Category Archives: Billiards TV Game Shows

The Billiards on TV Game Shows category is about game shows that focus on billiards.

Billiards: More Than a Game, It’s a Game Show

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Earlier this year, English game show host Tom O’Connor sadly passed. One of the shows he hosted, though it never aired, was Pick Pockets, which paired traditional trivia with snooker and featured top players. 

Today, it’s beyond fanciful to imagine a game show dedicated to billiards. Especially in the US, no players are household names. Ask most people about billiards and they’ll stare confusedly at you. To my knowledge, Jeopardy! was the last game show to feature billiards. That was in 2014 with the elementary Pool Shots category.

But, while modern game shows have not been kind to billiards, TV game show history tells a more complicated story that echoes the rising and receding popularity of our favorite cue sport.

Ten-TwentyThe first billiards-themed game show was ABC’s Ten-Twenty, which aired in 1959 and lasted approximately 13 weeks. Conceived by billiards evangelist and promoter Frank Oliva, Ten-Twenty was intended to bring pool out of the murky pool halls. Quite the challenge as this was still two years before both the movie The Hustler popularized the sport and the brothers Jansco organized the first Johnston City Hustler Jamborees. 

Ten-Twenty pitted top players of the era, such as “Cowboy” Jimmy Moore and Irving “The Deacon” Crane, against one another in games compressed for 30-minute television watching intervals.  Though Ten-Twenty was hardly a national success, the fact it ever aired is downright impressive.

The first billiards tie-in that I could find occurred one year earlier, when World Straight Pool Champion Willie Mosconi appeared on To Tell the Truth in 1958. Mosconi subsequently appeared on I’ve Got a Secret (1962) and What’s My Line? (1962), in which celebrity panelists questioned contestants to determine their occupations. Perhaps, it was a harbinger of the future that none of the panelists successfully guessed Mosconi’s job.

Celebrity BilliardsOther billiards players similarly appeared on these celebrity panel shows, including a six-year-old Jean Balukas on I’ve Got a Secret in 1966, but the next big step in the billiards-themed medium was Minnesota Fats Hustles the Pros in 1967, followed by the more successful Celebrity Billiards with Minnesota Fats in 1968.  Fats, the quintessential showman and impresario, was the perfect host for a game show in which he entertained audiences by playing celebrities for charity. The game show ran for four seasons, and starred a who’s-who of the era’s A-listers.

But, by the early ‘70s, America’s appetite had waned. Indeed, it took 16 years before another billiards game show appeared. This time it was in the UK, where snooker was truly catching fire, as evidenced by 18 million TV viewers watching the 1985 World Snooker Championship. In 1984, the Stuart Hall hosted quiz show Pot the Question launched.  Contestants were paired up with a snooker player, and the points per question were determined by what the snooker player potted. 

Big Break - billiards game showSurprisingly, Pot the Question only lasted one season. The aforementioned Pick Pockets was the next attempt to cash in on snooker’s popularity, but that too failed.  It took a few more years before the BBC’s Big Break nailed the formula, launching by far the most popular billiards-themed game show, with 222 episodes across 11 seasons. 

Hosted by off-color comedian Jim Davidson and former snooker player John Virgo, Big Break paired three contestants with three professional snooker players in a series of rounds that combined trivia and snooker play. Many of the snooker giants of the era – e.g., Dennis Taylor, Jimmy White, Alex Higgins, Willie Thorne, and Allison Fisher — appeared on Big Break.

Beat the SharkBack in the US, billiards was back in the shadows. The sport had disappeared from game shows, with 2002 being the one outlier. That year, in the “Billiards for Gross Eats” episode of Fear Factor, contestants were given a cue ball to sink four balls in five shots. The missed balls had pictures of the gastronomic horrors they would have to eat.  In the “Beat the Shark” episode of Dog Eat Dog, a contestant competed against a billiards professional to sink four balls before he cleared two tables.  It didn’t help that the opponent was Dave “The Ginger Wizard” Pearson, who set the Guinness World Record by potting two consecutive racks of 15 pool balls in 82 seconds.

In 2005, what many hoped would provide an industry resurgence proved to be the final nail in the coffin. That game show was Ballbreakers. Executive produced by Mars Callahan, director of Poolhall Junkies, and featuring commentary by Ewa Mataya Laurance, the show consisted of contestants competing in 9-ball for a chance to win $20,000. Intended to be the “coolest pool show ever,” according to its creator, Ballbreakers was an unmitigated disaster, lasting only one season and proving there is no joy watching amateur players compete in 9-ball. 

Assuming Jeopardy! emerges from its current PR apocalypse and begin its 38th season, I have a suggestion – or more precisely, an answer — for whomever replaces Mike Richard as executive producer.  

This sport, often maligned and portrayed unfairly in popular culture, is overdue for some recognition.

Answer: What is Billiards?

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This article first appeared in BCA Insider, BCA Holiday Issue, November 1, 2021.

Pick Pockets

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I was not familiar with the English television presenter and comedian Tom O’Connor, who died from Parkinson’s about two months ago. But, an alert about his passing showed up in my news feed because in addition to hosting such popular British game shows as Crosswits, Name that Tune, and Password, he also hosted a snooker-themed game show called Pick Pockets.

What was this?

Of course, there have been snooker-themed game shows, such as Pot the Question from 1984 or the widely popular Big Break, which ran from 1991-2002, but this one had clearly eluded my research. Wikipedia lists over 500 British game shows, but there’s no mention of Pick Pockets.  Nor does it appear on the British Game Show Wiki, the website UK Game Shows, or searching the BBC. Yet, sure enough, there on YouTube, user gareth11077 had posted the pilot episode from 1988.  You can watch it here.

Fortunately, I was able to contact gareth11077, who I subsequently learned was Gareth McGinley, author of Heart Breaks: The Tony Knowles Story, and a self-described enthusiast and researcher of ‘80s snooker. Through my email exchange with him, as well as a separate email exchange with Trevor Chance, the creator of Pick Pockets (as well as the founder of Legends, Europe’s longest running live tribute show), I learned that the show I had watched was an untransmitted pilot, as the series actually never aired. The hope was to get it onto ITV, but the network’s commissioner at the time, Greg Dyke, allegedly had a particular dislike for snooker that not only left Pick Pockets homeless, but more important, signaled a “death knell of snooker on ITV, as well.”

According to Mr. Chance, Pick Pockets was inspired by a game of snooker he was playing (and was not influenced by its forbearer Pot the Question). Produced by Tyne Tees, the ITV television franchise for Northeast England, the show combined “the knowledge of our teams with the snooker skills of our guest professionals,” as Mr. O’Connor shared in his opening.

Pick Pockets had two competing teams, each pairing a local contestant with a celebrity. In the pilot episode, the celebrities were TV actor George Layton and English women’s cricket captain Rachel Heyhoe Flint. The teams, in turn, were each paired with a professional snooker player.  The episode’s two players were John Parrott, who one year later would lose the World Snooker Championship to Steve Davis, and the “Silver Fox” David Taylor, a familiar face in the ‘80s though after 1980 he never made it past the quarterfinals of the World Championship.  Completing the celebrity lineup was Len Ganley, the show’s “resident referee” and scorekeeper (who refereed four World Championships between 1983 and 1993).

(At the end of the episode, the audience is promised that next week’s episode – which was never made – would star Alex Higgins and Willie Throne, two true giants of the sport.  Oh well.)

Gameplay begins by each snooker player breaking their opponent’s rack. The 15 red balls have no value; they are obstacles to interfere with potting the colored balls and can be removed in the first round by each team correctly answering trivia questions, such as “how many toes does a rhinoceros have? (three) or “what is a jumbuck to an Australian?” (a sheep).

Once a ball is removed for each correct answer, round two begins. In this round, the players seek to pot the colored balls in order, while avoiding the remaining red balls. The pockets have different point values, and points are earned by a combination of answering a trivia question and potting the ball.  The team that has the most points advances to the third round.

In this final round, the non-celebrity contestant must answer six trivia questions. Each right answer earns his snooker-playing teammate 10 seconds to run a table consisting of the six colored balls. The player wants to leave as much time on the clock because once the table is run, the remaining time will be used to pot a single gold ball, which is worth 1000 pounds (or approximately $1700 USD in 1988).

While clearly dated through today’s viewing lens, the show was entertaining and had a certain imbued charm, principally due to Mr. O’Connor’s jovial banter. It’s a shame it never aired. Evidently, the ingredients were right, as Big Break proved only a few years later with a format that is uncannily similar to Pick Pockets.

What’s My Line?

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Salvador Dalí. Walt Disney. Eleanor Roosevelt. Lucille Ball. Alfred Hitchcock. Walt Frazier. Althea Gibson. Dizzy Gillespie. Aretha Franklin. Groucho Marx. Jesse Owens. Vidal Sassoon. Barbara Walters. Orson Welles. Gore Vidal. Sean Connery. Along with hundreds of others, these celebrities all had one thing in common.  Care to guess?

What's My LineThey all appeared on the famous panel game show What’s My Line?  And to this pantheon of household names, we can also add two renowned billiards players, Willie Mosconi and Minnesota Fats, who appeared on the show September 2, 1962 and January 17, 1965, respectively.

What’s My Line? aired in the United States on CBS initially from 1950 to 1967, making it the longest running U.S. primetime network game show. Moderated by John Daly, the game required four “celebrity” panelists to question a contestant in order to determine his or her occupation, with panelists occasionally having to identify a celebrity “mystery guest” by name. Though there were a number of panelists during the 17-year run, a majority of the episodes had a panel that included columnist Dorothy Kilgallen, actress Arlene Francis, and Random House Publishing founder Bennett Cerf.

Willie “Mr. Pocket Billiards” Mosconi, of course, was (and still is) considered one of the greatest pool players in history. He won the World Straight Pool Championship an unmatched 15 times, and he set the straight pool world record in 1954 for pocketing 526 consecutive balls in an exhibition match.

In the What’s My Line? episode featuring Mr. Mosconi as the mystery guest, the billiards legends signs in as Mr. X to avoid recognition. The panel tasked with identifying his profession (“world pocket-billiard champion”) consists of Ms. Francis, Ms. Kilgallen, Mr. Cerf, as well as the flamboyant composer and pianist Liberace. 

Knowing only that Mr. X is salaried, deals in a service, and hails from New Jersey, the panel establishes that Mr. X is an indoor entertainer for a profit-making organization who has appeared on television, but otherwise fails miserably to guess his vocation.  When the host ultimately reveals that Mr. X is Willie Mosconi, the panel erupts into a chorus of ohs, ahs, and “Yes, indeed.” He then closes his appearance by discussing his role as technical advisor on The Hustler, and then giving the audience a lexical lesson on the origin of the term “pool.” 

What's My LineThe episode featuring Minnesota Fats is also available to watch on YouTube here.  New York Fats, aka Rudolf Wanderone, was a pool player and hustler who assumed the name Minnesota Fats in 1961 after the release of The Hustler, starring Jackie Gleason as the fictional character Minnesota Fats. Though he appropriated the moniker and was only a decent player, Minnesota Fats quickly became one of the world’s most famous billiards players, appearing in movies (The Player), starring on game shows (Celebrity Billiards with Minnesota Fats), authoring books (The Bank Shot and Other Great Robberies), and headlining video games (Minnesota Fats – Sega Genius).

In this Season 16 episode of What’s My Line?, mystery guest Mr. Fats enters by signing in as Rudolf Wanderone. His profession, which the panelists must guess in 10 or less turns, is “professional pocket billiards player.” The panel, which includes Ms. Francis, Ms. Kilgallen, Mr. Cerf, as well as author and comedian Alan King, are not blindfolded, as they often are with celebrities who are visually recognizable to the general public. Though the panel determines he is an indoor performer who uses “props,” moves around a good deal, requires skill and dexterity, is an expert/champion in sports, and has been seen on television, they fail to guess his identity.

What's My LineWhen the host Mr. Daly finally reveals his identity, eliciting applauses, head shakes, and an “Oh Yes!” from Ms. Francis, Mr. Daly goes on to reinforce the myth that Mr. Fats “came to great fame” because he was portrayed by Jackie Gleason in The Hustler, which, of course, was entirely inaccurate. Mr. Daly goes on to cite other parts of Mr. Fats’ resume, including that he was also Vice President at billiard table manufacturer Rozel Industries in Lincolnwood, Illinois.[1] Ironically, the fast-talking Mr. Fats has little opportunity to speak in the episode, often over-ruled by Mr. Daly, but he does have a classic in-character retort to Mr. Cerf’s ignorant question about the famous poker novel later adapted into a movie:

Mr. Cerf: Are you in The Cincinnati Kid? Are you one of the characters?

Mr. Fats: I am one of the characters whenever pool is concerned.

For Mr. Mosconi, What’s My Line? was but one of three game show appearances he made.  He also showed up on To Tell the Truth in 1958 and I’ve Got a Secret in 1962. As noted above, Mr. Fats adored the limelight and parlayed his celebrity into a starring role on Minnesota Fats Hustles the Pros in 1967 and then on Celebrity Billiards with Minnesota Fats from 1968 to 1971.

[1]       Rozel, formed in 1963, sold pool tables and accessories under the name Minnesota Fats Billiard & Leisure Centers. In 1980, the five Minnesota Fats stores were converted to Video King outlets. The company filed for bankruptcy in 1985.

 

Dog Eat Dog – “Beat the Shark”

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As evidenced by the 32 biographies that comprise David Baber’s 2009 book Television Game Show Hosts, the game show host had been, until recently, a celebrity vocation ruled almost exclusively by men. (Case in point: there are no women featured in Baber’s book.) Then, at the start of the millennium, several women finally grabbed the microphone. They included Anne Robinson, the host of the Weakest Link; Meredith Vieira, the host of the syndicated version of Who Wants to be a Millionaire; and Brooke Burns, the host of Dog Eat Dog, an NBC import that included a famous “Beat the Shark” billiards challenge as part of its first season in July, 2002.

Beat the Shark

Host Brooke Burns (center) with contestant Anastasia Normandin and British billiards sensation Dave Pearson.

While the choice of Ms. Burns helped dismantle the male game show host archetype, the decision to hire the 5’8” former fashion model and star of Baywatch was more likely intended to help NBC build momentum on top of its already popular and superior Fear Factor, a reality game show that similarly tasked eye-pleasing contestants with competing in a variety of physically and mentally challenging stunts (including a billiards-themed sequence in the “Billiards for Gross Eats” episode). Dog Eat Dog, too, often asked contestants to strip down to bathing suits, or in the case of playing Strip Quarterback, disrobe to nothing at all, for a chance to win $25,000. Thus, it’s no surprise that a show marketing the physical bodies of its contestants would, in turn, select a host equally gorgeous and marketable.

Beat the SharkOn each episode of Dog Eat Dog, the six contestants vied in a series of physical competitions, trivia challenges, and assorted games. For the “Beat the Shark” sequence, contestant Anastasia Normandin is chosen by the other players to compete in a round of speed pool against Dave “The Ginger Wizard” Pearson, a British billiards player, who shortly after the airing of the episode set a new Guinness World Record by potting two consecutive racks of 15 pool balls in 82 seconds. (He currently owns four world records, though he has set 20 of them in his billiards career.) In the sequence, Ms. Normandin must sink four balls on her table before Mr. Pearson clears two full tables.

The results are highly amusing and sadly predictable. Mr. Pearson moves around the table like a man on fire, shooting effortlessly and never missing a single shot; Ms. Normandin struggles to set up shots, fumbles with a cue stick, and seems incapable of making even the simplest ball-in-pocket. As a result, she is sent to the “Dog Pound,” like the other contestants who failed before her in earlier games. The full sequence is available to watch here.

In addition to “Beat the Shark,” the seventh episode included “Treadmill Trivia” (answering general knowledge questions while running on a treadmill suspended over a water tank); “Ladder Wheel” (climbing around a large wheel while removing flags); the aforementioned “Strip Quarterback” (trading articles of clothing for footballs which must be thrown through an elevated hole in a tower); and “Hang in There” (suspending from handle bars in the air while “rain” pours down).

Dog Eat Dog only lasted two seasons. (There is speculation that the show’s demise was inevitable after one former contestant sued NBC after he was hospitalized and had alleged brain damage resulting from losing consciousness during a particular underwater stunt.[1])

Since the cancellation of Dog Eat Dog, Ms. Burns had continued to host game shows, most recently The Chase on the Game Show Network. Mr. Pearson has continued to try to break his own world records on the billiards table. Last October, he flew into Ozone Billiards in Kennesaw, Georgia to try to beat his 10 table record in eight minutes and 51 seconds.[2] Unfortunately, I can find no further information on Ms. Normandin. Apparently, the humiliating defeat was more than she could bear.

Special thanks to Mike L for alerting me to this particular billiards television episode!

[1] https://gameshows.fandom.com/wiki/Dog_Eat_Dog

[2] http://www.azbilliards.com/news/stories/11582-the-ginger-wizard-goes-for-world-record-at-ozone-for-cancer-charity/

Ten-Twenty

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It is difficult today to conceive the challenge billiards evangelist and promoter Frank Oliva, and his partner, sportscaster “Whispering” Joe Wilson, faced in launching the billiards game-show Ten-Twenty in 1959.

Ten-TwentyBilliards columnist George Fels captured the time period well: “There was no The Hustler except in fiction form, where it barely created a ripple. There was no Johnson City or its hustlers’ jamborees, therefore no “Minnesota Fats” in the national eye, nor his fabled rivalry with all-time champion Willie Mosconi. In other words, the two men had absolutely no momentum of any kind going for them to support the pitching of their idea.”[1]

Fortunately, Oliva was a hustler – not the pejorative version that has become the archetype of billiards players in movies, but the unwavering type, who would pursue a goal with bottomless passion and courageous conviction.

In describing his mentor and teacher in an AZ Billiards Forum message thread years ago, Scott Lee (of Pool Knowledge) said, “Frank [Oliva] was an innovator, a master teacher…and an all-around good guy, who loved pool…All he ever wanted was to help pool players find a way to make legitimate money at pool, without having to resort to gambling.”

Oliva recognized that for billiards to achieve public popularity, it must expand beyond the pool parlor scene to the television screen. Bowling provided a great analog and forerunner. In the late 1950s, ten-pin bowling went mainstream, entering millions of homes on Friday nights, thanks to hugely popular televised shows like Jackpot Bowling.

Ten-TwentyThe key was how to translate billiards to the television medium. In 1958, Oliva created a new game, Ten-Twenty, that was a variation of classic 14-1 straight pool. Each match consisted of eight innings of play. Each player could score up to 10 points each per inning. In the eighth inning, if a player scored 10 points, he could continue shooting for an extra 20 points. A perfect match score would be 100 points. Fouls would cost 1 point each. The matches were timed and if it ended before the eighth inning, the scores would be taken from the last fully completed inning. The full rules are available here. Oliva’s brilliance was acknowledging the need for time constraints, and then introducing the concept of timed play to professional pool in a way that could substantially, yet fairly, impact the outcome.

But, creating the game was only the first of many challenges. To pitch it to a broadcasting network, Oliva had to prove there was sufficient interest and financial support. Oliva successfully wrangled 82 different billiards parlors from the Chicago area to pitch in. (Many years later, Oliva elaborated, “Brunswick was main sponsor of the show, along with several distributors, manufacturers, and billiards rooms…Some that I remember were Hanson Billiard Mfg, Sydney Laner Co, and National Billiards…we probably had more sponsors than any show since.”[2])

Finally, there was the issue of player support. Unlike future US billiards game shows (i.e. Ballbreakers), Ten-Twenty was not designed for amateurs; it was intended to attract the top players of the era. The lure of playing on television of course helped, but so did the financial rewards. The best players could win more than $1000 ($8,160 inflated in today’s real dollars), or even $5000 for a perfect game.   And, since “each week’s winner would return the following week to do battle with a new qualifying top contender, seldom did anyone hold the championship beyond two weeks.”[3]

Ten-Twenty

Frank Oliva

This model would prove successful in attracting a who’s-who among billiards greats. Some of the players that appeared on the show included Joe Procita, Joe Diehl, Don Tozer, Charlie Cacciapaglia, Mike Eufemia, Cisero Murphy, Nick Oliva, “Little” Joey Canton, Jimmy Caras, Willis Covington, “Cowboy” Jimmy Moore, and Irving “The Deacon” Crane.

Armed with a masterful game design, a battalion of sponsors, and a commitment from many of the country’s leading pool-players, Oliva was able to convince WBKB, an ABC affiliate in Chicago, to air Ten-Twenty, starting in 1959. The 30-minute show ran was picked up in many cities, though it never achieved national syndication. Oliva played the role of show producer, referee and player recruiter. His partner, “Whispering” Joe Wilson, who was the Howard Cosell of sports-casting in the 1950s and 1960s, provided the sotto voce play-by-play.

Most of the Ten-Twenty episodes are no longer available (and sadly may no longer exist), but fortunately the entire match between “Cowboy” Jimmy Moore and Irving “The Deacon” Crane is available on YouTube split across five separate clips. You can watch them here.

For those not up on their billiards history, Moore and Crane were two of the world’s best. Moore, a straight-pool master, who was inducted into the Billiard Congress of America’s Hall of Fame in 1994, won the United States National Pocket Billiards Championship in 1958. (He was also a technical advisor on billiards-related scenes in television and film, including My Living Doll and The Family Jewels.) Crane, another straight-pool master, won numerous championships, including six World Crown billiards titles in his career. He was inducted into the Hall of Fame in 1978.

Ten-TwentyThis particular episode not only showcased their incredible skill (a jubilant Wilson remarks at one point, “[That was] one of the greatest shots I’ve ever seen.”), buy also showed how even the greatest can make simple mistakes (check out the rare miss by Crane in Part 4 at 2:33). It also serves as an interesting time capsule, with its public service announcement from top leading man Jeff Chandler about mental illness, which he describes as “America’s number one health problem,” as well as its advertisement for ABC’s new show about the supernatural, Alcoa Presents: One Step Beyond.

Sadly, Ten-Twenty was short-lived, lasting maybe 13 weeks in total.[4] There are scant details available about why the show did not experience the same trajectory of success that occurred in bowling game shows like Jackpot Bowling and Make That Spare.  It would require two more years before billiards truly burst into the public imagination with the release of The Hustler in 1961.

Nor was our real hustler, Frank Oliva, deterred for long. His passion for billiards led him to found and organize in the Oliva Women’s Pool League, the country’s most enduring, women’s billiard league. And, his determination to get billiards its deserved national audience also led him back to television in 1967, when he partnered once again with Wilson to launch the game show Minnesota Fats Hustles the Pros.

[1]       “November: Pool, Meet TV,” George Fels, Billiards Digest, November 2011.

[2]       “Frank Oliva,” Pool & Billiards Magazine, November 1986

[3]       “A tribute to the King of televised championship billiards in America,” by Jim Parker.

[4]       There is some confusion about how long the show ran. Various sources I checked said it lasted 8 episodes, 13 weeks, or 2 years.

Celebrity Billiards with Minnesota Fats

It’s been almost 18 years since his passing, and an incredible 45 years since his television show Celebrity Billiards with Minnesota Fats first aired.  But, watching the three episodes just released last month on DVD by VCI Entertainment, one instantly recalls his larger-than-life presence, both in his physical girth (at times as much as 300 pounds) and in his verbal swagger and elocution, to say nothing of his pool-playing bravado.

Celebrity BilliardsRunning for four seasons, from 1967-1971, Celebrity Billiards with Minnesota Fats was, quite literally, celebrities playing billiards (for charity) with Minnesota Fats.  Until VCI released the DVD, I had never seen a full episode, though partial clips existed online.  The low-budget set, even by late ‘60s standards, featured a single pool table surrounded by a horseshoe of audience members a few rows deep.  Each episode featured Minnesota Fats, the “world’s most accomplished billiards player” (or some variation of such hyperbole), playing a form of billiards against one of the popular comedians or actors of that era.  The celebrity was given an agreed-upon handicap, and if the celebrity won, s/he got $1000 (about $6700 in today’s dollars) toward the charity of her/his choice; if s/he lost, then $500. At the end of the game, which was shown in its entirety, “Mr. Fats” then demonstrated a series of trick shots, sometimes successfully, other times not. Most of these shots felt impromptu and intimate between him and his celebrity guest, and in all the episodes I watched, the credits rolled even as he was continuing to share shots.

Before delving into the three specific matches on the VCI DVD, it’s worth providing some context around this show, and its master impresario.  To start, in 1961, the movie The Hustler was released, which had two notable effects.  First, participation in billiards skyrocketed. “Sales of equipment soared. The number of pool halls doubled. Organized billiards boomed. Even television sports began to cover straight pool matches,” according to one Chicago Tribune article.

Bank Shot and Other Great RobberiesSecond, in introducing the world to the fictional Minnesota Fats (played by Jackie Gleason), it enabled Rudolf Wanderone Jr., a traveling pool hustler from New York City, to claim the name as his own, forever mixing fact and fiction.   And with the Minnesota Fats moniker, the former Wanderone, a decent but largely unknown billiards player, became a household name, parlaying his fame into every facet of media, from magazine articles (Sport Illustrated) to autobiographies (The Bank Shot, and Other Great Robberies) to instructional books (Minnesota Fats Plays Pool) to television (The Tonight Show Starring Johnny Carson) and later, even to movies (The Player).

Also, it had been more than a decade since Ten-Twenty, the last billiards game show.  And with the popularity of bowling shows, such as Jackpot Bowling, on the air, it was the perfect time to try the billiards game show format again, this time with its own superstar, who used to pass out stamped autographed trading cards proclaiming himself “the greatest pool player ever.” Pairing the portly propagandist with celebrities equally made sense, given the success of game shows prominently featuring celebrities, like Hollywood Squares, which debuted in 1966. On top of it all, pool had emerged at this time as the “number one sport in Hollywood, according to some news media.

In the four seasons of Celebrity Billiards with Minnesota Fats, a who’s-who of the era’s A-listers came on the show, including Zsa Zsa Gabor, Sid Caesar, Buddy Hackett, Bill Cosby, Mickey Rooney, and Phyllis Diller.  Apparently, in the show’s pilot episode, James “Maverick” Garner came on, allegedly a reputable pool hustler in his own right, and actually beat Fats, winning the $1000 charity prize.

The newly-released VCI DVD features three episodes from 1971.  In the first episode, Fats plays the comedian Groucho Mark (sans cigar) in 9-ball, giving him the break plus three subsequent shots.  Marx’s game is okay, but his one-liners, such as “It wouldn’t hurt you to practice once in a while,” are classic.  After Fats wins, he reveals to Marx a number of trick shots, though he misses a handful, prompting Marx to reply, “You want to apologize?”  Some of this episode is available to watch below on YouTube.

http://youtu.be/tZFqhx0Aymo

In the next episode, Fats plays the folk-singing comedians, the Smother Brothers, in a game of “Last Ball,” in which players take turns pocketing balls, but the winner is the one who sinks the last ball.  The Smother Brothers played as a team, effectively getting two turns for every one turn Fats got.  Though the games were presided over by commentator Tim Travers, it’s Fats who provides the real play-by-play, such as describing Dick Smothers’ narrow miss as a “good boy who got in some bad company.” Fats also showcases some beautiful trick shots, including a “kiss, bank, kiss three-cushion” shot.

In the final episode, Fats plays “Mr. Television” Milton Berle in a game of three-cushion billiards, in which Berle is given a three point head-start.  Berle admits to picking this lesser-known variation of billiards because he thought Fats lack of familiarity with the game would give Berle an advantage. This episode tends to lag, as both players struggle to earn points.  Though it is rather amusing when Fats attempts to explain the diamond system to Berle in what comes across as near-dizzying calculus.

The DVD with these three episodes is available to buy on Amazon.

Big Break (snooker game show)

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Almost exactly 11 years ago, the final episode of Big Break, a British game show that paired ordinary contestants with professional snooker players to win cash and prizes, aired on BBC1.  It was not the first billiards game show (an honor that belongs to Ten-Twenty, which aired in the 1950s).  Nor was it the first billiards game show to feature “celebrity” pool players (check out Celebrity Billiards with Minnesota Fats from 1967).  And it was certainly not the last game show to incorporate billiards (the short-lived Ballbreakers aired in 2005). But, by any measure, it was the most popular billiards game show, with 222 episodes, plus 8 Christmas Specials and 8 Trick Shot Specials, airing between April 1991 and October 2002.

Big Break - billiards game showThe format of the show is well-detailed on Wikipedia, but I’ll summarize the main points, starting with the hosts.  Off-color comedian Jim Davidson was paired with former snooker player John Virgo, who served as the “straight man” for Davidson’s barrage of banter, mockery, and impersonations. (In later years, Davidson became the subject of much controversy for his offensive jokes about ethnic minorities, homosexuals, disabled people, and rape victims.  Some speculate, not surprisingly, that Big Break was ultimately canceled because of Davidson’s reputation.)

Each 30-minute episode paired three contestants with three professional snooker players.  Though in the US, billiards players sadly do not achieve celebrity status, such was not case across the ocean in the United Kingdom. Starting in the late 1960s, with the BBC’s decision to broadcast tournaments, snooker became increasingly popular, and by the mid-1980s, the sport was at its apex, when 18 million TV viewers watched the World Snooker Championship in 1985. This back-story explains why a game show with snooker players could become so popular.  In fact, many of the current and former stars of the sport at the time, including Dennis Taylor, Jimmy White, Alex Higgins, Willie Thorne, and Allison Fisher, appeared on Big Break.   The episode below from 1993 features snooker stars Peter Ebdon, Ken Doherty and Terry Griffiths.

The first round of play was called Red Hot.  In this round, contestants would amass 10-second increments of time by answering questions correctly.  The snooker players then had to “pot” as many balls as possible in that rewarded time (maximum 40 seconds).

The contestant paired with the player who potted the fewest balls then had a chance to win a consolation prize (including a Big Break board game) in the mini-game Virgo’s Trick Shot. In this game, Virgo would make a trick shot, and then ask the contestant to make it.  If s/he were successful (and often the hosts would “help” get the balls in), the contestant won the prizes.

The two remaining contestants then competed in the next round of play called Pocket Money.  In this round, each snooker player had to play by traditional snooker rules for 90 seconds with the snooker balls being worth amounts of money.  When the player missed, the contestant would need to correctly answer a question for play to resume.  Whichever contestant won the most money moved on to the final round, Make or Break?

In the final round, contestants were given 90 seconds to answer five general knowledge questions. Each correct answer allowed the snooker player to remove one red ball from the table. After the questions were answered, the remaining time was given to the snooker player to clear the snooker table with the benefit of having had a certain number of the red balls removed.

It’s interesting to quickly compare the wild success of Big Break to the wild failure of its American step-cousin Ballbreakers, which aired in 2005 on the Game Show Network and lasted just one year.  On one hand, each was a product of its time and origin.  Though Big Break missed the snooker heyday era by at least five years, it still was birthed by a country that loved the sport and the professionals who played it.  In comparison, the US TV networks have never looked favorably at billiards, and as a result, the US players, with the exception of Jeanette “Black Widow” Lee are basically unknown to the larger American TV-watching audience.  In this sense, Big Break started in the penthouse; Ballbreakers launched from the basement.

But the other interesting point of comparison is that Big Break left the billiards to the professionals.  And they were exciting to watch, especially under the 30- to 90-second time pressure of the different rounds. Ballbreakers made the terrible decision to let the contestants play the pool.  This may sound very populist and cool, but it made for awful viewing.

All of this begs the question…could Big Break be remade in parts of Asia, where billiards players are already recognized as celebrities?  Could it be remade today as an American game show and a way to increase the popularity of billiards in the United States?

You can find episodes of Big Break, including the Christmas Specials (with celebrities) on YouTube. Other relevant blogs on Big Break worth reading:

Ballbreakers (billiards TV game show)

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For a fleeting moment in July 2005, members of the billiards community were aroused by a new billiards TV show – specifically, a billiards game show featuring both amateur “pool sharks” and celebrities – that debuted on the Game Show Network.

Produced by Sokolobl Entertainment, the show Ballbreakers (originally titled No Limit 9 Ball) consisted of contestants competing in 9-ball for a chance to win $20,000.  Giving the show its billiards imprimatur was Ewa Mataya Laurance (“The Striking Viking”), who provided commentary on game play and expert advice on shots if asked by the players, as well as Mars Callahan, the director of Poolhall Junkies, who was the show’s co-executive producer.   Adding to the show’s popular appeal was Adrianne Curry, winner of the first season of America’s Top Model, who served as the series’ “Rack Girl.”

Billiards TV - BallbreakersWith its cover story in the July 2005 issue of Pool & Billiard Magazine, the show sparked a brief surge of debate about its merit and role in improving the popular image of pool.  Rob Lobl, one of the show’s creators, said, “Pool is coolest in the movies…and the lamest thing on TV.”  His partner, Sam Sokolow, added, “With the right set, the right format, we knew we could come up with the coolest pool show ever…the sky is the limit.”

But, among billiards players, the reactions were more polarizing, even before it premiered.  One person posting in the Billiards Digest Forum said, “This program will probably bring more interest to the game and more pool players.”  While another person countered by saying, “Great.  Another dumbass show to lower the bar…whatever happened to elegance and the beauty of this game to those who really can play.”

In hindsight, Ballbreakers had very little impact on billiards.  This was, in a large part, because the show wasn’t particularly good, and it was cancelled in 2006.   Why, you might ask?  Let’s start with the premise: watching amateur players compete in 9-ball is only interesting to watch on TV if the billiards-playing is decent.  But, the contestants never ran more than a few shots and often missed easy ones.  Similar to hearing bad jokes told at an amateur comedy show, some of the playing became downright cringe-worthy.

This “lousy pool” dynamic in turn made the Striking Viking’s job as commentator kind of a joke, too.  Laurance may be an ESPN commentator, a member of the Billiard Congress of America Hall of Fame, and a winner of all the major events on the WPBA tour, but even she couldn’t breathe much excitement into average playing and positioning.

The addition of Sal Masekela (X Games) as host also did little to dial up the engagement factor, especially because he was asked to treat the contestants as caricatures (e.g., the gay player “Cupcake,” the big player “Beefcake, etc.).  I did, however, enjoy his catchphrase, “Good luck.  Break some balls.”

A group of b- and c-list celebrities, including Tia Carrere (Wayne’s World), Lou Diamond Phillips (La Bamba) and Noah Wyle (ER) also joined two episodes of the series to boost ratings, but had little long-term impact.  However, at least one of those celebrities – Dorian Harewood – gets an honorary shout-out from me, for he also appeared 6 years earlier in the pool movie Kiss Shot, the topic of a future blog post.

I’ve included above one full episode of Ballbreakers, divided into four segments.  Watch them all, but I encourage you to check out the most novel part of the episode, which was Laurance’s introduction of the game “Jawbreakers” (Segment 2, 7:38) to get table control in the 2nd round.  It’s an interesting game designed to test how fast the players can pocket the 6 balls arranged next to the 6 pockets on the table.  But, like the show itself, it quickly falls apart.