bandwagon in 2009, releasing a 3-DVD series of 12 episodes, again almost repetitive.  

Yet, with all of these releases, not one included “The Pool Shark,” a February 1960 billiards episode from the first season of Shotgun Slade.  Fortunately, an avid reader of this blog shared with me his private recording of the episode. 

Lamentably, it’s a pretty unremarkable episode 🙁 . On his way home, Slade visits a local inn, where he is invited by Jim Dooley, a traveling shoe salesman, to play billiards. Dooley is a bit of a hustler, who’s known to have a few enemies. As Dooley is about to make a three ball run against Slade, he shoots the 8-ball, which explodes and kills him. The rest of the episode is dedicated to Slade trying to solve the mystery of Dooley’s murder.

Hardly memorable, “The Pool Shark” may, however, have been historic: to my knowledge, it is the first television Western episode to focus on billiards. But, it was not the last Western to highlight billiards on the TV screen or the silver screen.  

One year later, the television series The Rifleman featured a billiards episode called “Shattered Idol.” The stakes got significantly higher, and the billiards playing got far more innovative, in the 1967 “The Lady is My Wife” episode from Bob Hope Presents the Chrysler Theatre. In that episode, a gambler puts up his wife as the stake in a contest with a cowboy who wants to marry her. The contest is a pool game played on horseback inside the cowboy’s baronial mansion.

One year later, both the film Coogan’s Bluff featured cowboy Clint Eastwood in a well-known battle scene with cue sticks and billiard balls, and the Eli Wallach Western Ace High had cowboys playing billiards on horses.  Returning to television, the popular Western series Gunsmoke aired a 1974  billiards episode called “Cowtown Hustler.”  Several years later, James Caan showed his equestrian billiards skills in Another Man, Another Chance. Finally, in 1984, the Mexican film La Muerte cruzó el río Bravo reprised the horseback billiards concept as shown here (starting at 10:51).

Adventures of Ozzie and Harriet – “Pool Table”

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Billiards has always been about more than shooting balls into pockets. In television dramas, the pool hall is often the milieu, and the pool match a metaphor, for determining one’s future existence and ability to live (e.g., Quantum Leap – “Pool Hall Blues”; Twilight Zone – “A Game of Pool”; Monsters – “Pool Sharks”).

In billiards TV sitcoms, one’s life may not quite so much hang in the balance (this is comedy, after all), but the pool match nonetheless remains the arbiter of the future.   Just consider Ralph Kramden’s error in judgment when he upsets Harvey on the pool table (The Honeymooners – “The Bensonhurst Bomber”) or cadet Francis’ grudge match against Commandant Spangler (Malcolm in the Middle – “Waterpark”) or Oscar Madison’s desperate match to save the reputation of his roommate Felix Unger (The Honeymooners – “The Hustler”).

Billiards life was not always so complicated. Billiards matches were not always about losing your car (Dharma & Greg – “Do the Hustle”), or your money (Family Matters – “Fast Eddie Winslow”) or your job (Mr. Belvedere – “Tornado”).

Almost sixty years ago, the most complicated decision one faced when it came to billiards was where to put the pool table. At least, that’s the premise of the utterly domestic billiards TV episode “Pool Table” (November, 1956) from the fifth season of that quintessentially wholesome sitcom, The Adventures of Ozzie and Harriet.

ScreenClip2As many will recall, Ozzie and Harriet, which aired from 1952-1966, making it still the longest-running live action American sitcom in television history, focused on the daily living of the real-life Nelson family (Ozzie, Harriet, and their two sons, Ricky and David). The show’s plotlines focused on typical problems around dating, marriage, and careers.

In “Pool Table,” which you can watch here in its entirety, the original problem is not the pool table, but that Ricky has too much clutter in his room, so he doesn’t have space to complete his homework. Ozzie’s initial solution to buy the kids filing cabinets is shelved when he instead buys a pool table from the local department store. “They were all out of filing cabinets, so I got a pool table instead,” explains Ozzie.

http://youtu.be/fIOSKETzyBI

Harriet’s surprise turns to disapproval when Ozzie temporarily sets up the pool table in the family room. Ozzie’s retort, “What are we going to do with it? Well, isn’t that just like a woman,” doesn’t ameliorate the situation. Thus begins the pool table’s peregrination from the dining room to the kitchen to the garage to the outside yard. Everyone is temporarily happy when Ozzie’s neighbor, Thorny, volunteers to keep it his in rumpus room, but that plan is quickly reversed once Ozzie realizes his neighbor is not home enough to let him access it.

ScreenClipRunning out of rooms, Ozzie enlists the support of his kids to jerry-rig a pulley system and haul the pool table up three stories to locate it in the attic via the outdoor window. This solution seems to be perfect, until the weight of the pool table causes its legs to crash through the attic floor and into the kids’ bedroom.

But, this being 1956, and the benefit of household cleanliness far outweighing the morbid likelihood of the rest of the pool table falling from its perch and crushing the kids, the decision is made to use the space between the protruding pool legs as a makeshift shelf, thereby enabling the kids to remove their clutter…which solves the original problem! And, for added giggles, the kids can still play pool upstairs, just now on their knees. As I said, life was much simpler back then.

Mr. Belvedere – “Tornado”

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Mr. BelvedereBob Uecker is affectionately known as “Mr.Baseball,” a moniker given to him by Johnny Carson. The sobriquet fits well, as Uecker not only played professional baseball for six years, but also was a colorful commentator for network broadcasts and has been the play-by-play radio announcer for the Milwaukee Brewers for more than 40 years.

Actually, Uecker’s affinity for sports extends well beyond baseball. He started playing basketball in eighth grade. He appeared in a series of commercials for the Milwaukee Admirals of the American Hockey League. He hosted a historic 1984 tennis match between Kenny Rogers and Bobby Riggs for his show War of the Stars. He even was the ring announcer for the famous WrestleMania III match between Hulk Hogan and Andre the Giant.

Mr. BelvedereHowever, one sport Uecker has little, if any, connection to is billiards. (Well, that excludes him hosting a 1986 episode of Bob Uecker’s Wacky World of Sports which featured a pool-playing poodle.) So, that made it just a bit disappointing to watch him in the Season 2 episode of Mr. Belvedere entitled “Tornado.”

Mr. Belvedere was an ABC sitcom that ran from 1985 to 1990. Based on the 1947 novel Belvedere, the series featured a posh housekeeper, Lynn Belvedere (Christopher Hewitt), who struggles to adapt to Owens household. Uecker plays the patriarch of the family, sportswriter George Owens.

In the October 1985 “Tornado” episode, a tornado strikes the town of Beaver Falls, Pennsylvania, where the Owens family resides. Taking the necessary safety measures, the entire family retreats to the basement. But the close quarters only exacerbate the brewing tension between George and Mr. Belvedere. That tension gets channeled toward the pool table, where George challenges Mr. Belvedere to a 100-point game of straight pool.

Mr. BelvedereUnfortunately, no imagination is given to the filming of the pool game. In comparison to other billiards sitcom episodes like The Brady Bunch – “The Hustler” or The Steve Harvey Show – “Pool Shark Git Bit,” the shots in “Tornado” are all incredibly basic and unoriginal. Sprinkled between the shots is some studio audience-friendly, G-rated banter, such as George saying to Mr. Belvedere, “Have a seat Fats, I could be here for a while,” or Mr. Belvedere’s reply when George misses, “Tough stuff, cream puff.”

The Owens’ kids seem to interpret this exchange of taunts as a sign that Mr. Belvedere’s future employment may be in question. But, with one point remaining and with the 8-ball balanced on the edge of the far corner pocket, the tornado strikes the Owen house, forcing the game to end and the men to go into a protective huddle and set aside their differences.

A clip from Mr. Belvedere – “Tornado” episode is available to watch below:

 

Ironside – “Side Pocket”

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Having watched incredible footage of World Wheelchair Pool Champion Fred Dinsmore, I was rather hopeful when I learned there was a billiards episode, “Side Pocket,” from Ironside, the ground-breaking, late-60s television series that starred Raymond Burr as the paraplegic, wheelchair-bound Chief of Detectives Robert Ironside. Perhaps Ironside, normally depicted relying solely on logic and reasoning to solve criminal cases, would showcase some hidden billiards talents as part of his crime-solving efforts.

Ironside - Side PocketUnfortunately, and notwithstanding the misleading picture to the left, the 1968, season 2 episode left Ironside to his usual sedentary crime-solving, albeit his office houses a beautiful table.

Instead, the episode focuses on Tim Patterson, a pool hustler who is ready to turn in his cue stick in exchange for the opportunity to pursue an engineering degree at Carnegie Tech. Tim asks Ironside for a letter of recommendation, but then inexplicably agrees to a high-stakes game against Money Howard (Jack Albertson), a legendary billiards champion.

It turns out Tim’s brother, Bobby, is in serious debt to Vance, a local mobster. Tim beats Money Howard, suspiciously winning $2000, but causing his brother to go further into debt to Vance for mistakenly betting against Tim. It’s at this point that Tim decides to continue hustling, rather than go to college. Such an about-face prompts Ironside and his entire team to investigate.

Ironside - Side PocketIronside soon learns that Vance is now stake-horsing Tim. Says Vance, “I got the kid who beat Money Howard. I got tournaments lined up across the country. I got tie-ins with pool table companies, billiards ball companies, cue stick companies.”

Ironically, Ironside never seems too concerned that Tim may be in grave danger, working for a mobster. Instead, Ironside’s primary concern is that Tim is forsaking his chance to go to college and continuing a career in hustling, a no-good, amoral lifestyle, in which one “lives in hotels, sleeps all day, smells of stale cigar smoke [and] hops from town to town, looking for suckers.”

The storyline doesn’t make a ton of sense. And the pool-playing is rather laughable, given Money Howard is supposed to be “the greatest pool player in the world…correction…the greatest pool hustler in the world.” At least Howard is played very well by veteran stage actor Jack Albertson, who ironically, had also played a pool hustler in the Gunsmoke episode “Cowtown Hustler.” (But even that acting had limited joy, as I couldn’t disassociate Albertson from his subsequent portrayal of that famous octogenarian, Grandpa Joe, from Willie Wonka & the Chocolate Factory.)

In the end, the best part of this episode may have been Quincy Jones’ opening synthesizer theme, which Quentin Tarantino smartly appropriated for Kill Bill. But, then, you didn’t really need a billiards episode to appreciate that.

The Ironside episode “Side Pocket” is available to watch on Hulu Plus.