Category Archives: Billiards TV

The Billiards TV category is about television episodes that prominently feature billiards or have plots centered around billiards.

Furniture to Go – “Pool Table”

In the 1990s, if one was asked about humorous repair shows on television, the press-the-buzzer answer for most Americans would have been Home Improvement, the ABC sitcom that starred Tim Allen as President of the Binford Tool Company and the host of the DIY home improvement show “Tool Time.”

Furniture to Go

Ed Feldman (left) and Joe L’Erario, hosts of Furniture to Go

But, for a small population of Philadelphians, humorous repair was synonymous with Joe L’Erario and Ed Feldman, stars of The Learning Channel series Furniture to Go, which aired from 1993 to 1997.  The two furniture repairmen from the City of Brotherly Love somehow carved out a niche and developed a loyal following in the crowded how-to television genre by intertwining their bonhomie and bad humor with cinematic references and an easygoing approach to their craft.

Over the course of four years, the pair channeled their restorative powers toward a panoply of furniture, from French Deco cocktail tables and walnut pews to poplar armoires, mahogany throne chairs, and Old World roll-top desks.  And, in 1996, for their 49th episode “Pool Table,” they tackled – you guessed it – the refurbishing of an old pool table.  The full episode is available to watch here.

https://youtu.be/rFWc-6_rr_4

Like most Furniture to Go episodes, “Pool Table” begins with a cinematic interstitial. Mr. Feldman plays Minnesota Fats, and Mr. L’Erario plays Bert Gordon, in a black-and-white parody of The Hustler, which also randomly weaves in a reference to “my friend Harvey” from The Honeymooners billiards episode “The Bensonhurst Bomber.” (Other episodes have lampooned films, such as Arsenic and Old Lace, A Clockwork Orange, and On the Waterfront.)

After the clip, Mr. Feldman and Mr. L’Erario take the viewer to Monarch Billiards in Crum Lynne, Pennsylvania, where they have been contracted by the owner to repair an ash pool table (as opposed to the nearby $56,000 table with ­the Carpathian Elm aprons and legs with hand-carved mahogany lions).

Furniture to GoWith table in hand, they return to their studio to begin the restoration, which includes three stages: (1) refinishing the wood; (2) repairing the leather pockets; and (3) refelting the table. Though each stage is intended to be straight-forward, there are a sufficient number of steps involved to make one admire the difficulty of the artistry from afar.

For example, in the first phase, when Mr. L’Erario seeks to replace the “ugliest color finish he’s ever seen,” he takes the viewer through the following steps: sanding, cleaning, tack ragging, masking off, mixing (clear lacquer, burnt sienna japan color, and red mahogany stain), straining the mix, adding fisheye destroyer, spraying, adding a second layer of color (pure golden oak), spraying again, and finally, spraying a semi-gloss lacquer.

All the while, the duo engage in a series of terrible jokes, many with a nod to movies and celebrities.  Describing the legs of the pool table, Mr. Feldman says, “These legs aren’t that attractive either…They’re kind of like my aunt’s leg.” To which Mr. L’Erario replies, “They’re kind of like Ernest Borgnine’s legs.” Referring to the flattening agent in the semi-gloss lacquer, Mr. Feldman asks, “Flattening agent? Is that what Kate Moss uses?”

By the end of “Pool Table,” after the pockets have been treated with mink oil and the rails have been refelted using a rawhide hammer to secure the fabric beneath the splines, the table is reassembled using just a ratchet wrench (“Use the Ratchet. Miss Ratchet. Nurse Ratchet.”), and becomes the setting for a friendly game of billiards.

Though Furniture to Go only lasted a few years, the repair pair have channeled their skills and zany charm through a variety of off-camera activities, including authoring The Furniture Guys Book in 1999 and teaching classes at the Art Institute of Philadelphia and the University of Pennsylvania, as well as have appeared on numerous talk shows, such as Good Morning America, Regis and Cathy Lee, Maury Povich and The View.

However, for true zealots of the show, the great news may be the team’s return to television.  In March 2017, a pre-production announcement for their new show The Old Furniture Guys lit up YouTube. For everyone who can’t wait to watch and once again wish to see these guys “lay down some gorgeous Charlie Sheens,” your prayers may have been finally answered.

Mr. Show – “Van Hammersly”

American History. Science.  Mathematics. Taught by the wrong educator, these can be dry subjects. But, what if you could learn about these subjects in an exciting, entertaining format from a world-wide billiards champion using nothing more than a pool table, balls, and cues?

That would be genius!  Or, if not genius, than downright, gut-busting, absurd.

Van HammerslySuch was the premise of the 1996 “Van Hammersly” sketch from Season 2, Episode 4, of the Emmy-nominated HBO comedy series Mr. Show, starring and hosted by Bob Odenkirk and David Cross.

Across the 30 episodes that aired between November 1995 and December 1998, Mr. Show lampooned everything from traditionalism to capitalism to organized religion with hilarious sketches that earned the show the 3rd greatest sketch comedy TV show of all time, according to Rolling Stone.[1]

Today, most people associate Mr. Odenkirk with the dubious, silver-tongued lawyer Saul Goodman from Breaking Bad and its spin-off Better Call Saul.  But, long before assuming the role of the smooth-talking attorney, Mr. Odenkirk portrayed a plethora of memorable characters on Mr. Show, including Van Hammersly, a cheeseball billiards champ hawking a line of educational video cassettes that are equivalent to earning your GED.  You can watch the full “Van Hammersly” sketch here.

The 150-second faux infomercial is must-see TV.  “Van Hammersly” begins with an introduction his first videocassette, “I Oughta Be in Pictures,” which “showcases his incredible talent and passion for the golden age of film.”  Featuring billiards balls named after Marilyn Monroe, Humphrey Bogart (“Judy, Judy, Judy”)[2] and the Three Stooges, Van Hammersly engages with, and then pockets, the balls as they interact at a 1952 Hollywood Awards show.

In the second video, we’re “off to the races as Van recounts the running of the 1974 Kentucky Derby the only way he knows how – with a pool table!”  Shooting each ball (horse) into a pocket, Van Hammersley details the race, rattling off with gusto a series of fictional equines:  Mr. Fasthorse, Papa’s Delicate Condition, Kystallnacht, Batman: The Horse, Nice ‘N’ Sticky, Stinkfinger, If Mandy Patinkin Was a Horse, and (“bringing up the rear”), Ol’ Felcher.[3]

Van HammerslyOther videos in Van’s series detail the history of mass transportation; science; mathematics; American history (“And that’s when Lincoln said [sinking the ball] don’t dis my homies.”); Renaissance painting, oceanography, corn futures, belly dancing; December 7th, 1941; billiards, rock lyrics, and many, many more!

Whether because of the memorable nut-job one-liners, the signature physical gestures, or the ludicrous concept, “Van Hammersly” often ranks among the most popular of the 157 Mr. Show sketches.[4]

And yet, ironically, the concept of teaching academic subjects through billiards is neither fictitious nor far-fetched.  Many probably remember watching in elementary school the 27-minute educational vignette Donald in Mathmagic Land that explains math angles to Donald Duck through a game of three-cushion billiards.  In a similar vein (though very poorly executed), the Australian Commonwealth Unit commissioned a series of educational “message films” in 1972. One such short film was “The Billiard Room” which lamely tried to teach the adult learning process through a game of snooker.

More recently, the National Film Board of Canada aired the “Let’s Play Long Billiards” episode of their Discover Science television series in which they explain the effects of colliding forces through a massive game of billiards. And in January 2015, the Science Channel’s wonderful series Outrageous Acts of Science featured billiards trick shot artist Florian “Venom” Kohler in an episode of “Fact or Faked” which asked real scientists to explain the science behind his improbable shots.

Maybe “Van Hammersly” is not so preposterous after all.  Anyone up for a billiards lesson on Zombies in Popular Media? Patternmaking for Dog Garments? Queer Musicology? Science from Superheroes?[5]

[1]        “40 Greatest Sketch-Comedy TV Shows of All Time,” Rolling Stone, March 27, 2015.

[2]    The best part is while the origin of the “Judy, Judy, Judy” line is murky, it is always attributed to Cary Grant, not Humphrey Bogart. http://www.carygrant.net/articles/judy.htm

[3]       Still don’t get the pun?  Look it up. #NSFW.

[4]      http://www.vulture.com/2015/11/every-mr-show-sketch-ranked.html

[5]       Yes, these really are the names of courses currently taught on college campuses. (http://socawlege.com/the-15-most-ridiculous-college-courses-you-wont-believe-are-being-taught/)

Lovejoy – “The Colour of Mary”

When historians chronicle the origins of billiards, they frequently cite Mary, Queen of Scots, as one of the sport’s earliest and most famous enthusiasts.

Colour of Mary

Painting of Mary, Queen of Scots, by Nicholas Hilliard. The painting resides at the National Portrait Gallery in London.

Mary ruled over Scotland for almost 25 years in the mid-16th century. When she claimed she was the legitimate heir to the throne of England, the current queen, Elizabeth I, had her confined to various castles.  One of the last prisons for Mary was Tutbury Castle, where she was moved to in 1585.  Under the guardianship of the Chancellor of the Duchy of Lancaster, she was treated kindly and was granted her request to have a billiards table on the premises.

However, her time at Tutbury was short-lived.  She was subsequently moved to Fotheringay Castle, without her billiards table.  There, she was found guilty of plotting to assassinate Elizabeth and was beheaded in 1587. According to reports from her lady-in-waiting, her headless body was wrapped in the cloth from the billiards table.

Now, fast-forward about 400 years.  Charlie Gimbert, a sleazy antiques dealer, has inherited the management of fallen snooker champion Murray McNally, who insists his game depends on the procurement of Mary, Queen of Scots’ billiards table.  To find the table, Gimbert contracts Lovejoy, a rougish dealer, and sics him on the impossible fool’s errand with a promise of a big payoff if he successfully secures the trophy.

Colour of MaryWell, that’s at least the premise of “The Colour of Maryepisode of the British comedy-drama series Lovejoy.  First aired in 1986, Lovejoy follows the antique-hunting adventures of the eponymous Lovejoy (Ian McShane).  The series had a five-year gap between its first and second seasons, which is why this particular episode aired in January, 1993, during the fourth season.

“The Colour of Mary,” with an obvious cultural nod to The Color of Money, begins with Lovejoy’s well-intended pursuit of the mythical table. Unfortunately, after connecting with antique historians and visiting the famed Fotheringay Castle, it becomes clear to Lovejoy that the table no longer exists, most likely incinerated hundreds of years ago along with all of Mary’s possessions.

Expecting that neither Gimbert (Malcom Tierney) nor McNally (Alex Norton) know the table’s true history, Lovejoy proceeds to create a forgery, using some early baize and nailing it to an Elizabethan table.  The table is put up for auction by an estate, and Gimbert buys it for £15,000 with the intent of showing it to McNally.  But, surprise, surprise, McNally was acting in his own ruse, and upon seeing the table, proceeds to demolish it, citing his militant preference for snooker over billiards.

This curious coda seems intent on fanning the flames of a ‘snooker versus billiards’ rivalry, but I strongly question whether such a dogfight exists.  More to the point, any player that would take an axe to an antique billiards table is truly not deserving of his cue stick.

“The Colour of Maryalso include an exhibition snooker match with real world snooker champion Dennis Taylor, but his presence does little to save this rather uneven episode.

The full episode is available for purchase on YouTube.

Fresh Off the Boat – “Keep ‘Em Separated”

In my previous blog post, on the 2014 movie Second Chance, I highlighted that it was the first film to originate from Taiwan focused on billiards, which was ironic, given nearly 10% of the Taiwanese population plays billiards, second only to baseball in sports popularity.

Fresh Off the BoatFor this reason then, it’s hardly surprising that the ABC sitcom Fresh Off the Boat, about a Taiwanese family’s journey from Washington DC’s Chinatown to Orlando, Florida, prominently featured billiards in its March 2016 Season 2 episode, “Keep ‘Em Separated.”

Fresh Off the Boat, now in its third season, is the first American sitcom in more than 20 years to prominently feature an Asian-American family on a major network during a primetime slot. Starring Randall Park as Louis Huang and the comically sharp Constance Wu as his wife Jessica, the show highlights daily life as the family opens a cowboy-themed steak restaurant in 1995.

In “Keep ‘Em Separated,” the premise is that Louis now has a lot of free time because he’s no longer personally responsible for closing the restaurant. That’s creating a lot of tension on the home front, since Louis is continually interrupting Jessica’s ‘girl time’ with her next door BFF Honey.  Deciding that he should get back into pool, Jessica surprises her husband by unveiling his retired now re-tipped cue stick, Black Ball Betty, which Louis explains is “not a bo staff [but] a different kind of weapon…a two piece low deflection maple staff pool cue.”

Emboldened by the reunion with Black Ball Betty, Louis – aka Louis Short Pocket – heads over to the Cue Tips Pool Hall, where he has a great night: “Cheap beer, non-stop [George] Thorogood on the jukebox, the smell of Camel Lights and desperation.” This pleases Jessica silly, until she learns that Louis’ billiards partner is a woman named Toni.

Fresh Off the BoatThe introduction of Toni (Angelique Cabral) provides the episode’s funniest moments.  Entering Cue Tips to the sound of Alannah Myles’ “Black Velvet,” a “song that can make everything sexy,” Toni struts out in stiletto heels, skin-tight black jeans, and a spaghetti strap top, then delicately blows billows of red chalk dust into the air from the tip of her cue stick.

Jessica, who subscribes to the When Harry Met Sally school of thought that men and women cannot be friends, immediately interrogates Toni, with both needle-sharp questions (“Why did your parents name you Toni?  It’s a man’s name.”) and over-the-top comments (“You have no power here, witch…you heard me, demon.”)

The madcap situation continues when Jessica insists that Louis drop Toni and make her his partner instead.  Expectations run high as Jessica then enters the pool hall to ZZ Top’s “La Grange” in red heels, black leather pants, and wind (?!) blowing her hair.  But, the fantasy quickly crash lands back on Planet Earth, with Jessica swapping the heels for Keds, missing simple shots, and using all the quarters on the table to put Amy Grant on repeat on the jukebox. She laments, “Pool is so boring, there is so much standing around…it’s worse than baseball.”

The episode comes to closure as Jessica ultimately concedes she doesn’t want to be a “wet blanket wife” and realizes that Louis will have far more fun shooting with someone who can play.  That said, she still insists, “no touching and always show the wedding ring.”

Unfortunately, while “Keep ‘Em Separated” provides its share of good laughs, it is completely lacking in good pool.  Admittedly, I was hopeful, as I first learned about the existence of this episode from Trickshot Tim Chin, who was the billiards technical advisor during filming.   But, as Tim posted in his December 2015 blog:

It came together real fast with the director calling me the week beforehand and I was glad I wasn’t busy. I got to coach Randall Park, who plays Louis Huang, and Angelique Cabral, who plays Tony, on how to look like a pool player. Unfortunately, the team didn’t really put my trick shot skills to great use due to the time constraints of filming, but the actors did quite well on their own and improved tremendously in the short time I had with them.[1]

The Fresh Off the Boat “Keep ‘Em Separated” episode is available to purchase through YouTube.

[1]      http://www.trickshottim.com/learn/trick-shot-tim-pool-ta/

 

Mystery Diners – “Behind the Eight Ball”

Based on posted reviews and garnered awards, you would be mighty foolish to visit Portland, Oregon, and not spend an evening dining and playing pool at the Uptown Billiards Club, located in the city’s Pearl District.  The upscale restaurant-cum-pool-hall is rated 4.8 (out of 5) on Open Table, 4.6 (out of 5) on Facebook, and 4 (out of 5) on Yelp, and it has been recognized as a Top 100 “Fit For Foodies” restaurant, as well as a Top 10 restaurant in the Pearl District.  Have you seen the Big Daddy Burger or the signature Bacon, Pear & Fontina Pizza?  They look absolutely sumptuous, and don’t even get me started on the “themed” five course tasting menu…

Mystery DinersThus, it’s hard to imagine why the club’s owner, Kent Lewis, genuinely felt the need to go on the reality show Mystery Diners and spy on his newly hired “social media expert” to validate his usefulness.  But, that’s exactly the premise of the “Behind the Eight Ball” episode, which aired in November 2014 as part of the series’ eighth season.  The episode is available for purchase on YouTube.

Mystery Diners is yet another undercover reality show (e.g., Undercover Boss; Restaurant Stakeout) that covertly monitors employees at work.  Airing on the Food Network and hosted by the wooden Charles Stiles, owner of Business Evaluation Services and Mystery Shopper Services, the series relishes the use of hidden cameras and microphones, and disguised actors, to learn first-hand what happens when the boss is away.

The series, which has about as much tension as Judge Judy, “has been accused of being both completely fake and scripted,” according to WaitWithUs.  “Several people claiming to be involved with both Stiles’ companies and restaurants that have been featured on the show have come forward and stated that not everything broadcast on the series is real.” [1] And, in fact, each episode ends with a graphic stating, “Certain events may have been re-enacted for dramatic purposes.”

All of which brings us back to the proprietor’s curious decision to appear on Mystery Diners.  As Mr. Lewis states, his challenge is trying to “change the perception of a pool hall,” as he cannot exactly “invest in marketing because upscale pool room is an oxymoron.”  So, he hires Sonny, a “social media expert” to bring in new customers, but he requires Mr. Stiles to evaluate the return on his social media investment.

This is a little hard to swallow for several reasons.  First, Uptown Billiards states prominently on their website: “We don’t pay advertisers or publicists to toot our horn, we believe in word-of-mouth.” Okay, not sure how that jibes with the decision to hire Sonny.  Then, there is the not-so-complicated question of how to evaluate a social media expert, besides through elaborate reality television reconnaissance.  How about Facebook likes? Instagram posts?   It took me 15 minutes on these various sites to conclude Uptown Billiards has little social media presence.  With 210 followers on Twitter (and that’s more than 2 years after the episode aired), I think it’s a safe call Sonny didn’t exactly excel at his job.

As the name suggests, Uptown Billiards not only has a mouth-watering menu, but also is home to 10 Brunswick pool tables: eight 4’x8’s and two tournament-sized in a private room.  Ultimately, Sonny is undone by the printing and distribution of coupons to his friends to use these tables for free, all of which is captured on tape rather unconvincingly.

Mystery DinersBut, that “gotcha!” moment is far more credible than the cornball – and clearly staged – reveal of Bri, the new bartender, not only playing pool while she’s working, but gambling too.  What’s more, Bri is apparently in cahoots with the drunkard she beat on the table.  The secret camera shows Bri lining up a pigeon to get hustled, pretending to pour liquor into the drunkard’s glass, and receiving a pay-off. As Mr. Lewis line-reads, “I grew up in a pool hall and I’ve known hustlers my whole life.  This [drunk guy at the table] is a hustler… [and Bri] is a shill…she’s the person who baits the person with the real money.”

Anyone who thinks this scene is real is probably deserving of a hustle.  Bri clearly cannot shoot pool, as evidenced by her stance and the producer’s inability to capture a decent unedited shot. The tosspot at the table playing air guitar with his cue stick looks too drunk to dupe anyone. And there’s no reason for Bri to receive a payoff after each game. The roping should be an all-night affair, with a payoff at the end.

Mystery Diners Sure enough, Bri is played by an actress, Bri Schreiber. The “Behind the Eight Ball” role is listed in on her website. Interestingly, her email includes the phrase “jimmistick,” which is a word for a sawed-off cue stick.  So, perhaps Ms. Schreiber does have some pool DNA in her?  And, more weirdly, her LinkedIn profile shows her as still working at Uptown Billiards…as a roulette dealer?!

In any event, regardless of the veracity of in “Behind the Eight Ball,” the episode seemed to have little impact on Uptown Billiards.  There were no noticeable spikes in social media followers and no online reviews citing the episode as a reason for visiting.  Even Mr. Lewis appears a little unenthused, judging from his Facebook post.  Maybe that’s because he’ll forever be haunted by his closing words, “Thank you Charles for helping me rack up these hustlers and put them behind the eight ball.”

[1]       Reality TV Fake! Food Network Show ‘Mystery Diners’ Caught Up In Scandal For Faking It

The Dick Van Dyke Show – “Hustling the Hustler”

It is difficult to overstate the impact The Hustler had on the game of pool in the United States.  Released in October 1961, the movie saved the game of pool from “passing into oblivion,” according to pool historian Mike Shamos.[1]  The Billiards Congress of America noted that after the movie came out “new rooms opened all over the country and for the remainder of the 60’s pool flourished.”[2]

Hustlin' the HustlerThe cultural resonance of the film was also immense.  Since its release The Hustler has been referenced in dialogue or through imagery in more than 65 movies and television episodes, according to IMDB, including The Cincinnati Kid (1965); Wandering Ginza Butterfly (1972); The Odd Couple (1973); The Wanderers (1979); The Outsiders (1983); The Simpsons (1994); Trainspotting (1996); Poolhall Junkies (2002); Nip/Tuck (2007); and NCIS (2009), to name a few.

Certainly, one of the first cultural connections was The Dick Van Dyke Show episode, “Hustling the Hustler,” which aired just one year after the movie’s release, as part of the CBS sitcom’s second season. In fact, not only is the episode’s title a direct reference to the film, but also one of the characters in the episode mentions he’s seen “that movie with Paul Newman and Jackie Gleason.”

As ‘60s television viewers will recall, The Dick Van Dyke Show ran for five seasons, garnering 15 Emmy Awards.  Starring Dick Van Dyke as Rob Petrie, the head writer of the fictitious The Alan Brady Show, the series largely revolved around his work and home life. The series also starred Morey Amsterdam as Rob’s co-writer Buddy Sorrell and Mary Tyler Moore as Rob’s wife Laura.

Hustlin' the HustlerIn the episode “Hustling the Hustler,” Rob invites Buddy’s estranged yet charming brother Blackie (Phil Leeds) to his house for dinner and a friendly game of billiards in the Petrie household basement.  But, Rob is unaware of Blackie’s pool hustling background, which had been established in an earlier strained exchange between Buddy and Blackie.

According to Rob, Laura gave him the pool table to “keep him off the streets.”  Referring to her husband, Laura then warns Blackie (in another direct reference to The Hustler), “[Rob] is a real hustler. You’ve heard of Minnesota Fats. This is Illinois Skinny.”[3] Rob also jibes, “I’ll let my pool cue speak for me. This way, pigeon.”

Given the episode’s title, there’s no surprise how the game will unfold.  As part of the upfront setup, Blackie plays the pool-fool, commenting on the “nice white ball” and guessing that chalking the cue helps reduce friction.  Blackie then asks Rob if he’s a hustler, and Rob replies, “No, but I could have been.  My wife won’t let me go to pool halls alone.”

Blackie then breaks, feigning unfamiliarity with the term “break” as well as with how to hold a cue.  With some coaching from Rob, he successfully breaks, only to sink the 8-ball.  (This scene, unfortunately, has two fundamental errors.  First, it’s clear that assuming the balls were racked correctly, it was not the 8-ball that got pocketed. And second, Rob indicates that sinking the 8-ball on the break is an automatic loss, which is not accurate, per BCA rules.)

Rob wins a few and goes up 5-1, but ultimately, lets his overconfidence become his undoing, as he quickly amasses a $300 debt (equivalent to $2400 in 2016) to Blackie.  The humor from the episode comes in watching Rob’s physical transformation.  As one blogger noted, “the moment when Rob realizes what he’s gotten himself into offers yet another chance for [Dick Van Dyke] one of the masters of facial comedy to provide us with a pitch-perfect comic expression.”[4]

Of course, since The Dick Van Dyke Show was largely wholesome storytelling, the episode cannot end with Rob getting fleeced. Rather, Blackie tears up the $300 check to prove to his estranged brother that he is no longer the pool hustler he once was.

The full “Hustling the Hustler” episode is available to watch here.

[1]       http://www.espn.com/page2/s/closer/020617.html

[2]       A Brief History of the Noble Game of Billiards by Mike Shamos 

[3]       “Hustling the Hustler” would not be the last show to provide a comic twist on the name of Walter Tevis’ fictitious pool shark Minnesota Fats.  In the 1970 “Armando and the Pool Tableepisode of The Flying Nun, the Minnesota Fats of San Tanco plays the “Minneapolis Skinny of the Convent.”  And, in 1971, Don Adams played Skittle Pool against “Wisconsin Skinny” in a memorable commercial for the toy game.

[4]  

Auction Kings – “Rolling Stones Snooker Table”

There is clearly a market for celebrity pool tables.

In 1998, a snooker table custom made for the Rolling Stones’ Voodoo Lounge tour sold at auction for $12,075. In 2007, an Adler Victorian-style carved-walnut pool table, which had been customized for musician Ozzy Osbourne, sold at auction for $11,250.  A year later, the Brunswick table that actor Glen Ford had spent countless hours using  to play celebrities such as John Wayne and Frank Sinatra, went for nearly $8000 in a Heritage auction.

Rolling Stones snooker table

from the Voodoo Lounge tour

So, it was not outrageous for Gallery 63 owner Paul Brown to think that he could make a pretty penny auctioning a snooker table that had been customized for, and used by, the Rolling Stones as part of their 1989 Steel Wheels Tour.  Such is the setup for “Rolling Stones Snooker Table/Aliens,” the fourth episode of the first season of Auction Kings, a reality television series produced by Authentic Entertainment for the Discovery Channel.

Airing in November 2010, the Auction Kings episode, available to watch here, begins with Donald Dukes, the founder and creative talent behind handcrafted table maker Atlantic Billiards, walking into Mr. Brown’s auction house in Sandy Springs, Georgia, looking to sell a custom 12-foot snooker table that he built for the Rolling Stone to bring on tour.

https://youtu.be/ZJMzT_d84lw

This was not the first time Mr. Dukes had been called upon by the Rolling Stones to build a snooker table.  He built a total of five tables for the band and for its lead guitarist Keith Richards, including the aforementioned Voodoo Lounge tour table, which had been crafted from 1,400 pounds of slate playing surface from Italy, worsted wool cloth from Belgium, gum-rubber rail cushions from England, and maple cue sticks from Canada, according to the Christie’s auction site.[1] Mr. Dukes even joined the band on tours in order to maintain the tables.

(It is now well-documented that the Rolling Stones include in their concert tour rider that the promoter installs a snooker table backstage.  Rolling Stones guitarist Ronnie Wood wrote in his 2007 autobiography Ronnie: “The gig organizer is also obliged to set up a snooker table for Keith [Richards] and me – it’s a non-negotiable part of the contract. We always have a game before a concert.”[2])

Rolling Stones snooker table

from the Steel Wheels tour

For the Steel Wheels tour table, which was decorated with names of classic Rolling Stones’ hits, had legs mounted with replicas of John Pasche’s famous 1970 “Tongue and Lips” artwork, and included “ironclad provenance – [Mr. Dukes] and Keith Richards shooting a game on it,” the desired price was at least $4,000. “If all goes well, we will use the cash for 2nd honeymoon for our 40th anniversary,” says Mr. Dukes.

At the time right before the episode’s airing, enthusiasts on the AZBilliards Forum opined that the table should command a significant price.  Estimated ranged from “at least 4K” or “around 8K” to 15K and even 25K.[3]

In the actual episode, an appraiser values the table itself at $3,500 but quickly adds that its celebrity provenance is the true wild card which could favorably impact the value.  Owner Mr. Brown robotically follows up, “I’m hoping the fact it was indeed the Rolling Stones’ snooker table will drive the value up in a Jumping Jack Flash.”

“Rolling Stones Snooker Table/Aliens” ends with the auction, which also includes the sale of some African art and life-size aliens that are also highlighted throughout the episode.  With Mr. Dukes in the audience, the auctioneer begins the bidding at $1250.  An anonymous call-in buyer drives up the price, ultimately buying the table for $4000. Though Mr. Dukes only received his minimum asking price, he seems content; Mr. Brown, too, is relieved, though the lackluster bid prices for some of the other auction items leads him to surmise that there is bad luck in the air.

The theme of bad luck was a motif the show’s producers ran throughout the episode, starting with the scratching of winless lottery tickets and ending with Mr. Brown unwittingly walking beneath a ladder.  Such superstitious events were undoubtedly inserted to build the show’s narrative.

But, ironically, the bad luck gimmicks may have been a real omen.  The series Auction Kings ended in 2013, and Mr. Brown’s auction house Gallery 63 closed in March, 2015.  And, according to an AZBilliards Forum post from NoBull9, who spoke with one of the table’s assemblers, the $4000 deal fell through and the table was locked up in a warehouse, still for sale.[4]

[1]       http://www.christies.com.cn/lotfinder/LotDetailsPrintable.aspx?intObjectID=606212

[2]       http://www.backstageauctions.com/catalog/1587-rolling-stones-1994-one-of-a-kind-voodoo-lounge-tour-used-pool-table/ai/0/24241/

[3]      http://forums.azbilliards.com/showthread.php?t=207833

[4]       http://forums.azbilliards.com/showthread.php?t=207833

The New Show – “The Hustler”

FATS:  Do you like to gamble, Eddie? Gamble money on pool games?

FATS:  Hundred dollars?

EDDIE:  Well, you shoot big-time pool, Fats. I mean, that’s what everybody says, you shoot big-time pool. Let’s make it two hundred dollars a game.

FATS:  Now I know why they call you Fast Eddie. Eddie, you talk my kind of talk… (moving to the main table) Sausage! Rack ’em up!

As any billiards cinephile knows, these are some of the indelible lines penned by Sidney Carroll and Robert Rossen for the 1961 film The Hustler. The exchange marks the first interaction between Paul Newman (as “Fast” Eddie Felson) and Jackie Gleason (as Minnesota Fats). The dialogue is so precise that the actors’ voices are audible and instantly recognizable from the printed word alone.

Twenty-three years later, in the 1984 “The Hustler” sequence from The New Show, these words are uttered almost verbatim by the same characters, shot in B&W in a cinematographic feel identical to that created by Eugene Shuftan in The HustlerBut, replacing Mr. Newman and Mr. Gleason are two very different actors: Kevin Kline (as Eddie) and John Candy (as Fats).  The full sequence is below:

Is this a remake?  Are we going to watch a shot-for-shot reenactment, like Gus Van Sant’s 1998 treatment of Psycho?

For those familiar with The New Show, Lorne Michaels’ NBC sketch comedy that aired during the 1983–84 television season, the answer, of course, is no.  There is anticipation that though the dialogue, framing, music, and cinematography all mimic the original The Hustler, something is hopefully about to become wildly different and madcap.  And, boy does The New Show send-up of The Hustler not disappoint!

New ShowOnce Sausage has racked the balls, and the two players have lagged for break, Fats prepares to break and…miscues. His ingenuous follow-up response is priceless:  “Wait, I wasn’t ready for that.  Can I take that again?” For Eddie’s turn, after asking if you need to call balls (“No, you don’t need to call them.  Except the 8-ball.  That you must call.”), he misses wildly on his break, caroming the cue off of several rails without touching the rack.

And so it goes, turn after turn. As Kenyon Hopkins’ noirish score from The Hustler marks the slow passing of the hours, Eddie and Fats miss, scratch, and scratch some more, until a line of nine balls have been put back on the table, penalizing the players for their ineptitude. Fats shares, “It’s time to get something going here Eddie. Maybe a little old-fashioned bangy ball.”

New ShowMore hours pass, the hands of the clock rotating speedily, the cigarette butts amassing on the floor, and still the chalkboard reads, “Game One.” The two players, feuding after 16 hours, about whether the $200 bet really counted, collapse on the table, exhausted.  Fats proposes, “Let’s clear all the balls off the table except the 8-ball and the cue ball. Whoever sinks it is the winner.”   I won’t reveal the ending, but it’s consistent with the previous lunacy.

“The New Show” was intended to mark Mr. Michaels’ return to television, after a five-year hiatus from Saturday Night Live. The comedy show appeared on Fridays, not Saturdays, in prime time, not late night. It was filmed “mock live,”not live, and featured three guest stars, who rotated from show to show, instead of one host. These decisions were intended to differentiate it from SNL.  But, even with its incredible rotating cast of characters (Kevin Kline, John Candy, Steve Martin, Catherine O’Hara, Buck Henry, Jeff Goldblum, Gilda Radner, Raul Julia, Penny Marshall, and Laraine Newman), the show was a ratings disaster. It ran for just nine episodes before getting canned as the lowest rated of 94 programs during the 1983-1984 television season.

If you are like me, and you are only experiencing the joy of watching “The Hustler” for the first time via this blog or seeing it recently posted on YouTube, then we collectively owe a huge amount of gratitude to Tor Lowry, a managing member of Zero-X Billiards and the creator of the billiards web series, 14 Days – The Great Pool Experiment.

For over the past year, Mr. Lowry had been on a personal quest to locate “The Hustler.”  Other clips from The New Show (e.g., “Roy’s Food Repair”, The Twilight Zonettes) had been available on YouTube for some time, but only the first several minutes of “The Hustler” were viewable, prior to Mr. Lowry’s successful sleuthing. (I even reached out to the New York Paley Center for Media, with their library of 160,000 television shows, radio programs and commercials, on Mr. Lowry’s behalf, only to come up empty.)  Mr. Lowry finally located someone who had recorded the episode on VHS, and subsequently transferred the recording to YouTube, making it viewable for all.

Given “The Hustler” has already racked up almost 16,000 views in less than a month, there is perhaps hope that this short-lived series may one day be available again to watch.

A Minute with Stan Hooper – “The Hustler”

Stan HooperThe Fox sitcom A Minute with Stan Hooper pretty much came and went in about that much time. Premiering in late 2003, the series was cancelled after the first six episodes aired. That’s too bad. Based on the third episode, entitled “The Hustler,” the sitcom had some comedic promise, attributable in no small part to the offbeat humor of the show’s creators and writers Norm MacDonald (Saturday Night Live) and Barry Kemp (Newhart).

For those who blinked and missed this series, A Minute with Stan Hooper featured Norm MacDonald in the titular role as a famous newspaper columnist turned television commentator, who moves his family from New York to (fictional) small-town Waterford Falls, Wisconsin, where he hopes to connect with middle America in order to grow the viewership of his weekly minute-long television commentaries.

Stan HooperIn “The Hustler,” Stan is invited out by Lou Peterson (Garrett Dillahunt from Raising Hope), one of the locals, to “shoot a little pool, drink a little beer” at Jimmy’s Tavern, where they will play billiards for “nickels and dimes.” Feeling this will give him a chance to connect with the town’s denizens, he readily agrees and goes to the bar, where humorously everyone is named Jimmy. But, when he sees Lou unsheathe his cue stick and go through his routine of polishing and chalking, he questions if he is being hustled.

That suspicion increases after Stan sees Lou miss wildly on his shot after the break. Yet, the gaffe elicits “oohs” and “aahs” from the bystanders, and Lou’s good friend Jimmy consoles him with, “That was close.” Stan, who has already admitted he is not very good, botches his next shot, prompting Fred (the ever reliable Fred Willard) to share, “Gents, this has all the making of a great one.”

Confused? So is Stan. The television viewer’s vantage shifts from eye-level to birds-eye, hovering over the pool table, as simple shot after simple shot is horribly missed.   When Stan finally makes a gimme in the side pocket, the locals go crazy. Stan dryly retorts, “I’ve made three balls in 90 minutes.”

Finally, as the game hits the three-and-half-hour mark, according to a clock in the tavern, Stan lines up to shoot the 8-ball. Lou, drenched with sweat, shudders, “He’s not going to sink the 8-ball. That’s the hardest one.” And Fred, with an inside reference to Minnesota Fats’ character in The Hustler, says to all, “You are watching an artist. Watch that fat man [Stan] shoot with his fat hands.”

When Stan wins the game by five balls, he is owed “two dimes and a nickel,” which he learns does not equal 25 cents, but is equivalent to $2500, an enormous sum that will force Lou to close his diner to pay the bet. Stan later inquires why they play for such high stakes. The answer, according to Fred, is “they’re simple folks. It makes them feel important. And because no one plays well enough to finish a game, no one has ever lost. Until now.”   The remainder of the episode focuses on Stan’s ill-conceived attempts to return the $2500 to Lou. The full episode is available to watch here.

“The Hustler” is not the first television episode to focus on pathetic pool.   In the 1996 “City Slackers” episode of Boy Meets World, Eric challenges an opponent to a game of pool to win the heart of a girl, but his plan fails after “15 hours of someone yet sinking a ball.” A far more interesting spin on bad pool is the episode “Water Park” from Malcolm in the Middle, in which Malcolm’s older brother Francis competes with his Commandant to see who can lose in eight-ball in the most spectacular fashion. But, perhaps, the most hilarious take on bad billiards is from the 1984 “The Hustler” skit for The New Show, in which “Fast” Eddie Felson (Kevin Kline) challenges the Fat Man (John Candy) to $200/games of pool, and both proceed to shoot horribly.

The Jersey – “New Kid in Town”

The premise behind The Jersey, a vanilla television series that aired on the Disney Channel from 1999-2004, is that four teens – Nick, Morgan, Coleman, and Elliot – discover the magic of “the jersey,” a mystical football jersey that transports them into the bodies of professional athletes. So, when I first learned the series included a 2003 billiards episode entitled “The New Kid in Town,” I got a wee bit giddy. Perhaps, Nick would morph into Earl “The Pearl” Strickland, who reigned in 9-ball in 2002, or Morgan Hudson would transfigure into Jeanette “Black Widow” Lee, who won the gold medal at the World Games in 2001.

New Kid in TownWas I so naïve to think that the producers and writers of The Jersey might distinguish themselves by deeming billiards players professional athletes? After all, past episodes had featured not only familiar superstars like Terrell Davis (football), David Robinson (basketball) and Randy Johnson (baseball), but also household names from less popular sports, such as Kelly Slater (surfing), Dan Lyle (rugby), Scott Steiner (wrestling), and Dominique Dawes (gymnastics).

Alas, my hopes were dashed as I began watching “The New Kid in Town,” which, like many sitcoms, actually included two unrelated storylines, and most definitely did not include any billiards professionals. The jersey/athlete storyline involves Elliot Rifkin (Theo Greenley) assuming the body of professional BMX rider and X Games Dirt Jumping gold medal winner Ryan Nyquist in order to better understand why a “new kid in town” has a chip on his shoulder. Lots of killer bike jumps follow.

The non-jersey, utterly unimaginative storyline involves the show’s father figure, Larry Lighter (Michael Bofshever), having just re-felted his pool table, trying to relive his college glory days when he was known as – wait for it – Missouri Fats.[1] His first opponent is his daughter, Hilary, who has never before shot pool. Unfortunately, his skills have apparently atrophied over time, and he becomes insufferable after repeated losses to his daughter. As she says, “I must be really good considering you’ve been playing like 25 years and I’ve been playing like 25 hours.” (Of course, given his blatantly incorrect racking of the balls, it’s not clear he ever had the skills.)

New Kid in TownMore bad jokes follow (“It’s not me, it’s the table…somehow when they re-felted it, they messed it up.”) before Larry confesses to his wife, “I just want to be competitive at one thing, and pool was my last salvation, and now I can’t even win at that. Missouri Fats is no more.”

Last salvation?! And, in a final twist of the knife, Larry only wins a game because his wife bribed his daughter to throw it. Larry proclaims he will celebrate the win by buying himself a new graphite cue. Billiards fans, on the other hand, shrug their shoulders, dismayed that yet another television episode reduced their sport to bad racks, bad jokes, bribes, and the basement floor of avocations.

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[1]       For a more original and funnier permutation of billiards legend Minnesota Fats’ name, watch the Aurora Skittle Pool commercial (1970), featuring comedian Don Adams as “Wisconsin Skinny.”